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Although the descriptions of Harlow's experiments were well written, the last chapters of Blum's book were most interesting to me. In these chapters, Blum describes the feminist and animal rights back lash against Harlow's work. One can't help be stunned by the irony that Harlow's work, which ultimently championed the importance of mothers' relationships to their children and the deep intelligence of monkies (and their similarities to human beings), would be vilified by these groups.
Blum's book is, thus, not only about one of the most innovative psychologists of the past century, but also a great perspective of how we change our thinking about what we are as a species. It is far more than a book about the man who took baby monkies away from their mothers.


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People in this arresting collection of pictures are caught up in all kinds of ordinary pursuits--reading, working, dining, marrying, praying, talking, playing games, posing in lovely clothes, getting haircuts, making music or speeches or dinner--in a spirited, generally trustful relationship with the camera. Clearly Willis's criterion as she selected photographs was, as she says in the text, "expressive power."
Still, white Americans viewing these pictures are likely to bring to the experience the same old images of slavery, Civil Rights marches, and past or present media caricatures of black life that they've drawn from school and popular culture all their lives. Perhaps the delightful photographs of children in the book will take on ominous overtones because we know of future trials the childish mind can't predict. But such a reaction can keep us from realizing that what's on the child's mind may be partly the point.
For example, two Boston children have been posed in front of ornate ironwork, wearing starched lace dresses (it's 1910) and starched bows in their hair. They look beautiful--and stiff, and miserable! Good little girls, they've let Mother dress them up today, but they seem to want to tear off those enormous bows, jump the iron fence, and tumble around on the grass like anyone else their age.
Another example: Malcolm X crouches to hold his two daughters in his arms. He's talking to little Attallah, his eyes warmly upon her. But she turns away from her father's handsome face to stare unhappily at the audience, as if asking us just to go away for a change and give her some private time with Dad.
If the original vitality in these photographs can't keep us from calling up the preconceptions we carry around with us, this may actually be useful. The book's very freshness about what seems familiar makes us realize how old and worn-out our assumptions can be. Thus the photographs can (as Willis says in her introduction) "create a new ' historical consciousness that has the power to rewrite history itself."
But "Reflections in Black" is more than a documentary that can provoke useful debates within ourselves and between groups interpreting past or present culture. It shows that despite their commonalities black photographers have a long history of debating with each other. Is their medium an art or an engine of social progress? Should photography make mementos for its subjects or involve and change its viewers? The competing purposes and conflicting angles of vision represented in the book are part of what makes it fascinating.
Best of all, the book is marvelous for simply wandering and wondering through:
A remarkable series by a photographer who eventually lived in Seattle presents a man in three poses- - seated for his formal portrait, then hanged for murder, and finally laid out in his coffin.
Women in the book are gloriously unpredictable. Billie Holliday rehearsing with Count Basie looks like a Fifties coed in sweater, plaid skirt, and ponytail. Zora Neale Hurston smiles like an angel instead of with her usual impish brass.
Men? None are alike. A nattily dressed man waits at a bright window, fedora tipped up to let in the view, papers gleaming mysteriously in the background. A lined, leathery cowboy smokes a cigarette, his arms roped with tendons. Seattle's own Jacob Lawrence looks like a serious man at twenty and equally serious midway through his life, midway up a stepladder, in reverie.
Elsewhere, a lonely stony beach caresses the eye with dark grays and liquid silver. And beside a brick building draped with a gigantic sky-blue banner painted with the face of Malcolm X, a black cowboy rides through a golden field.

I will be purchasing a few copies for friends. Others, I will tell to get their own.
It's THAT GOOD!


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She is right on in so many ways.
Throughout her book, she continues to position the reader to stop looking back at the offences that have occured, stop blaming the people of the past and start taking ownership of of their own lives and choices.
It is a must read for anyone who has traveled the rocky road of divorce.
Reading this book will open a whole new opportunity of living a life filled with contentment and peace.
Dr. Gary Lawrence
New Life Dynamics Counseling Center
4000 N. Central Ave., Suite 1710
Phoenix, Az. 85012
602-241-9725

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Reviewed by Latoya Carter-Qawiyy
of The RAWSISTAZ Reviewers



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Same with wonderful ideas for holiday traditions, decorations, etc. Although I have not yet had a chance to try them, the recipes for making your own mixes (both practical and suitable for gift-giving), cleansers, etc. seem especially good. I havn't even gotten to the chapters on saving money and cutting costs yet, but am already thrilled with my purchase. I love it!

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Farmer's first cookbook was an update of a cookbook, written by one of her predecessors at the Boston Cooking School, which already incorporated precise measurement using standard measuring cups and spoons. Farmer's contribution was "level" measurement (as suggested by Marcia) and kitchen-testing of all the recipes by the school's students and faculty.
Read "Fannie in the Kitchen" to your child as an introduction to Fannie Farmer. Then read "Perfection Salad" by Laura Shapiro to learn the true story.

Although this is clearly a humourous, fictionalized take-off on a footnote to history, students and I also enjoy talking about how young Marcia must adjust to change, as her mother has a new baby. The way the illustrator depicts the developing relationship between Marcia and Fannie is delightful.
As the author note states, Fannie Farmer was one of the first to recommend precise measurements in cooking. What a fun way for kids to be introduced to this 19th century figure


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