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Although not a how-to book per se, some of the most interesting techniques are explained in adequate detail to replicate. The quilts have been divided into sections called Traditional and Beyond, Illusion: Two Dimensions into Three, Pictorial and Story, Contemporary Abstract, and Textured and Embellished. I admired quilts in every section, but my particular favorites are Open Gate (a reverse applique of black fabric gate over a watercolor garden that is 5 X 7 feet), Glass Carafes (I've always loved watercolor paintings of glass items, but it never occurred to me to attempt something so delicate and luminous in fabric), The Greek Quilt (the earth-toned applique reminded me of the painting on a tribal piece of pottery), and Quilt for a Hot Night (five brightly colored strips of piece work connected by narrow cloth strips reminescent of bead weaving and Africa).
An incredible book for any quilter, and great fun to share. This is the type of book I like to show people who are unfamiliar with quilting and ask them to pick out their favorites. My family had fun doing this when we got together Christmas Eve (fun to do with strangers, too!)
The color plates are lovely and the slightly oversized volume allows the gazer to take in the small details often missed in smaller photos.
My favorite quilts are: Mom's Bread by Sandy Bonsib. (If you are interested in photo transfer quilting--she offers a wonderful example of how it can be used to tell a quilt story instead of being a collage of unrelated photographs.),My Heart's Delight by Mary Mayne. (I keep seeing this quilt in my dreams as a red and white quilt combined with redwork.), Bristol Stars by Judy Mathieson. (I made one Mariner's Compass block and I can't even imagine making a whole quilt of them--let alone in a circular arrangement--but I love to gaze at this color plate because it is
so wonderful to behold.) Also wonderful to behold are: Ginkgo Biloba by Ruth B. McDowell, Umbrella Thorn Tree by Maurine Nobel,
and The Greek Quilt by Sheena Norquay.(Study this quilt if you are interested in designing any type of quilt based on American Indian pottery or early cave drawings.)
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Usually in a story where more than one character's romance is told, I favor one's story more than the others, but this was not the case in this novel, I loved reading all their stories, and it wasn't confusing or hard to keep track of.
A reviewer mentioned that the ending was too storybook, but I really don't agree. This was a romance, so the ending was a happy one for pretty much all the characters. However, the characters weren't riding off into the sunset, they were happy with the ones they love, but there was still the unknowns of Jake's leg, Mark's reaction to Carrie calling off the engagement, Stephen's relationship with Megan's secret, and how Beth and Stephan will handle their new lives.
This was one of the best Katherine Stone books I've read (and I've read all of them), it was a touching, heartwarming story, and I completely recommend it to everyone.
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Janet is the main character and lives in Trinidad but then she moves to England. Her father gives her a silver pencil for Christmas. After Christmas, her father dies. She was very sad. She came to America to attended college to become a kindergarden teacher. She wrote a story with her silver pencil and got it published. She liked to write and wrote many stories.
It was a very interesting book and one that one would not want to put down. I recommend this book to teenagers as well as younger children who love to read. It would be an encouragement to anyone who likes to write stories.
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The Change is narrated by Tobias, one of the five humans who have the power to become any animal they touch, and one alien who was a survivor from a crashed spaceship. They, alone, are the resistence force for earth to halt a race of slug like creatures called Yeerks from taking over the bodies of billions of humans, then destroying what's left of the planet. Tobias is a boy who is trapped in the body of a red tail hawk, so different from the others in that respect. Why is covered in the short form at the start of the book, or full form in The Invasion. He spends his days either hunting for rodents or when full, has a lot of time to follow known Controllers (people who have a Yeerk living in their brain which completely controls the host body.)
When Tobias invites his fellow friend and Animorph, Rachel, out for a flight to look at some entrances to the Yeerk pool he's found (again, see earlier books in the series for the Yeerk pool), they find themselves flying in completely the wrong area, as if Tobias was lost. Although this bothers him, because he can't imagine how he lost his sense of direction, all thoughts turn to something else when they witness a pair of Hork-Bajir fleeing for their lives from other Controllers. To date, all the Hork-Bajir have been enslaved, so why they're being chased is a puzzle at first. The once gentle species was entirely enslaved because of their great physical strength and cutting blades covering their arms, legs, heads, and tails. As Marco put it "walking salad shooters." The realization strikes the characters that somehow these two Hork-Bajir might actually be free of the Yeerks which were inside their minds, and they rush to the rescue.
Unfortunately, saving and keeping two free Hork-Bajir from recapture is a grueling task. The Yeerks are willing to stop at nothing to get them back, throwing Taaxons (a giant centipede race with a nasty habit of devouring even their own kind, along with anything else), humans with Dracon beams, humans with ordinary guns, helicopters, vehicles, and Hork-Bajir controllers at them. Tobias brings in the rest of the group to help, and throughout the story, he finds himself places he didn't intend to be or has visions which help him along. Angry at being used, Tobias finally plants his talons and won't carry on until the person/creature who is using him reveals himself. The Ellimist proves to be behind it, and says he'll grant Tobias' greatest wish if he'll continue the mission. He would have done it, anyway, but now he hopes to be human again, giving him even more reason to carry on. Working with the Animorphs, he has to try and find a safe haven for the two peaceful, sweet, and somewhat dull witted aliens. I won't spoil the ending for those who haven't read the book, but as always, the story keeps itself together well. It has more action in it than the last book, being closer to Megamorphs #1: The Andalite's Gift in that regard. The ending is also well thought out.
This area is what I call my "older than thou" part of the review because I'm way over the normal age group these are written for. So why exactly do I write these reviews? Because I think it's a good idea to have a synapsis up if there isn't one, yet, and also to give a very different insight if adults are looking into what their kids read, looking for a gift, etc. (Much like the last book, there aren't any strong, underlying themes to this story (as there have been in others.) Tobias is, in many ways, the inner strength of the group, not letting self pity take control over him in spite of the tremendous amount of loss he's had to deal with. To use an old phrase, "when the going gets tough, Tobias keeps going." The character has to question himself in several places when the Ellimist keeps his "promise," and in doing so, has to do even more growing up mentally and emotionally. He asks himself if this was what he really wanted, and had he been tricked? The reader is left to decide that on their own, but the very ending paragraphs will tend to leave the reader with a smile. Overall, this is one has a lot of action, near escapes, and "grip the edge of your seat" scenes in it. Some of the books in the series get more introspective, others focus mainly just on a good, flowing story, and still others have more action than normal. Although this is a well written novel with a very good flow beginning to end, its one of the more action oriented ones, in my opinion. This is a good one if you want to skip books like The Secret where the reader is left to ponder age old questions which don't have answers (yet they will always still be asked by the human race) in favor of some hard hitting scenes of fugitives on the run and trying to beat all the odds which are against them. This is also a very important one to read for some of the future books in the series.
p.s. if you liked this one, try number 45, That is MY FAVOURITE EVER!!!thanx!!!XxX
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Kurtz does fall into several traps. I do hate to say this book fits the mold--for there are fascinating moments for which I think this book definitely deserves a chance on its own merits--but I probably should. Noble Haldane kings, beautiful ladies in distress, Deryni and humans alike who will do what they have to in order to gain power... The underground Deryni movement seems uninspired in many ways since Camber's death, unable to fight the Regents on any more than a strictly practical level. Maybe that is a reflection of the Deryni presence at that time, a reality that explains a later Camberian Council that suffers from a lack of faith and ideals.
I could wish that young Rhys Micheal were more convincing in some ways, more aware of his unfortunate role in bringing about as well as solving his royal dilemma. Michaela, Rhysel, and Joram show the same lack of development. Kurtz's observations about prejudice and discrimination are obscured at times by her protagonists' disregard for the consequences of their own actions.
There is, however, much to like in this newest addition to the Deryni saga. Queron Kinevan's development is welcome. He comes into his own after all he has passed through. Rhys Micheal is a very engaging character in many ways, and his death, like the deaths of his brother Javan and his namesake Rhys Thuryn, leaves an ache that is part of good storytelling. I liked his solution to the regent problem. Kurtz doesn't pull punches, so you're never sure the bad guys aren't going to win. Many of the deficiencies that may marr Kurtz's characterizations of the good guys are gloriously absent among her villains; the Regents are a fascinating cross section of corrupt humanity. So enjoy this chivalric romance; for all its faults, it's still quite a story.
The story outlines Gwynedd's growing difficulty with their Torenthi neighbor, and the threat that an illigitimate heir to the Torenthi throne poses. The ending is a shocker, especially sense Mrs. Kurtz always keeps her readers guessing.
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I have never had to personally face moving away from home or losing a parent, but I could tell how painful it must be to go through these things after reading the way the author described them in this story. Losing her father was hard enough, but then her mother moved them to live in a new town and start a new life with their grandmother. I honestly do not understand how this poor girl dealt with these kinds of changes for as long as she did. I personally could not have held up the way she did.
This book would be great to put into my own classroom. It isn't a "sugar coated" book and I like that about it. It shows students that things will not always be happy and cheery all of the time. It also shows them that kids their age do face obstacles and successfully overcome them. This book might also touch a child that has personally gone through a tough time in their own life experiences and they can relate to what Vinnie went through. This might help them to get through the issues in their life a little easier.
Katherine Patterson did a great job once again! I loved Bridge to Terabithia and I loved Flip-Flop Girl. The way she brings your emotions into her stories really makes them more meaningful and they stay in that special place in your heart. She would have had my vote for another Newbery Medal winner with Flip-Flop Girl.
If you want to hear about all her adventures with thrills and spills, you need to read this book!
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What a refreshing piece of work-- a sparse, clear-headed play that examines the ramifications of suicide and (for once) comes up with the right answer. The action takes place in two rooms, with two people, and runs about an hour and a half. The two characters, a late-thirties daughter and her mother, start with the idea that the daughter is planning on committing suicide later that night, and the resulting tension between them allows both an examination of the more stable, understandable reasons behind the desie to end one's life and the soul-baring necessary in any familial relationship (and present in only a few).****
Mama thinks that her and her daughter are having a normal night at the house until she finds out that her daughter has planned to end her life. At first, Thelma "Mama" thinks that Jessie is kidding when she says that she wants to shoot herself. When Thelma realizes that Jessie is serious, the conflict begins between the struggle of life and death which is out of Thelma's hands.
Thelma stalls and tries to find out why Jessie wants to end her life. In the small amount of time between life and death, Thelma finds out more about her daughter than she ever did in her entire time with while she releases secrets and concerns that she never revealed to her daughter.
'Night Mother is a play that unwinds spellbound confessions and displays intense emotions that run through the course of people lives. Jessie and Thelma are powerful characters that makes me feel like I am there with them in the room. Jessie, in the first time in her life, feels like she has a sense of control, and death is freeing her as she sees life imprisoning her. The whole play is intriguing and complex. The ending will make you feel like you have realized that life is complex and question why you exist as a human being.