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There are so many questions surrounding the reasons for miscarriages - what causes them; can they be prevented; is there a way to lower the risks of having another...? Answers to these and other compelling questions are best discussed in the book, "Miscarriage: Why It Happens and How Best to Reduce Your Risks," by Henry M. Lerner, M.D. I thought I had known all there was to know about miscarriages, but this book truly opened my eyes and gave me much more information.
Miscarriages are a common occurrence, happening in 1 out of 5 pregnancies, and for a number of reasons. Some of what this book discusses: what exactly is a miscarriage; reasons miscarriages occur; the role of infections and the environment in causing miscarriages. It discusses past and current research studies and its results, and even answered a few myths I had believed to be true (see pg 53 for timing sex for a boy or girl; and pg 120 for microwave oven exposure).
MyParenTime highly recommends this book -- besides personally answering some questions I had about my own miscarriage, this informative book touched upon so many areas and explained the topic of miscarriage in terms we can all understand. To anyone who has experienced the devastation of a miscarriage, and to those just looking for information...this book has it all.
This book is lucid and well written for a wannabe parent to understand yet treats mothers and fathers as intelligent people just lacking information on a "taboo" subject that no one wants to talk about. Dr. Lerner provides insightful information on avoidance and as important how to deal with the deep guilt that will follow if a miscarriage happens. The key to this enlightening nonfiction work is the advice provided to both parents for the forgotten father will feel doubt, depression, and lack of confidence as to what to do for his ailing spouse and his own psyche. MISCARRIAGE: WHY IT HAPPENS AND HOW BEST TO REDUCE YOUR RISKS--A DOCTOR'S GUIDE TO THE FACTS is a strong insightful guidebook.
Harriet Klausner
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Conjuring up TV images of street demonstration and angry mobs, "radical" actually means to get at the root cause of something.
Unlike the open isolation and secrecy experienced in Winkler's youth, today's students have disability rights laws on the books ensuring their equal educational access, but the same statues can only reach full potential when students with disabilities are not formally/informally stigmatized for their "difference" against non-disabled peers.
The default trying nature of such topics may potentially shock readers whose 'juvenile fiction series' reads are confined to traditionally light-hearted and easy-going fare, but the presentation arrangement is obligatory because even when appropriate services are rendered, students with disabilities leave American schools with low self-esteem engendered by classroom and cultural stigmatization as the 'bad' other to be avoided at all costs.
That this series is written by a person with a disability himself (who just happened to be a cultural mega star) is infinitely better than having a person (however well intentioned) second-hand guess what such childhood experiences are like.
Lucky that I could talk with my own parents about some of my own experiences, I also knew this option was unavailable for other people, and sometimes even I needed to network with others like myself.
Exposing me to the inherent inequities in the American educational system, this very same difference had also made me a target of peers (and sadly, teachers) who did not want to acknowledge me as a full and rounded person with many of the same general goals and dreams they also possessed. My place in the world was ultimately contingent upon my knowing and standing up for disability rights.
Also true to his own personality, Winkler never talks down to his audience during the adventures, instead reassuring the normalcy of wanting to fit in while being different from others in the immediate environment. The fast-paced dialog helps kids find both themselves and a voice.
Because no civil rights law can actually require a child to have self-esteem (or respect such boundaries of others) these books are important corollary to a still-relatively untouched subject. Narrowly constructed definitions of 'smart' and 'progress' continue to impede truly constructive nation-wide special education policy discussions.
Politicians from all across the political spectrum have rendered themselves hoarse pontificating on 'academic success' and 'leaving no child behind' but Winkler's efforts clearly demonstrate actual willingness providing these very tools to the audiences needing such tools the most.
If only this series were out when I was in public school.
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For those who want a real epic, it can - but doesn't have to - be read as a sequel to Jean Anoilh's "Becket". Personally I found that this adds to the tragedy.
It opens during a fictional family Christmas get together that is combined with a historical meeting between Henry and France's young King Phillip. Henry's persistent humiliation of his wife, Eleanor of Aquitaine, through his string of mistresses has prompted her to hurt him in the only way available to her - by systematically destroying his relationships with their sons. Now Henry - although not old yet - is no longer a young man. The fact that a potentially dangerous Phillip - who has a legitimate axe to grind with Henry - is no longer a child forces them to realize that their familial intrigues have set their boys up for both internal and external disaster upon Henry's death. They make a real effort to save both their shattered marriage and their shattered children, but it may already be too late ...
The main tragedy, of course, is what Henry and Eleanor have done to their children. Richard is admirably brave but has had much of his compassion beaten out of him and replaced with brutality. Geoffrey's great sense of humor has been blasted in the bud, and his fustrated capability of love makes a weapon of an intelligence that would have been an asset to anyone who would have shown him the slightest affection in return (it's worth noting for those who don't know the family's subsequent history that given the condensed time of the play, Geoffrey would presumably have died in a fatal tournament accident soon after the action of the play - making him even more poignant). John, the youngest son of Robin Hood fame, is somewhat mishandled - his failure had much to do with Richard's prior mismanagement and lousy historical timing rather than his own faults, and the ruthless streak that doomed Geoffrey's son Arthur (who isn't in the play) as well as his general competence in many instances (he would later rescue Eleanor from a siege in a manner that would have done Richard proud) doesn't really come across - but in an otherwise excellent play Goldman can be forgiven for bowing to popular opinion in one case.
An accurate depiction of the dynamics of the Plantagenet family, "The Lion in Winter" is also a timeless study of what constitutes a healthy family.
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Kudo to Maggie Lidz
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At the beginning of each tour (allow one per day), find a bench in one of the many small parks and read the introduction to the tour. While you take in the sights, smells and sounds of the area, you'll learn a bit of history to set the stage for the tour. The walks are slow and intend for you to really look at your surroundings as you read about the history, architecture and people. I wish there were guides like this for every city!
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But Fuller was more than just a director. He had been a newspaperman in New York's tabloid era of the 20s and 30s. He was an infantryman on Omaha Beach on D-Day. He had met just about everyone worth meeting -- from Charlie Chaplin to Al Capone. And he is, as his autobiography "A Third Face" most eloquently demonstrates, a magnificent storyteller.
The section of the book dealing with Fuller's experiences in World War II make for amazingly gripping reading -- and I would like for people like Donald Rumsfeld to take a gander at Fuller's account of what warfare is really like before they send young Americans into combat any time soon. Fuller writes about war in all its hallucinatory insanity (as he waded through the blood and body parts to get onto Omaha Beach he saw a man's mouth -- just his mouth -- floating in the water), and it's not a story you're likely to forget.
His exploits in Hollywood, while not as gripping, are equally fascinating. Fuller clearly pines for the old days when moguls like Darryl Zanuck would protect a writer's vision and a deal could be counted on even if it was only a handshake. And while Fuller made his share of career mistakes (he turned down both "The Longest Day" and "Patton," for example), his filmography is an eloquent tribute to a man who wanted to make his films his way -- no matter what the cost.
The book is not perfect, though. It is marred by many factual errors (to give just one example, he discusses meeting French film critic Andre Bazin at a time when Bazin had been dead for years), and at times he seems suspiciously eager to belie his reputation as a right-wing filmmaker. His use of language can get a little repetitious (if I had a dollar for every time he uses the word "yarn" in this book I could buy everything on my Wish List), and I found myself wondering just how much of the text had actually been written by Fuller's wife, Christa (one of two credited co-writers), and not by its putative author.
All those reservations aside, this is a book that will keep you up late (that is, if I'm any indication -- I finished it at dawn), and that truly earns the description of "impossible to put down." You should put it on your bookshelf alongside Frank Capra's great (and equally inaccurate) "The Name Above the Title." Assuming that you don't take the author's word for gospel, and you're willing to accept the fact that he will never let the facts get in the way of a good story, it's an engrossing and unforgettable read.
He was offered "Patton" but wouldn't do it because he though Patton was an jerk. He was offered John Wayne movies, but wouldn't do it because he thought Wayne was a phony. He had full control of his films, when that was a rarity.
In 1980, after 20+years of wrangling, he finally made the film based on his battle history, "The Big Red One" with James Coburn. Probably the most realistic WWII film out there.
Fuller died a few years back, unknown to many, but loved by those in the know.
Sam Fuller lived the life of 10 men and his book is the best read I've had in years, go get it.
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Sherry and James Fannon
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They both never met a microphone they didn't like. They talk more than little girls. Both are way too serious and need to lighten up. They're in the entertainment industry yet yearning for artistic integrity (then stick to arts and craft shows).
Rollins complains about book/album sales, his business, and his own niche marketing scheme. The guy brags about hard work, working out, and dislike of everything hokey and cheesy. Typical manic depressive straight edge loudmouth. Relax buddy, you need a rest guy. He turned out just like his parents, but he can't settle down. Hence the mass confusion running out of his head. Every job has it's ups and downs. They get monotonous and draining. Worrying about money [stinks], so you compromise nearly everything up to and including you're very being. Hank likes being "commercial" because big corporations pay well and promptly. Movies and commercials are money on the table. It's easy and if he doesn't take it someone else will.
Biafra is one man publicity stunt show. Running for mayor(truly funny and creative). Including a poster of sodomy in records and calling it artistic freedom under the holy grail of free speech. I don't know anyone who buys a record expecting or wanting such a thing. The poster is funny but is by all definitions pornographic. Not everyone has a dirty sense of humor. Jello fought and lost for our right to do such silly things. Now he worries about his company's future as a b-music distributer especialy with the rise of this internet file sharing thingy (more punk than the whole punk movement combined). He's made a living as a paranoid alarmist worrying people to death.
Bottom line, everyone's replacable, independent. Past succes doesn't guarantee future success, but that's who gets better odds. Like it or not. Whether your stuff has critical mass approval or not. Carrying the torch will get you burned both up and out. These guys are one trick ponies branching off into other areas. A good perspective on 2 long winded spotlight hogs. Their music speaks or itself. JB's album with no means no and doa are worth buying or downloading. Black Flag is good clean fun. RESEARCH/VSEARCH always put out good stuff.
Interspersed among the captivating narrative and rich characterizations are succint insightful meditative segments that sparkle like rare jewels and are brilliantly woven into the story.
My personal index of this book includes, in approximate order of appearance: angels, point of view, cage, science, intuition, mysticism, philosophy, struggle, vanity, *shining goal*, place in the universe, the conscious and the unconscious, multiple worlds, rivalry, piano music, control and order, discipline, *tryanny*, conformity, human nature, jealousy, things without faces, qualities, civilization, words versus voice, game, refuge, beauty, ugliness, money and power, mathematics, *design*, friendship.
Broadly and deeply erudite, astutely observant, and poetically articulate. FOR YOUR OWN GOOD, PLEASE DON'T MISS IT. And share it.