I think that this book is a very important one, because the good discription of u.s. human rights policy, and the successful of the auther in explaning the relationship between u.s. intestes and human rights in countries the book containes. thanks

This book provides a useful entry into the field of travel writing from a feminist perspective which combines Foucault with postcolonialist theory. The point of departure are the narratives produced by British women who, during the mid nineteenth to early twentieth century, traveled to colonized countries. Mills locates their narratives within larger structures of both material and symbolic power to stress the importance of the articulations of travel, gender and sexuality within travel culture: women paid attention to different things than men and had different expectations of themselves and of the 'natives' while abroad. Much of this is familiar ground, but it is interesting to see how the author takes well-known female accounts such as Mary Kingsley's and reads them not as eccentric products but as part of a broader discourse about gender, colonialism, and travel experience.

"The Place of Face-to-Face Communication in Distributed Work"
Bonnie A. Nardi, Agilent Technologies; Steve Whittaker, AT&T Labs-Research

This chapter is significant. There is a wealth of knowledge and understanding that can be brought to on-line business collaboration from fields like anthropology. This is particularly important given the notable failure of many on-line collaboration efforts.

What intrigues me about the work are the larger questions that emerge - what does this mean for the meaning and quality of business life, the effectiveness of on-line work, work/life balance, alienation/mental health, etc. For example, what will the quality of our ideas be like is we work more and more on-line? If we work in isolated, on-line environments how does this impact our need to "be" as social beings and learn informally with others around the coffee pot? What if the on-line "coffee pot" can never be as rich as the real thing?

Sara Holbrook, who is one of my favorite poets, presents a book full of school-related poems, many of them very humorous. I seriously reccomend this and other of Sara Holbrook's works for teachers, or students age 10-15.

There are so many positive good vibes in this book that I really don't have enough words to express my elation at discovering this gem! Ashleea shares her experiences & truth simply so that this book can appeal to anyone from young to old who wants to understand the dolphin-human connection.

Five stars for this lovely childrens book!! My kids love to sing the songs and delight in all the animals. The lively illustrations mezmerize the children as they learn about all the animals in Alaska!! This catchy rhyming book is sure to be your childrens favorite! Can't wait for the next book to be published soon!!! This writer is on the right track when it comes to kids and learning!!!

The reason I think this book is really realistic is because the teacher Ms Willow was really out of her mind with the dress code at school.When Lenny made a protest against it I agreed with her 100%. Because that really happens in schools.

I recommend this book for anyone interested in learning both theoretical and practical knowledge relating to the extremely difficult task of coloring fabric. Plenty of hands-on examples and illustrations provided.

Leonel Rugama is a legendary poet among the prolific lineage of Nicaraguan poets (there are probably more published poets per capita in Nicaragua than any other country in the world)., this bi-lingual book is comprised of his complete writings, 139 pages of mostly poetry, as well as memories of Rugama by his mother and his comrade-in-arms Omar Cabezas. The life and writings of Leonel Rugama do indeed conjure such words as "legendary", "mythical", and "mystery". He was killed on January 15, 1970 at the age of not quite 21 while fighting Somoza's national guard with three comrades. He had written his own epitaph, a poem entitled "Epitaph", (two poems entitled "Epitaph", in fact; one is dated 1969, the other is dated november/december 1969). The poet is also the subject of poetry; he his portrayed in Ernesto Cardenal's "Oraculo sobre Managua". This book is the work of one of the important poets of the Sandinista generation in Nicaragua (a country that, as I said, produces generation after generation of poets). The poems are peopled by the poorest of the poor in Nicaragua. "Como los santos" ("Like the saints") is a direct and intimate dialogue with the Nicaraguan poor, in a Spanish very much, I assume, of the 'hoods of Managua and Leon (I can't find half the words in this poem in any of my 3 Spanish/English dictionaries). Is Rugama's poetry not only "about" but also "of" the barrios, the 'hoods, of the Nicaragua of the '60s and '70s? Well, in the book there is a photograph of 3 proletarian Nicaraguan laundry women standing in front of a Rugama poem spray-painted on a wall. Most, but not all of the poems are political, very much in the tone of revolutionary-as-religious-vocation (Rugama was also a seminarian who worked with the poor before he joined the Sandinista Front). But the poems certainly don't come off as political sloganeering, as is often complained of political poetry. This is very powerful, intense, original poetry. It does in fact live up to what you would expect of a poet who would prophetically die within months of most of these writings. Recommended.