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Firstly, his brilliant use of language. These stories were written in the first half of the twentieth century, and O. Henry's use of language easily surpasses that of most contemporary writers. Not only does he have an extensive vocabulary, but his writing abounds with similes and metaphors that breathe sparkling life and depth into his stories. "Ulysses and the Dogman" is a fine example of his skills with a language, metaphorically portraying dog owners as victims of Circe, in a hopeless enchantment to their leashed pets. Also exemplary is "Madame Bo-Peep of the Ranches" where a ranch manager has a heart fenced by barbwire just like the ranch on which he lives, and yet the twist at the ending suggests that perhaps we were completely mistaken. "A Comedy in Rubber" uses wonderfully elevated language to farcically portray a class of people today known as ambulance chasers. And "Sisters of the Golden Circle" revolves around the profound bond that exists between two married women who are strangers but yet sisters "of the plain gold band." "An Unfinished Story" employs profound metaphors of angelic hosts to tell the tragic story of poor Dulcie's struggle for survival.
Secondly, his unique insight into the social conditions of his time. O. Henry has a great understanding of the trials of the lower class, frequently picturing the lives of ordinary people of early twentieth century America with sympathetic colours. His characters are frequently the overlooked: the struggling shop girl, the unsuccessful artist, the impoverished. Admittedly, some of his images can be hard to comprehend for modern readers, and the distance that time has placed between us and O. Henry's beloved New York means that some of his verbal pictures will be harder to identify with. But his genuine sympathy for the oppressed cannot be missed. "The Gift of the Magi" is the signature O. Henry story, probably his most famous tale which recounts a poor young couple who both give up a prized possession in order to purchase a gift for one another - but ironically a gift intended to complement the other's prized possession that they have just given up. Another story which displays his ability to picture the social conditions of his time is "The Pendulum", a wonderful portrait of the daily routines of an poor couple and the bursting anxiety of a married man, until the bubble bursts. "The Cop and the Anthem" was the first O. Henry story I ever read, and humorously recounts the unsuccessful attempts of a man to get into jail for the winter. "The Furnished Room" is a tragic and shocking story of suicide, depicting the depths of despair and desperation of the impoverished.
Thirdly, his warm humour. O. Henry has an uncanny ability to portray the mundane and the ordinary in the most elevated language. Frequently he pits two characters together in a remarkable way so that one outshines and complements the other. On other occasions he crafts the most ingenious and humorous schemes for outwitting others. One of his most popular stories is "The Handbook of Hymen", the tale of two men in a winter cabin, one armed with the hilarious Herkimer's handbook of Indispensable Information. And then there's Jeff Peters, a man who comes with the most ingenious money-making schemes, two shining examples displayed in "Jeff Peters as a Personal Magnet" and "The Exact Science of Matrimony". "Let Me Feel Your Pulse" pokes fun at doctors, while in "Next to Reading Matter" an overly eloquent character wins the heart of a senora with streams of articulate talk about the mundane.
Fourthly, his ironic twist. One of the distinctive characteristics of O. Henry's short stories is the ironic twist at the end, which never fails to surprise and entertain, sometimes reversing the entire story line in a concluding one-liner. O. Henry's suspense and trademark ironic twist ensures that readers who have a good literary taste in short stories will not be disappointed. Like the Jeff Peters stories, "The Love-philtre of Ikey Schoenstein" also feature a brilliant scheme, and the way the romantic scheme backfires is unforgettable. Other delightful examples of the glorious ironic twist include "Witches' Loaves" and "While the Auto Waits". The twist that comes at the end of "The Hypotheses of Failure" is so perplexing, that you'll have to re-read the entire story after reading the ending - but completely delighted at the way in which O. Henry has misled you. Perhaps one of O. Henry's best uses of the ironic twist comes in "The Last Leaf", a warm and tragic tale describing how a dying artist proves as resilient as the last leaf on the wall outside, and through the self-less sacrifice of another.
The Wordsworth collection is superlative, because it contains more than 700 pages of literary gems. It consists of 100 stories, showcasing a wide range of O. Henry's short-story talents. A few popular favorites are missing, such as "Schools and Schools", "Shearing the Wolf", "The Green Door", and "The Pimienta Pancakes." But the reality is that nearly all O. Henry's stories feature his trademark ironic twist, as they do his warm humour, his unique insight into the social conditions of the time, and his brilliant use of language, and that every story in this collection is a literary delight worthy of inclusion. The inaccessibility of some references for modern readers does not prevent these stories from being always entertaining and enduring! Don't pass up on these!
The distinctive characteristic of O. Henry's short stories is the ironic twist at the end, which never fails to surprise and entertain. O. Henry's suspense and trademark ironic twist ensures that readers who have a good literary taste in short stories will not be disappointed.
These stories were written in the first half of the twentieth century, and O. Henry's use of language far surpasses that of most contemporary writers.
His stories also demonstrate his unique insight into the social conditions of his time.
This collection is superlative, because it consists of 100 stories, more than 400 pages, and is offered by Amazon.com at an excellent price! Don't pass up on this one!
I was proven wrong. I could see the interplay of man and God in shaping our history and now fully understand that indeed "He works all things after the counsel of his own will". I was taken with the literary style that I could not put it down desiring to find out what would happen next to Luther. It is awesome to know that Omniscience wields Omnipotence to achieve the counsel of the Omnipresent God.
The plot is simple enough (at least for James): two houses, apparently back to back, in Wilverley, a small English village, set the scene. One contains a widow, the other a young married couple. The young wife widows the young husband, and he becomes Wilverley's "most eligible bachelor," except for the fact that he promised his dying wife that he would never marry again, at least not during the life of his child. So somebody has to kill the child, right?
Enter James's genius for character. There's Paul, the huge, infinitely imperturbable son of the wealthy Mrs. Beever; the diminutive and impetuous Dennis Vidal; Tony Bream himself, a remarkably good-natured but insensitive fool; and the powerful Mrs. Beever, whose awful determination cows every one else before her. Like James's best writing, his characters become interesting on their own; his fictions become an opportunity to satisfy curiosity. I think that's what makes this book a "page-turner"; the characters are interesting enough that I want to know what's going to happen.
In the end, I suppose, what makes this book succeed is what would have made the dramatic version fail: James's endless fascination with the workings of the human mind must have become either painfully boring or just incomprehensible to a theatrical audience. However it came about, I recommend it unequivocally.
Sr. Mckenna make us see her devotional life in every pages and it's incredible the way we can feel God's presence....
In his writings, he is as gentle as a dove and as wise a serpent, in accordance with our Lord's command. Here the truth is presented in a straight-forward and compelling manner, so much so that he converted with these pamphlets (here collected into book form) an entire region which had fallen away from the Catholic Faith into the errors of Calvinism. And when I say he converted the region, I mean virtually all of it, completely reversing the sad situation of a region that had fallen a few decades before into the errors of the protestant revolt.
From Purgatory to the Papacy, these pamphlets reminded the people of the forceful clarity and Truth of the holy Catholic Apostolic Faith. May it equally remind us of that today, when it is needed again, as is another "counter reformation" against the revolts we see all around us in the Church!
It is said that when St. Francis de Sales arrived in the area there were only 7 Catholics left. When St. Francis finished, there were about the same number of Calvinists left.
Facing death threats and doors shut in his face, St. Francis de Sales wrote several pamphlets defending the faith. For several years he slipped these under doors so the people could read them. This book is a compendium of those pamphlets.
St. Francis de Sales uses scripture like no other. His arguments are as persuasive today as they were then. For those looking to understand the biblical basis for Catholic teachings (i.e., purgatory, papal infallibility) this book is a must.
I recommend this book to Catholics who are interested in knowing the scriptural and logical reasoning behind the teaching of the Church. I also recommend the book to protestants who have an honest interest in finding out, from a Catholic source, just what that Church teaches. Buy the book.
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My wife was in another room, discovering she had a broken foot from a slip earlier that day on a basement floor made wet by water leaking in through the walls.
I spend far too much time doing home maintenance these days, mopping up wet basement floors, calculating how the house will be sided or painted, deciding whether topaint or replace a garage door, trimming hedges and yanking weeds.
All of these ridiculous, no-win chores simply chip away at the time I want for reading, writing and drawing. It is not enough that parenthood justly requires so much time and energy -- we signed on for that -- but the treadmill that is home maintenance is a horror for anyone who likes to sit by the bird feeder and read magazines.
I envy, then, Old Henry, who wants only to move in, leave things be, and read and draw while his neighbors are concerned about the length of his grass.
My uncle once explained to me why he barely ever trims his bushes. "I want them to express themselves," he said, comparing his free-flowing shrubs to the neighbors' which were stiff and buzzcut as military sentries.
So I used to read "Old Henry" for my kids. Now it is at my bedside, along with the magazines and feng shui books, all reminders that if I want to nurture my mind, I'll have to give up the landscaping and such, and while the water in the basement must be mopped up lest anyone else break a bone, that we actually do have the freedom to surrendur to nature, let it grow and grow around us, and in that sweet surrendur, curl up defeatedly with a book.
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