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I highly recommend the planner - it really helped me in organizing my wedding last summer.
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The appeal of the book is also in the memories of the reader's experiences that are brought back - many memories suppressed, never understood, recalled to be questioned "Why"? Why didn't I have more gumption to stand up against unwarranted criticism instead of recoiling and believing "they" were right.
Also, as a Mother, I wish I had not said certain things to a child or had supported one more vigorously at times. I keep falling back on the excuse: "I did the best I knew how to do at the time."
Yes, the book makes one think a lot. If she could survive and blossom into a beautiful spirit who turned her pain into inspiration - why didn't I?
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Meg (who I can only picture as Meg Ryan, btw) is an aspiring writer that no publishing company seems to want to give the time of day. On a whim, she signs her last submission for a sweet romance novel like it was written by a man, "borrowing" her boyfriend's name. Marcus (bf) is really only interested in marrying Meg and having their farm together and is barely excited about having to carry on as the writer once the company accepts the book. Turns out the company thinks the angle is super and so do the millions of women who run to the booksellers to snatch up their copies. Marcu is touring, signing, and loving every minute of it while Meg is behind the scenes scrambling to write more for Marcus' "career" and struggling to hold together the remaining fragments of their relationship. In the meantime, she starts to have feelings for his agent, a guy named Nick Carter (not the Backstreet Boy!!!!) and this really makes her mad at herself. After all she's a nice Catholic girl and wants to be honorable, but how honorable can she be when she is lying about the whole book deal in the first place? Her best friend has priceless advice and is hilarious. The characters also include a homosexual guy who is waaaaaay out there, and Nick's receptionist who is a genuine smart...! Funny. Didn't have to do a lot of in depth thinking to read this one, but what the heck, right?
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But teachers aren't the only ones looking to help young people connect feelings and writing. I'm also a parent of children in the 8-15 range and I'm alert to ways to provide other channels for my kids' explorations of inner and outer life. These books are great for that as well.
The 50-odd poems in this slim collection are roughly centered around the wide range of life changes that young people today face, often alone. But there's nothing like a voice describing what you feel to help you think about it while feeling it. These poems all work at that level.
Here are the start end the ending of her poem "Run Away":
I saw JoLynn just once\ after she ran away.\ We hugged at each other's eyes,\ touched hands\ with little to say.\
...\\
When she was running into all those problems\ she used to snap and spit like fire.\ But, now that she's run away,\ the heat is off -\ she just looks tired.\
Nice stuff. Not great poetry, perhaps, but good poetry and thought-provoking. What better doorway to great poetry in later years ?
As a writing teacher, I enjoyed the opportunity to move these younger pre-teens to look at poetry beyond the Shel Silverstein style. Many kids that age have decided that poetry is only fun, silly, "rhymin' Simon' stuff, as I called it. I think the best way to connect them to un-rhymed verse is through powerful themes. Holbrook accomplishes this. She sometimes sneaks in subtle rhyme, and even includes a sonnet or two, but mostly her emphasis is on feelings and words to express them... a place you might hope your writer(s) will explore.
Some of the themes are probably more appropriate for 8th-10th graders rather than 5th-7th, and some of them revolve around urban lifestyles that my primarily rural students did not connect with. Like any good collection there will be something for everyone here; and even if issues of sexuality and gangs are not a part of the kids lives, I'd rather have them explore these issues in poetry than on MTV!
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I must say that I absolutely loved this book! The author does an excellent job of capturing Bishop Hill and its Swedish traditions. The characters are wonderfully three-dimensional, and I think that she did a wonderful job of sympathetically portraying a family working with an Alzheimer's sufferer. Plus, the story is gripping and believable, with detectives who are human and quite believable.
Am I gushing about this book? You bet! This is a great book, and I highly recommend it to everyone.
I am a writer too (author of Safe Sex in the Garden) and a few years ago I was talking to another writer I know, Vicki Leon, author of all the terrific "Uppity Women" books. Vicki was working on a mystery of her own (I think it will be called Nero's Mother, and ought to be out next spring). At any rate we were talking about books and writing and she told me that she had just read as close to perfect a murder mystery as she had ever encountered. Coming from Vicki, that's pretty high praise. It turned out that she was referring to Murder in C Major by Sara Frommer. Vicki was surprised (and impressed!) that I had already read Murder in C Major myself.
If you enjoy books that are finely crafted, where there are no excess words, no filler materials, nothing but the best stuff.....and if you've never had the pleasure to read one of Sara Frommer's novels, do yourself a favor and buy one. Her books are sold as cozy mysteries and I suppose they are, but I feel that they are much more than that. I have recommended these books to everyone I know who reads and appreciates good mysteries and they all thought they were great. Frommer's characters are real, you care about them, fear for them, empathize with them. By all means, do read Witness in Bishop Hill. You'll see what I mean.