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There are no canonisations and platitudes here (for instance, the book criticises in detail Vince Lombardi's late-sixties draft choices and suggests he might have handed Phil Bengtson something of a poisoned chalice - an interesting theory, if nothing else), and no tedious top-ten-this or worst-five-that lists for the more mentally challenged. Instead, there are decade-by-decade glimpses of the game which, taken together, produce the best historical, fan-level portrait of the NFL I've ever come across.
My only complaint - and it's a small one - is that the book does fall back on the inevitable statistical section and identifies what it believes to be the "greatest" players. There's enough of this junk in other books ("Total Football" leaps to mind); I would have preferred more pages of esoterica and amusing photographs.
This is a book really worth searching out for if your idea of a good read is something other than a fawning biography or Officially Licensed propaganda.
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I believe the authors are right in their declaration that excellence in this field depends upon focus and determination, and a commitment to continually demonstrate how your consulting organization adds value lest you suffer the fate of obsolescence. I encourage practice managers to read this book. It is an important contribution to best practice and should be a part of their consulting toolkit.
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(64) "The Moon in the East, the Sun in the West" has Retsudo ruminating on how he has sent all of his legitimate sons to be slaughtered by Ogami Itto. But the old man has an illegitimate son and daughter, and horrible plans for them both.
(65) "'Marohoshi' Mamesho" is another one of the fascinating characters created by Kazuo Koike and Goseki Kojima. This time around the title character is an old policeman from the capital on the verge of retirement who stumbles across Ogami Itto being commissioned for his next act of assassination. "Marohoshi" has spent his life protecting people and he is not going to let this ronin continue on the assassin's road.
(66) "Spoiling Daigoro" is an offbeat story where the family that hires Ogami Itto persuades him to let Daigoro stay with them while he goes off to do his job. They have a son who is a coward and a weakling with no friends, and the boy's father thinks that having Daigoro around might be good for Suzunosuke. Ogami Itto agrees and thinks go well for a while, but Suzunosuke soon grows tired of hearing his parents praise Daigoro day and night.
(67) "The Hojiro Yaguy" finds Retsudo's illegitimate son planning on using poison darts that can stop a charging horse to slay Lone Wolf. It looks like there is no way on earth Ogami Itto can escape, but, of course, he always has something up his sleeve. Warning: The ending of this one is unexpectedly brutual and shocking.
(68) "The Bird Catchers," is another episode where Lone Wolf and Cub are spectators for the most part as they come across a group of female falconers preserving a dying way of life. But what makes this tale of some significance, especially as the last one in this volume, is that in the eyes of his son, it seems Ogami Itto might have finally gone too far.
"The Moon in the East, the Sun in the West" is another superb collection of stories in the Lone Wolf & Cub saga. Koike and Kojima still manage to provide a new twist and turn in every volume while stringing us out as long as possible with both the short term mystery of the Yagyu letter and the long term quest of Ogami Itto to get his vengeance on the entire Yagyu clan. I read one episode a night right before bed and am almost always surprised to see what new direction each night's story might take. This has to be one of the ten greatest comic epics of all time.
(59) "Nameless, Penniless, Lifeless" is one of the most disturbing stories in the Lone Wolf and Cub saga. It begins with a woman putting on a sex show for peasants. But what is even more shocking is that the woman has lost her mind and that her husband, whose face is half scared by terrible burns, is the one who talks her into her displays. There is more here than meets the eye, as is often the case in these stories, and the way in which the truth is revealed might remind you of part of Shakespeare's "Hamlet."
(60) "Body Check" is another one of those tales in which Ogami Itto has to use his brains to put himself in a position to use his sword for his next assassination.
(61) "Shattered Stones" begins with one of the most different ways that Ogami Itto has met someone who wanted to hire him for an assassination. On top of that the rules of the assassination are quite different (again, I am reminded of a Western parallel in the novel "Sophie's Choice").
(62) "A Promise of Potatoes" is an amusing little change of pace story for this series. Daigoro is off by himself again, being beaten up by a group of kids, when he is rescued by a con artist who teaches the boy to sit by a bowl looking pitiful as a way of making money. But where there is Cub can Lone Wolf be far behind...
(63) "Wife Killer" is a wonderfully ironic title, which we learn is used to describe somebody who gives away the tricks of magicians, who are known as "hand wives." Noronji Hoya, the Princess of Magicians, who has been using a delighted Daigoro as her "assistant," is about the encounter the "wife killer," an old saki-sotted magician who travels with two thugs who extort money from magicians: pay up or have your secrets revealed. But Noronji Hoya has a better proposition: she will perform a trick and if the old man can reveal her secret she will kill herself; if not, then she will take the old man's eyes.
Kazuo Koike and Goseki Kojima are back to telling tales in which Ogami Itto is more often than not more of a spectator to the action in which other characters carry the stories. One of the testaments to the greatness of this manga epic is that the title character can be almost incidental to the story and it is still completely riveting. Here we are, not even halfway through this saga, and they are still coming up with new and intriguing variations on the basic themes they established early on. The fact that they can maintain this high level certainly justifies the exalted status Lone Wolf & Cub has in the international world of comics.
(55) "Talisman of Hades" finds Ogami Itto is now putting up pictures of a baby cart where once he had pasted the talismans of meifunado to invite clients of death and assassination. A group of young students on their way to an academy stumble upon the mystery of the signs and when they see the strange ronin slay a "priest" (another Yagyu assassin in disguise of course), they decide they must intervene, forcing Lone Wolf to teach them a valuable lesson.
(56) "Ailing Star" has Daigoro finding a place to stay with an old granny who lives under a rotted bridge in danger of collapse. The locals keep trying to convince the old lady to leave, but she refuses. "Ailing Star" forms an interesting counterpart to "Talisman of Hades" as Daigoro has his own little lesson to impart.
(57) "Thirteen Strings" is an 118-page story where Koike and Kojima come up with their own version of a Kurosawa film experience (the rain during the last acts of the story is a clue). When we come to end of this epic tale, surely "Thirteen Strings" will be one of the most memorable episodes. A runaway horse is about to trample a child in the road when Ogami Itto intervenes. The horsewoman turns out to be the Lady Kanae, Daughter of the Go-Jodai of Odawara Han, and a spoiled brat who fancies herself a samurai. Ogami also learns of a larger conflict between the Go-Jodai and the farmers. Drought has blighted the harvest for four years and the Go-Jodai has tightened the screws on the farmers, who "hire" Ogami to attend a meeting between the two sides (because if anything happens to Chosuke, the leader of the farmers, Lone Wolf will bring word back to the farmers). Go-Jodai has his own agenda for implementing fundamental agricultural reform. Meanwhile, his headstrong daughter seeks revenge on the ronin who has insulted her. But then the rains bring a sudden flood that changes absolutely everything. This is a memorable story of surprising depth, showing that Koike and Kojima are absolute masters of their craft.
(58) "A Poem for the Grave" has Ogami Itto seeking help in finding the secret of the Yagyu letter. This turns into another assassination job, which results in an encounter with another honorable soul who seeks to turn Lone Wolf from the Assassin's Road. The question is whether things might be different this time because of Ogami Itto's separation from Diagoro.
I am in awe of Koike and Kojima maintain this level of excellence through a story that is not even halfway over by this point in the telling of the tale. I continue to savor one story each night at bedtime so that I can think about how it fits into the big picture and the ebb and flow of the story. An absolute masterpiece, not just as a comic book, but as an epic narrative.