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Shockingly, Gideon and Lucinda are attracted to one another. She finds him fascinating in a dark, dangerous manner. He sees her bravery especially towards him as foolishness yet beguiling. Even as their initial feelings turn into love, both doubt that the other is the individual who can stop the haunted loneliness that erodes at their respective souls.
DEVIL IN THE DARK is a powerful Gothic romance that will thrill sub-genre fans. All the classic elements add depth to a wonderful Victorian tale. The lead couple is a charming duo struggling with their personal conflicting emotions. The story line is exciting as Evelyn Rogers takes her audience on a wild midnight ride into the souls of two deserving but hurting individuals.
Harriet Klausner
Here she would meet the famous "Devil Duke" named Gideon Blackthorne. Right away sparks would fly and a haunting obsession would begin. And Death would stalk the night.
***** This is the first in a new Gothic line from Love Spell! Mary Stewart and Victoria Holt fans, take heed! An excellent choice to show the world that Gothics are back! Dark, mysterious, just a touch of the supernatural, and some steamy romance. No one can tell a story like Evelyn Rogers! And I believe Gothics are right up her alley! Pre-order if you are able, to ensure that you do not miss out! It gets no better than Evelyn Rogers! *****
After visiting her son in jail she comes out to find that her rental car has a flat tire and nothing in the trunk to fix it. After finding her husband with another lover, and tolerating with the attitude of her children she breaks down when she can't fix the tire. In steps Kirk who wants to help Audrey so that she can stop crying. But he doesn't understand why she is crying to hard over a flat tire.
Once they get to know one another there are things that are revealed that may jepordize their blossoming relationship. They must both work hard to focus on each other without letting other outside influences change the way they feel.
Evelyn also tells the story of Kirk's partner Danny and Audrey's best friend MaryBeth which deals with a big age difference.
This is a enjoyable read although there are some things that are left out.
Overall, the book was an easy, straight forward, predictable read.
you do your work very well,this book was hard to put down. I have to tell you that I wish I'd had the chance to start at THE BEGINNING!! You go girl! Remember I asked you what would follow this one, now I'm just waiting. I want you to know that I feel like I know some of these people, they are dear to me.Audrey and Kirk,Sondra and Ike, Mary Beth and Danny to name a few. You wouldn't want to miss any of the friends, so we need one more(please)
Your Fan, Bobbie
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What words can capture the breadth of a mystical work that, five minutes into reading it, brings forth tears of ecstasy running down the reader's cheeks?
Whoever wrote these words was most certainly one close to God, and Underhill's translation is incredible.
Read it. The scope is breathtaking.
Oh Heavenly Father, I beg you: fill me with your Being!
Blessings,
Stephan Vrudny
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Addressing an imaginary "practical man", Underhill attempts first to justify the validity and value of the pursuit of mystical experience; then explains the stages of the mystic's quest in several chapters. These chapters represent Underhill's synthesis of the works of many mystics.
The writing style is deliberately lyrical, at times quite striking, at other times crossing the line to become pretentious and old-fashioned.
Is this actually a book for the (modern) "practical man"? I think not. Underhill's instructions in how to begin meditating are vague and could easily mislead a beginner into fruitless paths. Also, the descriptions of the stages of mystical progress are strongly influenced by the Christian mystics of the middle ages -- Underhill had studied few, if any, primary sources on Eastern traditions since few Buddhist or Hindu documents had been translated at the time of writing. But it reduces the value of the book for modern readers.
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And about desserts, well they technicaly aren't legal. But I've had dessert almost every day while on her program *and* losing weight. And I'm not talking about sugar free Jello! I mean real cheesecake, real chocolate truffles, real whipped cream on berries. If you get her other book, "The Schwarzbein Principle", you learn about what foods affect you in what ways, and how to eat carbs so that your system responds the way you want it to.
You *must* get this program!
The story centers around the Last family, principally Tony and his wife Brenda. All the elements of the demise of a marriage are contained in this masterpiece - a stodgy husband, a cheating wife, and a tragic death. Beware ladies because the females in the novel are on a whole as weak and superficial a group as ever encountered. Waugh at the time of its writing was reportedly recovering from a failed romance and no doubt was influenced by a jilting fiance. Brenda Last,in particular, is a character you will love to dislike. Brenda's infatuation with the 'neer do well' mama's boy, John Beaver, stretches the reader's imagination.
Both conclusions are appropiate and you will be staisfied with either.
Tony Last, an aristocrat who devotes himself to the upkeep of his expensive ancestral home is blind to the infidelities of his wife Brenda, who parties in London with her sycophantic lover. There's a whole cast of vapid characters, each exquisitely developed with revealing detail. When tragedy strikes it's like a piece of chalk scraped upon a blackboard, and as the story continues to unfold, and Tony travels to the jungles of Brazil, the plot swerves into a painful absurdity. It's all one big farce and yet there is no comic relief. And by the end of the book, only sadness prevails.
I must give this book a high ranking however because of Mr. Waugh's skill and his uncanny ability to uncover some painful human truths that I'd rather not see. I can therefore only recommend it to students of human nature who are willing to be tormented in the same way the author torments his characters. Just be forewarned.
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To be honest, most of the stories are thoroughly mediocre, and some are purely abominable. Maggie Shayne's "Anytown, USA," which starts the book, is an example. "Anytown" is almost frightening in its adherence to cliche and histrionics. A minister's wife, who of course is physically and mentally abused by her husband (Rotten Men! Rotten Christians! Now everybody: Boo, hiss!) finds her inner strength and faces down a town full of nasty ole rotten witch-haters at a school chorus festival. Shayne lets no point remain anything less than obvious, and hammers each moral lesson home with a verve betraying her background writing scripts for soap operas. I almost stopped reading the book after this first story.
The second and third stories were not much better: a half-written, half-plotted cyberpunk object, and a "Love Story" based tearjerker almost made me throw the book out again. Charlotte Brisbon's "Psyche's Tears" was better; at least there was something going on that seemed semi-realistic, and the characters were actually fleshed out. "The Spelling Error" by Jen Sokoloski is nothing more than a romance, but a good one. "Tambourine Moon," by Zelena Winters, was a significant step above the rest, with its depiction of a Gypsy mother trying to reconcile with her daughters. I'm not sure how to take Celia Moon's "The Letter," which is more about marriage, family, betrayal and healing than anything else. I can't say it's one of my favorites, but again, the characterization is good, and the message, for once, is not bluntly hammered home. It still reminds me too much of the stories I used to read in my mother's "Woman's Day" magazines. Valerie Taylor's "The Reluctant Psychic," seems incomplete; the story needs a larger treatment. As it stands, it's fine, but it seems quite incomplete. "A Solitary Path," by Evelyn Vaughn, is quite good. Witty and fanciful yet realistic, her Tobi is a character I liked and would follow into a novel. Rosemary Edghill's "The Iron Bride" is the bright spot in the book; an acerbic mini-mystery that is less about witchcraft and murder than it is about power and responsibility. Definitely the shining light in this collection.
Overall, this collection suffers from several flaws. One is the excessively preachy tone taken by several of the stories. Second is the political correctness angle; men in these stories are either (a) absent, (b) Evil, or at best untrustworthy, or (c) dying. Third: most of these stories are romances in one form or another. Looking at the author profiles in the back of the book, I note that many of them make their living writing romance novels. Too much of their daytime work leaked over into the stories they wrote here, and not always with good effect. I find it hard to believe that the editor could not have found authors who write outside the romance genre to contribute to this book. I also wonder why no male authors were included.
In summary, this is not an indispensable book. If you like your fiction heavily on the romantic side and don't expect too much, this book is...acceptable. But if you're looking for some real literature about modern-day witches and how they live and work in real life, this isn't going to work for you. It definitely didn't work for me.
I bought this book primarily because of Rosemary Edghill's contribution. I really like her Bast character, and her story "The Iron Bride," which is a short Bast mystery, was included here. This is by far the best story in the collection, showing wicked humor, vivid characterizations, and a very complex problem.
The problem is this (and it's how this book relates, btw, to the rest of the collection): Bast is a third-level initiate. She really needs to start her own coven, but does not want to do so. The mystery she solves basically tells her in not so many words that it's time to do so, whether she wants to or not.
Bast's problem is a realistic one, and it's presented with both accuracy and humor. In addition, the fact that Bast is extremely smart and hasn't really found a man up to her intellectual weight is one of the biggest points in Bast's favor. That, too, is very realistic, as Wiccans and NeoPagans of all stripes tend to be smarter than average, but there _is_ still a range.
Basically, the rest of the collection shows Pagans in favorable lights. Only one or two men have strong parts to play; one is a divorced father, the other is a dying soon-to-be father. The reviewer who pointed out the absence of males in this book makes a very, very good point.
The three best stories are Ms. Edghill's, where the men aren't as important as Bast (and rightfully so! She's the point of view character, and once again makes a big point out of not finding anyone for her yet), Ms. Vaughn's "A Solitary Path," where the heroine, Tobi, basically makes a sort of soul connection with a dream creation that may or may not be real, and would rather wait for someone that does at least that much for her, and the romance "The Spelling Error" by Jen Sokolowski (that's the one featuring the divorced father).
There are several other good stories here, but they vary a lot, and aren't evenly paced. "Psyche's Tears" was pretty good, but I didn't totally buy the transformation from the vivid Desdemona to the rather pallid denise, and I really didn't buy the POV character's all of a sudden acceptance of Denise, either. The Gypsy story, "Tamborine Moon," was also good, but had a few problems. The biggest is the last line; it makes no sense, and should have either been struck in editing, or modified somehow to make it fit with the rest of the story. Also, I had a problem with the premise. After the whole story makes a point about how alienated the Gypsy mother is from her two grown daughters, all of a sudden _one_ of them is going to take to her Craft? Not likely!
Then, the biggest problematic story in the collection came from the heaviest hitter (sales wise; trust me, the heaviest hitter author wise was Ms. Edghill), Maggie Shayne. Her story, "Anytown U.S.A.," did have some things to recommend it. It flowed well and easily. I liked the teenage girl witches. I liked the older woman witch.
But as another reviewer said, the minister's wife, who also happened to be a witch in the "broom closet," didn't come off. Her husband was way too stereotypical, and very, very nasty. Also, if he _was_ so abusive, why in the world would the woman want to do something like she does (basically stops an assembly from rioting, and admits she's a witch, which stuns them all)? Even if she never goes home again, he could go and find her and kill her.
That's the problem with making the husband an abuser. You get it all; the abusive mindset on his part, and the cowed, abjective one on hers. Trust me; the minister's wife would _not_ act like this in real life. At best, she'd stand with someone else after _they_ admitted they were a witch, like when the Principal comes up to show solidarity. (If Shayne had shown the Principal as a witch in hiding, and then the minister's wife came out of hiding after a policeman also came out of the "broom closet," then maybe I'd understand the presmise.)
And her husband would not leave her alone; he's an abuser, and he's not tired of her yet. So, her shaking her head "no" on the stage to him would do nothing more than enrage him.
So, despite it being a well-written story, that huge, huge plot hole ruined it for me.
At any rate, Ms. Edghill's story is 5 stars plus; Ms. Vaughn's is just under 5 stars; Ms. Sokolowski's is 4.5 stars. Ms. Shayne's would be 2 stars, at best. The rest were in the middle.
Because the three stories I mentioned first are so very, very good, I'd rather rate this anthology on the high end, which is why I gave it four stars in the first place.
Btw, some reviewers have pointed out this book shows a whole lot of basics for novice witches. That's almost certainly true. Still, think about all the people that might read this book, from the fans of Ms. Edghill to the fans of Maggie Shayne. Not all of them have any idea what NeoPagans or Wiccans are about. Some of that needed to be in here. Maybe not as much from each author (I was very glad that two of the three stories I mentioned as my favorites didn't have those components), but it did need to be in the collection.
Some of the folks that read this book are certainly in the "broom closet," or at least want to understand friends of theirs (or family members) that are NeoPagans and/or Wiccans. This book should definitely help in that regard, as it shows that Wiccans are the same in most regards as anyone else.
As I've said elsewhere recently, I don't really understand why so many people get hyped on what "flavor" your religion is. So long as you have a pure heart, and care about others, and follow either "Love One Another" or "Do as Ye Will, An Ye Harm None," I can't see that the Deity above us all will care whatsoever.
Books like this are important, because hopefully it'll change some ignorant people's perceptions. And most of the stories are good; a few are exceptional.
I'd definitely recommend this book.
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Even better, she presents her critique within a historical context that allows the reader to see how the current myopic model of gene primacy came to be, and how information conflicting with that model has very gradually moved from the periphery toward the center of mainstream genetics research.
Overall, I found the book to be well-written and sobering with respect to the parade of biological and behavioral attributes and conditions attributed to these things called genes.