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If you grew up in any one of the small southern mill villages, this book will be your transportation to the past. If you were not so fortunate, this book will paint you an accurate portrait of the times and people.
For the uninitiated, "Eureka" is pronounced you-RICK-er (accent on the middle syllable)or, at least that's how my Daddy (Southerners of my generatuion always call their male parent Daddy)always pronounced it,
Congratulations Ron, you have a winner!
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bit as wonderful as everyone's favorite, "The Black
Stallion". It is an EXCEPTIONAL book of hope and inspiration for
readers of all ages ... It's written with highly intense personal
emotions and is full of very valuable messages. Hang on tight! Once
you start reading this masterpiece, you'll be caught up in the race
and won't stop until you reach the finish line. You will be captivated
by the drama of Arabian horse racing, intrigued by the presence and
advice of Mr. Farley, motivated by Dan's great courage, inspired on an
individual level to "FOLLOW YOUR DREAM!"..."FIND A
WAY!". No matter what! Mr. Hevener tells us that having hope in
our eyes and love in our heart *IS* "the way".
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Bear in mind, these distinctive, gourmet vegan recipes aren't your everyday fare. This is the book you'll want to pull out when you need to wow your non-vegetarian friends. My favorite is the Chocolate Cream Couscous Cake (page 220). Vegan or not, this is one of the most elegant and delicious desserts you can ever hope to taste. Happy eating!
The recipies in here are not only nutritionaly well balanced, they are easy on the stomach, delicious and rather easy to make! This book was one of the few that convinced me that eating a non dairy/meat diet would not only be easy, but very satisfying.
Some of the best recipies in this book are the Carob Cake with the Peanut Butter frosting, Tofu Spinach Pie, Hazelnut Glennie and the Carrot Pate.
This book is not only well versed in well tasting vegetarian/vegan recipies, but is chock full of good nutritional advice as well. Although I have not tried all of the recipies in this book, every single one I have tried has been relatively easy to make and the ingredients are relatively easy to get at your local helth food store (and some more enlightened grocery store chains)
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I also found Kunstler did not paint as many movie scenes in this book, instead capturing the actual historical looks of these "Gods and Generals" of the Civil War. Any lover of history or military art will appreciate his attention to detail and riviting scenes. Enjoy!
The subjects of Mr. Kunstler's paintings are invariably interesting, and he does not like to paint scenes or events that have been done previously by other artists. This book is the companion to, and illustrative of, the events and people of the novel "Gods and Generals" by Jeff Shaara, soon to be made into a motion picture of the same name. It follows four exceptional soldiers through the first two years of the war: Robert E. Lee, Thomas J. "Stonewall" Jackson, Winfield S. Hancock, and Joshua Lawrence Chamberlain.
In this book, there are many new paintings not yet published elsewhere, but whether you are an old Kunstler aficionado or newly introduced to his work, you will find this book unequaled. The reproductions of the paintings are eye-catching, displaying each painting in vibrant, striking colors, true to Mr. Kunstler's originals. I say above that his paintings are educational, and so they are. I urge you to look closely at every work of art. If you do, you will not only see an astonishing amount of detail, but also learn much about the people, the times, the objects people used, and the war. Again, we have Mr. Kunstler's constant striving for perfection to thank for paintings which are correct in every detail. He is the quintessential perfectionist, who painstakingly researches every detail, no matter how small, to provide his audience with true, as well as beautiful, depictions of people, places, and things. He consults with knowledgeable historians, such as Professor Robertson, who wrote the text for this book, on even such matters as the weather on the particular day that he wants to depict in a painting. All of the accouterments are true, as well as the animals, the uniforms, the weapons, the landscapes, the battlefield situations, the lighting -- everything. Rarely does one find, in one individual such as Mr. Kunstler, artistry to the point of genius coupled with an unceasing demand for perfection in all of the details of his art.
I admit that I am no connoisseur of art and that I can claim no expertise or experience in art. Even someone such as I, however, can at least partially appreciate the artistic techniques used by Mr. Kunstler. His positioning of people, animals, buildings, and other objects to lead the observer's eye to the main subject of the painting, his extraordinary use of light to play on this or that subject in the picture in greater or lesser brilliance in order to accentuate or subordinate that subject, and his use of color, always precise, to delineate bright sunshine or dark shadow, or to emphasize or minimize, are all techniques that even such as I can note and admire. His paintings are so life-like as to defy the observer to differentiate them from photographs. But no photographs could depict such wonderful color and the precise instants in time which Mr. Kunstler so deftly chooses to picture.
Mr. Kunstler has, with every book he has introduced, been able to obtain the very best in historians/commentators to draft the texts. He has obtained the services of, for example, Henry Steele Commager (for the book "The American Spirit: The Paintings of Mort Kunstler"), James I. Robertson, Jr. (for "Jackson and Lee: Legends in Gray," "The Confederate Spirit: Valor, Sacrifice and Honor," and the current work), James M. McPherson (for "Gettysburg"), and Dee Brown (for "Images of the Old West"). Dr. Robertson's text in "Gods and Generals: The Paintings of Mort Kunstler" is, as always, the perfect complement to the paintings. As with Mr. Kunstler's art, so also with Dr. Robertson's narrative, one can learn much, whether one is a novice or an experienced hand.
Thus, whether you are a "Civil War buff" or simply interested in exceptional art and edifying prose, you will enjoy this book (and you would do well to consider obtaining Mr. Kunstler's previous books, named parenthetically above). You cannot go wrong with the team of Kunstler and Robertson.
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Rash's work is neither too personal nor esoteric. He is concerned with recording, in verse, the lives of men and women who would otherwise be forgotten. His subject matter is COMMUNITY, as one would expect from a Southerner. In this case he writes of the Carolina millworkers in the early part of the twenthieth century who literally turned their lives off to the cotton mill bosses and submitted themselves to lives of heat, early hours, drunken sprees, boredom, and lint-inflicted disease and death.
In many ways EUREKA MILL is a novel in verse. Rash certainly has a novelist's eye for detail, nuance, characterization, and place. And there are also great affinities to the Twelve Southerner's I'LL TAKE MY STAND. EUREKA MILL provides a kind of verse correlative for the essays in that classic work. Mass industrialism has forced people off the land and out of the lives they have known for generations and has left them with...what? Alienation, bitterness, and early death.
A powerful volume, worthy of a wider readership.