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There are camels and carpets, a medieval milestone, scooter riders and monsoon floods. There is a museum watchman who could easily be the model for one of the ancient statues he guards. There are pilgrims and festivals. Everywhere there are people living. Some are aware of the cameraman others go about their business with out acknowledging his presence.
This book is enjoyable on so many levels. Singh's feeling for his subject matter and his exceptional sense of composition and color create a satisfying work of art.
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The guide to Rajisthan is perfect for unseasoned travelers unused to the hustle and bustle of Asia. The book guides tourists through the murky waters of regional customs, while highlighting invaluable cautionary information on health (e.g., food and water), local scams, etc. In addition, the book devotes an entire section to travel and transportation information including useful hints on visa applications, drivers permits, etc. The book conlcudes with a glossary of important terms and a phrase book that helps toursists navigate through simple phrases imperative for travelling through foreign countries.
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However, the noble efforts of Dr Jodh Singh and Dr Dharam Singh will hopefully contribute to a renaissance in Sikh thought in regard to Sri Dasam Granth Sahib ji. Their exhaustive work provides much insight and enables one to transmit the poetic and martial beauty of Guru Gobind Singh's compositions to the younger generation of diaspora Sikhs, as well as to the elders (myself included!) who have long been kept in the dark cavern of ignorance.
I would thoroughly recommend these two volumes to anyone even remotely interested in Sikh theology and revelatory literature. The only gripe I have is that the Panjabi University's two professors' use of English is, at times, rather torturous. However, this is itself understandable and does not, in any way, detract one from the sheer accomplishment and necessity of their work; 'Sri Dasam Granth Sahib Ji-Text and Translation'.
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I purchased this book hoping to learn more about the x86 and 68000 CPU families and programming for those architectures. This book gives plenty of necessary background information regarding the internal workings of these CPU's, while being well-written and easy to follow. The chapters are ordered in a logical fashion, firstly introducing the reader to the high level, software programming, aspect of the architecture, and then in later chapters providing very detailed information regarding the physical structure and workings of the CPU. This allows readers to easily read through the topic of their interest without being overwhelmed by other information. Although I have not read entirely through the book, I find it to be a valuable source of reference. This book provides thorough descriptions of the CPU's instructions, internal registers, memory interfacing and other important CPU-specific information. It also gives many examples, and regular exercises, for each topic covered which helps the reader to memorize what they had just read. The charts are also very clear and make the explanations a lot easier to understand. Protected mode for 80386 is clearly covered and well-explained with easy to understand diagrams and memory exercises. I recommend this book to all people with a keen interest in CPU architectures. Beginners, like myself, could try other assembly language guides, many of which are available through the internet, as this book, despite being well-written, may be a bit too much for a primer in assembly language for a beginner. But no matter at what stage you are, this book will always be a great reference guide.
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Contents include: contemporary software interoperability, state of the art, achieving interoperability, information architecture, integrating infrastructure, system lifecycle support, and case studies.
Strengths include the thorough and deep perspective afforded by experience, scope for extrapolation of findings to current enterprise-wide systems, lack of ERP-vendor bias, and attractive use of charts, tables and references. Despite the depth of the material sometimes making for slower reading, this is a useful contribution to knowledge (for systems integrators and industrial researchers) in the area of industrial business objects, component libraries and enterprise software interoperability.
"Who will listen to the tale of my woeful heart? Far and wide have I wandered on the face of this earth And I have much to impart."
At Ruswa's prompting, Umrao related her life to him over several sittings, and those narratives Ruswa committed to writing; it is in Umrao's words, that the narrative was to find shape. Umrao had a large hand in the characterization of her own life. She had a command over words and her easy facility with poetry won her a following among the aristocratic literati of Lucknow: with her couplets she stole their hearts. Kidnapped by a ruffian who sought to exact revenge for the term he had served in jail on the strength of testimony given by her father, Umrao was brought to Lucknow, and eventually sold into the establishment of Madame Khanum Jan. It was at this house of prostitution that she was to live out the greater part of her life; it was there that she was transformed from Ameeran to Umrao. Luckily, her education was entrusted to a scholar who combined his refined tastes and not inconsiderable learning with a real affection for Umrao. "From the shapeless log of wood that I was," Umrao was to say, "he chiselled out a civilised being"; it was the Maulvi who endowed Umrao with the confidence that allowed her not merely to sit with cultured company but to "command the respect and attention of wealthy aristocrats". Most significantly, the scholar nurtured her interest in poetry until it had "developed into a passion", and that was the passion with which she was to etch the story of her life indelibly onto the social and cultural imagination of Lucknow.
As Khushwant Singh and M. A. Husaini, whose endeavors have brought Umrao Jan Ada to readers of English, point out in their introduction, Umrao Jan Ada conveys "a flavour of all that was Lucknow -- its language, its poetry and music, and the way of life of its citizens". This was the city that perfected the culture of the social grace and where everyone aspired to be a poet. The very decadence of Lucknow not merely aristocratic but inimitable.
Umrao Jan undoubtedly evokes some of the ambience for which Lucknow was renowned, but it is the complex characterization of Umrao and the life that she led which makes the novel memorable and significant. In Ruswa's rendering of Umrao, the courtesan is most candid about her profession: though it may well be a woman's desire to be loved, a desire that swells as she grows older, it is not given to a whore to live out this desire. A tart's only friend is her money; she is no one's wife, and if she is foolish enough to give her love to some man, she does so at the considerable risk of jeopardizing her livelihood. When Ruswa interrogates Umrao about the place of love in her life, she is quite forthright in her pronunciation of the view that in her profession "love is a current coin. Whenever we want to ensnare anyone we pretend to fall in love with him." As she adds, no man ever loved her, nor did she ever love any man.
While Umrao's relations with the Nawab Sultan appear to belie her own profession of indifferent engagement with men, her surrender could not have been complete lest her very livelihood should have been endangered, for where was the man who would openly risk his lot with her? A 'respectable' man had a home to which he could return, and a wife to embrace, but what was the net of safety around Umrao? Whatever her fame as a singer of laments and as a dancer who could en-trance men as much by the style and substance of her poetic deliveries as by her movements, she would perforce be judged by the refinement of the pleasures that were hers to offer in bed. God might well forgive streetwalkers who repent, Umrao was to reflect, but "good women never" do so. They are "suspicious and contemptuous of women who go astray", for "however lovely a character" these good women may have, and however good housekeepers these women might be, they find to their great chagrin that men "will fall for a street woman who may have nothing in the way of looks, and may be wanting in all other qualities as well". Loathed by "good women", and reduced ultimately by their patrons and clients to tools of their pleasure, what could these courtesans, howsoever beautiful and talented, hope for by way of some secure place within the socio-economic and cultural fabric of Indian society?
Umrao emerges finally as a woman with formidable reservoirs of strength, almost ponderously reflective, as she slips into old age, about the strange twists of destiny that carried her from the confined world of the hearth to a realm where, though the regimes of power were just as portent, she could experience herself as an agent. It is this wild horse of ambiguity that Umrao Jan, the novel as much as the character, rides with admirable candor
There are camels and carpets, a medieval milestone, scooter riders and monsoon floods. There is a museum watchman who could easily be the model for one of the ancient statues he guards. There are pilgrims and festivals. Everywhere there are people living. Some are aware of the cameraman others go about their business with out acknowledging his presence.
This book is enjoyable on so many levels. Singh's feeling for his subject matter and his exceptional sense of composition and color create a satisfying work of art.