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Ms. Eliot created, with this book, an entire community in England in the mid-1800s and called it Middlemarch. She populated this provincial town with people of every station, local squires and their families, tradespeople, the rising middle class, (Middlemarch, right?), & the poor and destitute, ruthless and honest. She crowded them together, with all their ambitions, dreams and foibles, in this magnificent literary soap opera, and wove a wonderful web of plots and subplots. Ms. Eliot also wrote scathing social commentary and used great wit.
The fortunes of Middlemarch are rising in this new era when machines and trains - fast, available transportation - are changing the world, the economy, the politics. Rigid social codes, the British class system, is in danger of being breached. Folks are out to make a quick buck, or a shilling - anything to acquire wealth and enhance social position.
Dorothea Brooks lives in Middlemarch. She is an intelligent, sensitive young woman, who wants to dedicate her life to important endeavors. She does not want to settle for a typical marriage and family, but looks toward a more noble cause. As a woman, a professional life is not open to her, nor is the pursuit of intellect, outside of marriage. She weds the elderly Rev. Casaubon, a cold, narcissistic man, thinking that by assisting him with his scholarly research and writing, she will find happiness.
Dr. Lydgate comes to Middlemarch to begin his medical practice there. He is an idealist, who has dreams of finding a cure for cholera and opening a free clinic. He meets blonde and beautiful Rosamund Vincie, who fancies him for a spouse...along with a new house, new furniture, an extensive wardrobe, etc.
A dashing, romantic Will Ladislaw, nephew of Rev. Casaubon, enters the story, as does Rosie's brother Fred, who wants desperately to marry his Mary, but is out of work and in debt. This cast of richly drawn characters continues to grow with the introduction of Mary's family, the Garths, the banker Bulstrode, friends, relations, and an evil villain or two.
This complex novel and portrait of the times, is one of the best reading experiences I have had in a long while. And it didn't hurt at all! :))
Middlemarch is much more than a novel, it is a work of cutting insight into the deepest pathos of Human Nature. I have never (albeit I'm only 21) read a book so psychologically accurate as this. One gets psychological accuracy with Tolstoy, but surely one loses something in the translation. Middlemarch is like Tolstoy for the Native English speaker. It is written in that much-dreaded-by-students Victorian form, however, if you are willing to be patient and persistent, you will find yourself absorbed with the lives of the characters that inhabit this fictional English Province. The plot twists and gossipy townspeople are enough to keep the more shallow reader interested; but if you are keen on depth and understanding the nuances of human nature, then this book is sure to captivate you. Not that there is anything wrong with being either shallow or deep; I constantly found myself intrigued by the townspeople's gossip and the scandals, as well as finding myself pondering some of the puzzling behavior of the characters and (most of the time) identifying with them. I am under the belief that this book must be considered one of the finest works ever written in the English language. But I am simply a college student in the midwest and have no weight of influence to encourage the avid reading of Middlemarch; I suggest you consult Virginia Woolf's thoughts on the matter. She describes Middlemarch as "one of the few English novels written for grown-up people." If that is not convincing enough, Hermione Lee suggests that Middlemarch is "The most profound, wise and absorbing or English novels... and, above all, truthful and forgiving about human behaviour."
Nota Bene: If you consider yourself a humanist, Middlemarch is a necessity!
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