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After speaking to some that were very familiar with the case and knew a lot about the paranormal in general, I'm questioning the book further.
As far as the whole Danny's Bed incident goes, it did take place and it had happened long before the Cobb family purchased the bed. The questionable material comes from the aftermath -- the portal that was supposedly opened up in their hallway, inviting friendly ghosts from all over the world into their home, from little knowns looking for a child that's burried under their house to one of Savannah's more famous haunts, Little Gracie.
His other book, as well as the supplement at the end of this one, is actually more worth reading as they're made up of short tales of what others in Savannah have told him about the ghostly happenings at their home and work. Anybody that knows Savannah will know that this is merely just a daily routine for many of the residents, so there's little to question about most of those short tales.
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This book is about Steven Tyler, Cyrinda's life gives us insight as to the type of person Steven Tyler is, by his choices made in women, wine (or Tuinals) & song. Whether the book is a cock-and bull story or exactitude, it doesn't change the most important thing-the music. If you are a female fan of Steven Tyler's, buy this book, if nothing else, for the prologue.
My rating for Foxe-Tyler's book is - 7 !!! (But JFP gets a larger number.)
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though not worth the money, didn't return the book, only because i managed to print all the missing pages for free (but this is a waste again, because i could easily download the file for free too!); but also because i don't trust the on-line refund mechanisms
The beginners tutorial is only on the CD-rom. If you are a beginer at Javascript and absolutely NEED the beginners tutorial, then get the "Javascript Bible 4th Edition". It has the tutorial in the book, but leaves out a lot of advanced stuff and puts it in the CD. You're getting the same thing as the "Gold Edition", its just that the advanced stuff is in the CD in the 4th Edition, and the beginner stuff is in the CD in the "Gold Edition". So if you even know just the basics of Javascript, get the Gold, if you're brand new and don't like reading from a CD, get the "4th Edition". Either way, both gives you the same exact material, it just puts some of it on the CD.
You will hate this book if you don't read it all, you must read the whole book to get the full benefit out of it, and I promise you,... you will become a Javascript master.
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Malachy McCourt, brother of novelist Frank McCourt (ANGELA'S ASHES) and a well-known writer and radio-TV luminary in his own right, has produced a curious little book of less than 95 pages about the famous tune and its well-known lyrics. His book is part history, part speculation, part myth and part personal editorial essay. And it is not free from touches of Irish blarney.
McCourt's findings may surprise --- and dismay --- many. The great tune, long since adopted as a kind of unofficial Irish national anthem, may not be of Irish origin. A folklorist named Jane Ross supposedly first noted it down around 1851. She reportedly heard it played by a blind fiddler, Jimmy McCurry, in Limavady, Londonderry --- but there is at least a possibility that the melody may have originated in Scotland. No one knows for sure. At least one respected musical scholar claims that the tune follows no known metric scheme for Irish folk music.
Many different sets of words were attached to the tune after its first publication in 1855 --- but those that have become indissolubly identified with it ("O Danny boy, the pipes, the pipes are calling, from glen to glen and down the mountainside....") were written in 1910 by an English lawyer and song-lyric cobbler named Frederick E. Weatherly, who probably never set foot in Ireland. They were actually intended for a different tune, but when Weatherly's sister-in-law sent him some years later the familiar melody from her home in Australia, he saw that it was a perfect fit for his earlier verses. Thus an "Irish" classic was created from a melody that may be Scottish and words by an Englishman.
McCourt gives us this information straightforwardly enough, but he fleshes them out with a good deal of barely relevant material. It seems strange to arraign a book of 95 pages on charges of padding, but the complaint seems justified. McCourt solicited opinions about the song from Irish celebrities (including brother Frank) and speculates at length on such side issues as who is singing the song and to whom it is addressed (one possibility among several: it is the song of Danny Boy's gay lover!). The author's tone varies between straight historical writing and folksiness, including occasional cutesy use of "tis" and "t'was." McCourt also grinds a personal axe or two. He thinks ill of those Catholic dioceses that have banned the singing of "Danny Boy" at funerals because it is "secular."
There are some fascinating bits of trivia here, however. Victorians hesitated to refer to the song as Londonderry Air because, to their prudish ears, it sounded too much like "London derriere." Irish nationalists never use that title either, because they want no mention of London in the title. Wordsmith Weatherly was once in legal partnership with one of the sons of Charles Dickens. And another of Weatherly's lyrics was the popular "Roses of Picardy," set to music memorably by Haydn Wood. Wood studied under the composer Sir Charles Stanford, who quoted "Londonderry Air" in one of his Irish rhapsodies. Make of that what you will. This is a curious little book, entertaining in its quirky way but almost undone by its relentless folksiness. "Londonderry Air" remains a musical treasure, regardless of its origin.
--- Reviewed by Robert Finn