This is a great book, especially for anyone trying to teach the real meaning of christmas. It is in the format of a child's book, but its language and subject matter (including the murder of all babies under Herod) is pretty advanced, so it's appropriate for kids who would normally read chapter books: I'd say 7+ years.

This book should be on the gift list for everyone you know! The original story was written by Henry Van Dyke (1852-1933). Susan Summers has rewritten and brought forth such gorgeous illustrations of a very special tale! No holiday season should go by without bringing this wonderful book out to read in a cozy gathering around the fireplace.

The Fourth Wise Man tells the story of Artaban who had originally planned to journey to Bethlehem with the other three wisemen to pay homage to the new King of the Jews but was delayed by his acts of kindness to others along the way. He does miss the birth of Jesus but continues a lifelong search of the King with a most wonderful journey and blissful end.

This is one of my all time favorites for any season and always brings tears to my eyes to think of the beauty of Artaban's life. Here's what Mr. Van Dyke had to say about his story:
"Who seeks for heaven alone to save his soul May keep the path, but will not reach the goal; While he who walks in love may wander far, Yet God will bring him where the blessed are."

A wonderful addition to a family's library. Reading this book should become a family tradition right along with "Twas the Night Before Christmas"

Donald Foxvog and Robert Alotta effectively collaborate in The Last Voyage of the SS Henry Bacon to dramatically present the powerful story of an American freighter in the crux of the WW II high seas. The mission of the SS Henry Bacon was to save the lives of nineteen Norwegian refugees fleeing from the Nazi Army onslaught. The freighter's mission would exact a blood price from its faithful crew. A deadly and harrowing true story filled with heroic sacrifice and sad tribute, The Last Voyage of the SS Henry Bacon is highly recommended reading for anyone with a strong interest in naval history and a unique contribution to personal, academic, and community library World War II studies collection.

I have read this book twice in it's entirety and some sections of it three or more times. Dr. Alotta has woven together the words of these seamen as they relived their last voyage on the Henry Bacon. Many books on historic events do not give the reader a grasp of how terrible the conditions are that the soldiers and sailors endure in their battles. In this book, you get a feel for how cold and icy the water was. You can picture in your mind what it must have been like to stand on the deck of a sinking ship in the arctic waters knowing that if you stayed on the ship you would die and if you jumped in the water you still might perish. Thank you to Dr. Alotta for writing this book and thank you to all of the brave men and women who have fought our country's battles.

Since I was the Radio Officer of this ship I could be a bit biased but I did enjoy reading it. The authors spent many years in the research and interviewing of the surviving crew and other people who were envolved. They did a good job and I believe this story would be of interest to anyone who wishes to know more about this phase of WW2. Almost all the survivors are no longer living now. So it is fortunate that we have this record for the people who will be interested in years to come. Thanks Don Foxvog and Bob Allota.

The New Zealand Prayer Book is one of the easiest to use prayer books in my library. It has marks of creativity that open up prayer. Out of the 3 or 4 prayer books I have, this one is the most flexible and useful. I combine it with daily scripture reading from The Chalice Hymnal and the Revised Common Lectionary. This prayer book keeps me balanced and regular - more so than others I have.

If you're an Anglican who loves liturgy (or even if you're not Anglican), this is a must for your library. It's the standard prayer book with all the services you know and love, but with a wonderful new twist of language. In the translation for today's church, the feeling has come back to all the words we say without thinking. For example, in the Lord's prayer "our Father" becomes "Eternal Spirit, Earth-maker, Pain-bearer, Life-giver, Source of all that is and thiat shall be, Father and Mother of us all..." What could more inclusively capture a glimpse of the Living God?

A New Zealand Prayer Book beautifully combines the lofty Anglican tradition with a directness and simplicity that reflects native culture. Many of the prayers are almost childlike in their simplicity, but directly speak to the heart and soul. I find myself coming back to certain prayers, especially an evening medititation that reminds, "What has been done has been done; what has not been done has not been done; let it be." Accessible and reflecting the complexity, and simplicity, of the soul.

REMEMBERING JIM CROW is a colletion of first hand accounts of life in the Jim Crow south. The stories are compelling and at the same time sad.

The stories create the atmosphere that one is sitting in one of the elderly story tellers living room listening to them.

This book is especially worthwhile for non-African-Amercians readers, because virtually all African-Americans that have roots in the south, know these stories all too well.

This is an absolutely superb book, comprised of recollections of the Jim Crow years in the form of oral histories. It can be read through, or picked up at any part. There is an appropriate amount of historical introduction to each chapter.
This material needs to be read, and remembered. There was a long time in our history when, although there was no more slavery, African Americans were treated as a separate serf class, under constant pressures and reminders of their lower status. Whites used pervasive legal and social downward pressures to keep African Americans out of an equal education, and equal access to public facilities, much less the right to equal jobs and the right to vote -- and then claimed that African Americans' lack of achievement was a racial fault. If an African American violated one of the many social taboos, the sanctions ranged from a beating, to loss of job, and even being lynched.
While whites benefited from Jim Crow, the whites, also, were trapped in the system. They were also forced to abide by legal segregation, and were subject to social pressure if they were too liberal (being called "n* lover," "white n*," etc.).
What led to the mindset that the end of slavery should lead to continued legal and social oppression of African Americans? It was part of white American culture. Lincoln himself said that he was not "in favor of making voters or jurors of negroes, nor of qualifying them to hold office, nor to intermarry.... [T]here must be the position of superior and inferior. I am as much as any other man in favor of having the superior position assigned to the white race." In 1877, Rutherford B. Hayes traded the end of southern post-war Reconstruction for the electoral votes he needed to win the presidency. Southern states then were free to institute the Jim Crow system.
I believe we are more subject to peer pressure than we would like to believe. Although reviewer McInerney asserts that "no civilized person" would benefit from Jim Crow, I feel many otherwise-good people were trapped and/or blinded by their own interests and surroundings. When allowed, and even encouraged, their evil side showed itself. On this topic, see John Griffin's _Black Like Me_, on the different faces that whites showed to other whites, and to African Americans.
While we are certain that we wouldn't go back to that system, we shouldn't be so sure that we, also, wouldn't be trapped by it if we were born into it. Consider that Truman, Eisenhower, and Kennedy (to a large extent) didn't take effective action to end segregation.
This book is excellent. Those dreadful and shameful times -- and the vestiges which still continue -- must not be forgotten.

This slipcased book and 2-cd set supplements the written word with oral history, gathering the voices of men and women who were firsthand witnesses to segregation in the south. Stories by men and women from all walks of life reveal how blacks fought against the system, built communities, and ran businesses in a society which denied them basic rights. Remembering Jim Crow offers the reader a comprehensive, involving, highly recommended presentation.

A touching, sad, suspenseful and truth-filled story of a teenager named Rose, and her mother who helps to heal people. And an angry group of people against them. And a terrible, powerfull man who comes to their town.
This is story involves risk, love, betrayal, you name it... This book has it all. I highly reccomend it.
However, only for teenagers and very mature children. It is based on the horrid witch hunts and does include some disturbing things.
If you have a chance to read it, do! I could hardly put it down. The suspence will catch you and hold you. A great tale.
It also brings truth to what really happened in the witch hunts so long ago... A must-read.
Enjoy!

Carol Matas, best known for the "Of Two Minds" novels and her various Holocaust fictions, has created a shocking novella about two women who find themselves trapped in a witch hunt in Renaissance France.

Suzanne Rives, a beautiful and fiercely independent widow and skilled midwife, refuses advances from two men to live with her daughter, the main character Rose. People have already been suspicious of her herbal treatments, but when a witch hunter spreads terror in the town comes, Suzanne's fate is sealed.

However, Rose still has some allies: Sylvie, a plucky castle maid whose motives are revealed later, and Raymond, a young man. Suzanne is subjected to horrifying torture by the cruel witch hunters and fanatics.

The violence is bloody and shocking, but never goes over the top. This book is well written, taut and poignant, about a mother-daughter relationship that must overcome the cruelties of the day.

Great boooooook! It was so sad! It made me cry! WHA WHA !

Perfect and a sure keeper.
Look elsewhere for details for I'm only adding another vote.

Elizabeth Chadwick does it again! This is the second novel I have read by her (the first being "The Love Knot") and this one is incredible too! The story begins in 1184 after Fulke FitzWarin is sent to serve Prince John, son of Henry II. His family thought it a great honor as did Fulke until John accuses him of cheating at chess, which by the way he didn't. He just plays chess better. Well, a fight ensues over this and both hold grudges against each other for a lifetime.

Meanwhile, Fulke is training under Theobald Walter, who becomes his friend and mentor. He also meets his future wife, Maude,on the day of her wedding to Theobald. Fulke's life takes many twists and turns and he becomes an outlaw. He tries to reclaim his family's estate of Whittington Castle time and time again, after his father's many attempts and failures. This struggle eventually kills his father, but Fulke endeavors to make his father's quest a realization.

After years pass by, he ends up finally marrying the woman of his dreams, Maude. However, their life from the beginning is spent running from King John's vengance. Even after all of this they manage to raise a family, endure one adventure after another and never cease to support and love one another.

The day-to-day trials and joys of the middle ages are brought to life with a wonderful perspective on how life must have been for not only the nobles of twelfth century England but also the commoners. The author really makes you feel as though you were there. So far all of her books have been winners, and if you love a great medieval story, this book is one of the best!

Elizabeth Chadwick does it again with yet another engrossing historical novel about medieval England. I have read all her other novels and was never disappointed with any of them. It is easy to see how the true figure of Fulke FitzWarin could have given rise to the legend of Robin Hood. For those who crave historical fiction about the time period surrounding the reign of King John, this novel will not disappoint. Highly recommended!

Since 1933, the Eranos Conferences have gathered the world's leading scholars of religion and mythology. This set consists of Joseph Campbell's selections of the best papers from that conference. This is Volume 2, "The Mysteries". The fourteen papers include: Paul Masson-Oursel, "The Indian Theories of Redemption in the Frame of the Religions of Salvation" and "The Doctrine of Grace in the Religious Thought of India"; Walter F. Otto, "The Meaning of the Eleusinian Mysteries"; Carl Kerényi, "The Mysteries of the Kabeiroi"; Walter Wili, "The Orphic Mysteries and the Greek Spirit"; Paul Schmitt, "The Ancient Mysteries in the Society of Their Time, Their Transformation and Most Recent Echoes"; Georges Nagel, "The 'Mysteries' of Osiris in Ancient Egypt"; Jean de Manasce, "The Mysteries and the Religion of Iran"; Fritz Meier, "The Mystery of the Ka'ba: Symbol and Reality in Islamic Mysticism"; Max Pulver, "Jesus' Round Dance and Crucifixion According to the Acts of St. John"; Hans Leisegang, "The Mystery of the Serpent"; Julius Baum, "Symbolic Representations of the Eucharist"; Carl Jung, "Transformation Symbolism in the Mass"; and Hugo Rahner, "The Christian Mystery and the Pagan Mysteries."

Since 1933, the Eranos Conferences have gathered the world's leading scholars of religion and mythology. This set consists of Joseph Campbell's selections of the best papers from that conference. This is Volume 4, "Spiritual Disciplines". The twelve papers include: Heinrich Zimmer, "On the Significance of the Indian Tantric Yoga"; Erwin Rouselle, "Spiritual Guidance in Contemporary Taoism"; Theodor-Wilhelm Danzel, "The Psychology of Ancient Mexican Symbolism"; John Laynard, "The Malekulan Journey of the Dead"; Carl Kerényi, "Man and Mask"; Martin Buber, "Symbolic and Sacramental Existence in Judaism"; Friedrich Heiler, "Contemplation in Christian Mysticism"; Maw Pulver, "The Experience of Light in the Gospel of St. John, in the 'Corpus hermeticum', in Gnosticism, and the Eastern Church"; Fritz Meier, "The Spiritual Man in the Persian Poet Attar"; Rudolf Bernoulli, "Spiritual Development as Reflected in Alchemy and Related Disciplines"; Carl Jung, "Dream Symbols of the Individual Process"; and M. C. Cammerloher, "The Position of Art in the Psychology of Our Time".

Since 1933, the Eranos Conferences have gathered the world's leading scholars of religion and mythology. This set consists of Joseph Campbell's selections of the best papers from that conference. This is Volume 3, "Man and Time". The twelve papers include: Erich Neumann, "Art and Time"; Henri-Charles Puech, "Gnosis and Time"; Gilles Quispel, "Time and History in Patristic Christianity"; Louis Massignon, "Time in Islamic Thought"; Henry Corbin, "Cyclical Time in Mazdaism and Ismailism"; Mircea Eliade, "Time and Eternity in Indian Thought"; Carl Jung, "On Synchronicity"; Hellmut Wilhelm, "The Concept of Time in the Book of Changes"; Helmuth Plessner, "On the Relation of Time to Death"; Max Knoll, "Transformations of Science in Our Age"; Adolf Portmann, "Time in the Life of the Organism"; and G. van der Leeuw, "Primordial Time and Final Time."

Henry Beston on the trail of Thoreau's great hike along the cape stays to capture if he can "the very psyche of animals" and rises to metaphysical levels with the greatest command of the English language. Nature exists, he finds, and "creation is here and now." Everything acts, and acts characteristically, and in detailing their interactions he discovers that he is in them also. Outermost house leads inevitably to innermost house.

I had never heard of Henry Beston until a friend lent me--or, more accurately, pressed on me--his copy of The Outermost House. After reading this book, I understand his sense of urgency: this is a work of unique and lasting beauty, surely one of the greatest nature books ever written. In detailing his year in his cottage at Eastham Beach (now Coast Guard Beach) on the Atlantic side of Cape Cod, Beston combines a Thoreauvian zeal for nature and the examined life with a Proustian ability to record exactly the sight, sound, feel and scent of the world around him. Page after page is filled with unforgettable passages; his descriptions of the markings and songs of the shore birds alone are enough to move you to tears. His story of the plight of a doe caught in an icy flood is almost as suspenseful as a Hitchcock movie; his tribute to the courage of the Coast Guard "surfmen" who rescue shipwrecked sailors is particularly resonant to us who--after Sept. 11, 2001--have learned something about the value of those who safeguard the public. Beston is so quotable a writer that I'm shocked he's not better known. A few quotes should demonstrate:
"Nature is a part of our humanity, and without some awareness and experience of that divine mystery man ceases to be man."
"Man can be either less than man or more than man, and both are monsters, the last more dread."
"Poor body, time and the long years were the first tailors to teach you the merciful use of clothes! Though some scold today because you are too much seen, to my mind, you are not seen fully enough or often enough when you are beautiful."
"Poetry is as necessary to comprehension as science. It is as impossible to live without reverence as it is without joy."
Henry Beston found urban life insupportable in the mid-1920s; who could know the dismay he would feel in 2002, when computers, television and jet planes make the world pass in a blur! Beston is out to teach us how to slow down, to learn to live again according to the patterns and rhythms of nature. For those who are willing to read and understand, The Outermost House remains a haven of peace and beauty.

The Outermost House is a classic, not just of natural history literature, but of American literature. If you love the outdoors, or the sea, or prose that flows like poetry, you should keep this small book always nearby. The harried introvert will especially appreciate it: reading even a page or two will transport you to a quiet place where the wind through the dune grass is the only sound that strikes your ear.

In addition to being a great writer, Beston is an acute observer biological phenomena, and not a bad theorist either. His discourse on the relationship other animals bear to us ("They are not brethren, they are not underlings; they are other nations...") does more to unlink the Great Chain of Being than any philosophical essay. And Beston's influence has been wide-ranging, not only among natural history writers, but among writers in general: unless I am mistaken, The Outermost House is one of the sources for the "Dry Salvages" section of T.S. Eliot's Four Quartets. (If no one else has noticed that before, I want coauthorship on the paper!)

Some books are so memorable that parts of them become internalized on first reading. The first time I read The Outermost House, its final sentence -- as graceful an example of polysyndeton as you will find in English -- became mine. Now, I pass it on to you: "For the gifts of life are the earth's, and they are given to all, and they are the songs of birds at daybreak, Orion and the Bear, and dawn seen over ocean from the beach."

This book is easily one of Henry`s best horse tales- yet it somehow seems to get overlooked these days. The story combines her familiar young person/horse bond narrative with a fascinating look at the very unique Italian tradition of the Palio horse race. Dating from medieval times, the Palio, held in Siena, re-creates the old drama of the various rival city states. Along with this slice of history, the author gives us the character Giorgio Terni, an idealistic young man whose dream is to become a trainer of horses. He evantually does achieve this, also becoming a Palio rider and forging a friendship with the high-strung yet lovely and fast mare Gaudenzia. Everyone is ready to give up on the mare becoming anything but a work horse- except Giorgio, whose faith in her talents never falters. He devotes all of his time to her, regaining her trust in people and getting her in physical shape to race. He`s truly a good role model for animal-loving youngsters. The story never loses its momentum- as a sixth grader reading it for the first time, I could`nt put it down. I also recall how upset I was when Giorgio must ride a different horse in one Palio race, and how the rules of the game indicate that he must try to prevent Gaudenzia from winning, even to the point of striking her with his whip. These realistic dilemmas give the book an authenic feel. Like the Pie in National Velvet, Gaudenzia is an underdog horse who comes out on top regardless. I hope this one makes it back into print!

Gaudenzia is an outstanding blend of horses, history and human interest. As a child I loved the story of how the cart horse became a champion. I thrilled to the traditions and pageantry of the Palio. As an adult I read this book to my son and realized there was a second story of the rider, who had persisted in his love for a horse.Even if you are not a horse lover,there are also some subtle lessons of ethics and loyalty in the story.
My college-age son recalls that the rider had a childhood so poor that his family would rub a saugage with bread for lunch to get a bit of grease, because the precious sausage had to be saved for dinner.This made a big impact on him.
Did this story influence two generations? Yes! Although I have waited over 40 years to make the trip, this July I will finally see the Palio in Siena - with my son.

I love horses, love to read, and Marguerite Henry is my favorite author, and out of all of her books (I've read them all), I think this is the BEST! About a year ago, I got a book from the library called "The Wildest Horse-Race In The World". I read it, and just loved it! I found out that it's original name was "Gaudenzia, Pride of The Palio". Now, I liked that name MUCH more than "The Wildest Horse-Race In The World"! Gaudenzia is the horse's name. It means "Joy of Living". The Palio is the race, which is run on July 2, the Feast of the Visitation of the Blessed Virgin Mary, and August 16. It is run around Siena, Italy, 3 times. There are many sharp, danguerous curves. Horses and riders are sometimes even killed. The prize for winning the race is a handpainted banner of the Blessed Virgin Mary.It is a religous race, and before it is run, the horses are brought into church, and blest, and the fantinos (riders) are blest by the archbishop. ...

You may have been wondering "Is the Palio still raced?" The answer is yes! On July 2 and August 16, in Siena, Italy, this ancient race that has been run for nearly 800 years is still run to this day. I would really like to go to Italy and see it! I highly reccomend this book to anyone who loves horses, horseracing, reading, and history, and is ages 7 to 107! This is a really wonderful book, and I HIGHLY reccomend it!!!

Two centuries or so before "modern" writers began writing experimental novels, Denis Diderot, the force behind the Encyclopaedia effort, wrote this strange and indeed very "modern" novel in which the author leads a conversation with the reader, asking him where he (or she, of course) would want to go and what to do with the characters and the story. Here we see the author in the very process of creation, exposing his doubts, exploring his options, and playing with the story.

There is really no plot as such. Jacques, a man who seems to believe everything that happens is already written "up on high", but who nonetheless keeps making decisions for himself, is riding through France with his unnamed master, a man who is skeptic of Jacques's determinism but who remains rather passive throughout the book. Fate and the creator-author will put repeatedly to test Jacques's theory, through a series of more or less fortunate accidents and situations, as well as by way of numerous asides in the form of subplots or stories.

The novel is totally disjointed and these asides and subplots blurb all over the place, always interrupted themselves by other happenings. The most interesting of them is the story of Madame de Pommeroy and her bitter but ultimately ineffectual revenge on her ex-lover.

Diderot confesses to having taken much from Sterne's "Tristram Shandy" and Cervantes's "Don Quixote". This last novel's influence seems obvious at two levels: Cervantes also talks to the reader, especially in Part Two, and also reflects abundantly on the creative process. Moreover, the tone and environment of the book is very similar to the Quixote: two people engaged in an endless philosophical conversations while roaming around the countryside and facing several adventures which serve to illustrate one or antoher point of view.

Diderot's humour is bawdy and practical and the book is fun to read. The exact philosophical point is not clearcut, but it will leave the reader wondering about Destiny, Fate, and Free Will.

Yeah. Believe all the reviews below. This book really is amazing. It would feel like it was written yesterday, if it was more derivative -- but it's fresh! The language is incisive, no waste, and the pacing and structure are brilliantly fluid. It's smart and funny, too, and completely unpredictable, filled with weird offhand bursts of bewildering narrativity. And yet balanced, apparently sane. I truly enjoyed reading it. It's great.

This book is amazing. It will make many of your conceptions of where things belong in the history of the novel fall apart. Not coincidentally, that is one of the points of this book, being an exercise more than a message: that all apparent armatures of order are one more perspective away from disintegration. This book is really quite sneaky as well. In the beginning, the constant references to the inscriptive certainties in the heavens seem silly. But then little explanations come along (like the geneology of Jacques' crazy horse), and the novel heads down a dark, yet very enchanting road, into a fuzz that's every bit as modern as any you've read. This thing alternately looks like Bunuel, Zola, Stendhal, Faulkner, Kerouac. The picaresque, the uncertain narrator, the structuralists, all seem to be swimming around in this amazing book.

Surely many writers and artists from this era (like Goya) depicted the nobles as effete and incapable of carrying out the governance of the most basic requirements of existence, but here, they also appear (in the image of the 'master') as so withdrawn from the world as to be blind. If you take away all the stories that are told, the only thing that's left of a plot here is the master having his horse stolen right from under his nose while Jacques was gone and then Jacques finding it for him at the end in a beautiful, mock sort of deus ex machina.