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This book is great for any Christian family that wants to add a bit more traditional Christian emphasis to their lives. You don't have to be Catholic or Orthodox to enjoy it and use it. You may find yourself understanding Catholic and Orthodox traditions once you've read it, however.
This book passes on traditions that some families failed to get from Great Grandmother before she died. If you are from a Christian family, it will help you get in touch with your roots (as well as give you a lot of delicious recipes to try).
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Raymond never considers their relationship as anything more than a diversion. To him she is just as a playmate. Much of the physical intimacy they have is more like that of a prostitute and john, not like lovers. Early on in the relationship he even asked her if she had found a man yet. Raymond tells her how much he loves his wife. Fiona has fallen so hard and so deep for the man that she ignores these and other many other negative signals. Later, after Raymond tells her point blank that he will never leave his wife, she still persists.
Once Fiona understands the importance of Raymond's wife to him, she becomes obsessed with her. This is because Fiona wants to be her. In her fantasies she physically destroys Raymond's wife so she can take his place.
The book has a very poetic feel. The style is slightly reminiscent of a journal, in a good way. Much of it is in the present tense. Much of what Fiona says toward or about Raymond is said in his absence, in the second person. It suggests an inner dialogue. It is as if the affair was in the past and Fiona is reliving it emotionally. In the beginning of the book, the style seems a little awkward, but the frequent images and metaphors are consistently excellent and carry the reader very well. The use of the second person in addressing Raymond works very well also. Past the mid-point of the book, I felt impelled to find out how Fiona's situation would get resolved.
At the beginning of the story, in my mind, I condemned Fiona for her lack of ethics and poor judgement. But mid-way through I began to have some sympathize for her, as it became clear she was a prisoner of her own emotions. Eventually, the almost unendurable pain forces Fiona to face the reality of the situation. Once she accepted it, her infatuation broke. What more can we expect from a person than to learn from their experiences?
In Other Women, I was entirely amazed by her tanacious observation and staying power to translate the almost physically brutal pang of loving somebody who is beyond her reach into the art of language. As usual, she possesses the gesture of the proud masochist, which has been her turf. I often suspected if it is the stance she had developed out of the helplessness in her childhood/teenage days with no choice. She seemed to be growing into such a complexed young woman who'd get mixed up with paternal protection and manly affection of which she did not know to seek after. That is what caused the fatal obsession Fiona had with Raymond.
The way Fiona fell and got desperate was precisely described and examined by the prose that made every trivial scene appear different and fresh, even the cliche of affair an older man who never leaves his marriage could have counting on some kind of fidelity of a young woman who is drowning in the emotion.
Even the cruelty was beautifully woven by her poetic and poised art of language. The highlight of the whole novel, however, was the shocking disclosure of the fact how lonely and unsatisfied people are, no matter who you are, men, women, married and unmarried. The discovery was solely attributed to the persepective of Lau's, who's distanced from the regular social structure, this time, marriage. Contemplating on being a mistress and taking a close look at marriage from outside the institution that regulates people's desire gave the work the enormous insight that reveals the puzzlement almost everybody seems to experience behind the content front, including the author herself.
I have got the impression that Lau might be the kind of writer who gets oneself burned to see and know what it feels like just to write it real. This is the work the guts resulted. It is the valuable documentation of the modern day theme we are doomed to face; Alienation is universal. Lau never falied to report it with grace and brutality of her art of suffering.
this is a very alive, and hip piece of new age writing. It surpasses most fiction, mainly because it has a emotional fixation with the reader, you are either angry, depressed, happy or totally miffed at the aftions of each character. Raymond, Fiona's love whom is married, will not leave his wife of 15 years for Fiona and woman he has never even sexual intercourse with.
Fiona in a desperate attempt to persue Raymond and make her dream of eternal love with him ends up becoming an alcoholic...she spends most of hert time doting and thinking of him. Every man she sees reminds her of Raymond...nothing wrong with that. Is it mere obsession or real love? Who knows...I won't tell my opinion...
The lyrical aspect of each sentence keeps you engrossed the whole time, and you almost want more when you finish. i loved her wording, and her narritive voice...very powerful and different I must say!
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Chapter 1: The Doctoral Degree Facts of Life -- The Beginning Chapter 2: Researching your Committee--The really critical research project Chapter 3: Selecting the Dissertation Topic Chapter 4: Spending Money and Using the 20th Century to Your Advantage Chapter 5: Designing Your Dissertation and Preparing the Prospectus and Proposal Chapter 6: Writing the Dissertation -- Twenty Workdays to go! Chapter 7: Defending the Dissertation -- Two Hours to Doctor! Chapter 8: Celebrating, the Last Revision, Postpartum Depression
I am giving it 4 stars only because (and I hate this!) there is no Index. Each chapter is clearly outlined in the Table of Contents and each chapter has a summary paragraph at the end so if you need to cruise through and get on with it, you can do it easily (but I still miss that index!)
Will the author Evelyn Lip considering of
publishing new edition for year 2002 onwards so that
we can determine what is the best name base on the element and
birth date.
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Reed's essay sums up the political debate at the center of the book (see other reviewers' summaries of this) and, like Waters, launches a factual, scientific examination of the roots of the oppression of women and how our concepts of beauty, fashion, and cosmetics are tied to the rule of a handful of capitalists over the majority who toil for a living. A must for women (and men) who want to understand why sexism exists in our society and how to fight it.
You get a serious look at the roots of the oppression of women in capitalist society, including the powerful psychological pressure exerted through mass media, marketing, and bosses to compel women to "need"--and hence buy-- the "right" clothes, cosmetics, and so-called beauty treatments. The discussion takes up the changing relations between men and women as human society has evolved from earliest times to today's class-divided society, debunks the notion of an eternal standard of beauty, and much more.
It's also a wonderful example of how to analyze and understand political and social questions from the standpoint of the interests of working people and not succumb to the prejudices and fetishes of capitalist society. You see how political activists can thrash out sharp differences over tough questions in the framework of an open exchange of views.
An extensive introduction covers the impact of the capitalist crisis of the 1980s on women and the decline of the mass women's rights movement of the 1960s and 1970s.
This dispute, which became a debate within the Socialist Workers Party, took place well before the rise of the 1960s women's liberation movement. It took place at a time generally regarded as one of bland social conformity. Obviously, social attitudes towards, and by, women were much more complex than met the eye. An introduction by Mary-Alice Waters puts the book in its modern-day context
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For best results with Tribole's muffin and quick bread recipes, always add about 1/2 teaspoon salt, a few tablespoons of oil (in addition to the applesauce she calls for), and when she calls for two egg whites, use a whole egg instead. You'll get far better results and you'll still have a healthy, low-fat product. And you won't waste mountains of egg yolks, which I think is criminal!
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My wife and I have used the book to defuse disagreements, to stimulate an evening of (god forbid!) wonderful conversation. We gave this book as a gift at a housewarming, and the dozen or so people present found themselves still sitting in an absorbed circle of shared experiences at 2 AM.
You can spend 5 minutes or 5 hours with this book and come away enriched. You can wake up with a question or go to sleep with a dreamquest. It will, in the best sense, allow you to continuously regain and rejuvenate your direction, purpose and value.
On a scale of 5, it can only be described as a 6!
This book just perpetuates the myth that adopted children feel they are "missing" something (in this case the woman who gave birth to them.)
Evelyn raise the question of 'acquiescence' for the natural mother and then dispels it by revealing the truth about the coercion involved in gaining consent for adoption. Evelyn also acknowledges the pain and hidden grief suffered by adopted people and lifts the veil of secrecy that surrounds adoption. She examines adoption's dark underbelly and the [idea] of silence that often works to maintain the spiritual, intellectual and physical separation between natural mother's and their children.
This book is highly recommended and a 'must read' both for professionals working in the area of adoption and all of those many millions of people, worldwide, who have been touched by adoption. This book will be especially valuable to adoptive parents because it provides an account of the (often unacknowledged) experiences of birthmothers and their children. Many of these individuals have in the past, and will continue in the future, to be consumed by adoptions unresolved grief.
The focus of this book is on home practices, on customs and especially on foods. However, this is not just a collection of recipes for various Saint's days, but also includes information about each saint and about the seasons of the liturgical year, starting, quite properly, with a discussion of "Sunday" since each Sunday is a mini-celebration of Easter.
If you are raising a family and wish to do so in a Christ-centered way, you should have a copy of this book. While it is aimed primarily at Catholic and Orthodox families there is much material here that would be useful in a Protestant family, particularly one that wishes to explore the two thousand years of Christian tradition rather than "re-inventing the wheel."