Frederick Douglass (1818?-1895) was the greatest African American leader of the Nineteenth Century. He was born a slave on the Eastern Shore in Maryland and grew up on plantations on the Eastern Shore with several years in Baltimore. He was a physically powerful, highly intelligent, and spirited youth and developed quickly a hatred of the slave system. As a slave, he taught himself to read and write, and learned the art of public speaking from the church and from a book of orations popular at the time that feel into his hands. He escaped from slavery at the age of 20 and moved to New Bedford,Massachusetts. He became part of the Abolitionist Movement and achieved fame as a public speaker. He became a newspaper editor and writer. During the Civil War, he assisted in the recuritment of black troops. He met President Lincoln on several occasions and became a great admirer. In later years, Douglass was aligned with the conservative "stalwart" wing of the Republican party and continued to speak out for the rights of African-Americans, to oppose (somewhat belatedly) the end of Reconstruction, and to work for the life of the spirit and the mind.

Frederick Douglass wrote three autobiographies which are given in this volume. The first, shortest, and best was written in 1845, seven years after Douglass had escaped from slavery. It tells in graphic and unforgettable terms the story of Douglass' life as a slave, the growth of the spirit of freedom in himself. and the early part of his life as a free man in New Bedford.

The second autobiography was written in 1855. It repeats much of the earlier story and describes Douglass's visit to Great Britain. A higlight of this volume is the Appendix in which Douglass gives the reader excerpts from several of his speeches, including his perhaps most famous speech "What to the Slave is the Fourth of July."

Douglass wrote his third autobiography in 1888 and edited it substantially in 1893. It describes Douglass's relationship with Abraham Lincoln and John Brown. I also enjoyed the section of the book in which Douglass describes his trip to England, Italy, and Egypt near the end of his life. It is highly intelligent, perceptive and reflective travel writing. There are also excerpts in this final autobiography from Douglass's speeches and letters.

The most striking incident in all three volumes is Douglass's story of how he stood up for himself and became in his own eyes a man of dignity and courage. Douglass had been sent for a year to live with a small farmer named Covey who had a reputation for breaking the sprit of strong-willed slaves. Covey whipped Douglass unmercifully for the first six months. Then, after a whipping which left Douglass scared and weak for several days (he ran back to his old master who ordered him back to Covey) Douglass fought back. Covey attempted to whip Douglass and Douglass resisted. The two men fought hand-to-hand for hours. Douglass could not assume the offensive in the fight (it was enough to resist at all) but more than held his ground and had the better of it. Covey at last walked off and never whipped Douglass again. This incident is strikingly told in each autobiography and marks the moment when Douglass showed he could stand up for himself and not have the spirit of a slave. It is inspiring and it grounded his actions for the rest of his life.

There is much in these books that transcends the resistance against American slavery, utterly important as that is. We have, as I have tried to explain, in this book the voice of personal freedom and self-determination which is something every person must learn and undestand for him or herself in deciding how to live. In addition,I get the impression that as Douglass aged he became increasingly committed to the life of the mind and the spirit. This is apparent from his writing and from his interest in travel, in European high culture, art, literature, and music. Douglass learned the meaning for freedom. He tried to devote himself to matters of the spirit in addition to his lifelong quest to improve the lot of the former slave. I think there is still a great deal to be learned here.

Douglass had much to say about the nature of American freedom and democracy. He loved and had faith in them, in spite of the horrible stain of slavery. Here is a wonderful observation from the third autobiography in which Douglass' describes his activities during the Presidential campaign of 1888.

"I left the discussion of the tariff to my young friend Morris, while I spoke for justice and humanity....I took it to be the vital and animating principle of the Republican party. I found the people more courageous than their party leaders. What the leaders were afraid to teach, the people were brave enough and glad enough to learn. I held that the soul of the nation was in this question, and that the gain of all the gold in the world would not compensate for the loss of the nation's soul. National honor is the soul of the nation, and when this is lost all is lost. ... As with an individual, so too with a nation, there is a time when it may properly be asked "What doth it profit to gain the whole world and therby lose one's soul?"

There is a spirit and a wisdom in Douglass that still has much to teach.

As a man of the Nineteenth Century, Douglass tells us little in his autobiographies of his personal life. Upon his escape from slavery, Douglass married a free, uneducated black woman. Upon her death, Douglass married a white woman, which (as we see briefly in the book) caused shock among American whites and blacks alike. We also see little of Douglass' relationship to his children. The reader who would like to learn more about Douglass' personal life needs to read a biography, such as William McFeeley's "Frederick Douglass" (1891)

Douglass' autobiographies are are precious work of American literature and a testimony to the free human spirit.

Once you read Douglass's narrative, you will be surprised that Douglass learned enough to be able to write the first narrative written by an uneducated slave. This is one of the most moving narratives you can read -- I challenge any reader to read this and not understand the irony of the white people supressing black people's accomplishments for hundreds of years. The story of Fredrick Douglas in inspiring on many different levels. Once you read it, any reader will understand why this is mandatory reading in any American literature course. It is impossible to understand life after the Civil War without reading this moving, touching novel about how a slave learned how to read and write. Douglass's autobiography is a great literary achievement which should be savored by all who read it both as a historical and literary document.

This account of Frederick Douglass'
life and time by Henry Louis Gates
is the personifaction of Excellence
in Achievement through the Human Spirit.
In spite of the hardships of slavery, Frederick Douglass continued his fight for freedom. His dynamic oratory and leadership helped him to move barriers for all people. This self educated man rose to great prominence to serve as a testament to the world that if you have courage, persistence and faith in God, you can achieve anything that you set your mind to. He knew the power of education and the spoken and written word, which is manifested in his creating the NorthStar newspaper to communicate to others. Of course you have to have mortal men who believe in you and your abilities.

I believe that Mr. Gates captures this strength, this conviction and the essence of Mr. Douglass' spirit and his commitment to make a better life for himself and others like him. His dynamic use of the language allows you to feel conviction and essence of Mr. Douglass' concern. It was like listening to Mr. Douglass speak to me through those pages.

I found this book very intriguing and educational. It has something for the world to learn from.

Thanks to Mr. Gates and others for bringing this great American (World) hero to the forefront. We need to know and share in the histor and spiriti of this great man. By the way I was named after Frederick Douglass. I strive to be like him as much as I can. I am still working on my oratory!

Charles Goren explains basic bridge with clarity like no other. An added bonus is Charley has a sense of humor so you get an occasional smile along with your lessons.

Your first lesson in bridge is "Don't run until you can walk!" How many people have you heard say something like, "maybe I don't know much about bidding, but give me a good hand, and I can play against anybody!" Don't you believe it! Submarine squeezes, dummy reversals, double throw in end plays are very exciting stuff, but 1) they don't come up all that often and 2) you have to visualize all four hands before they work.

Goren starts you out on Chapter I with "The Bidding" just like you would at the table. Each chapter ends with a quiz. Take them and then go back and reread the areas you missed. Until you feel very comfortable with all aspects of bidding, don't go any further. You will never get to play that brilliant hand if you land in the wrong spot. That's what bidding is all about, to get you to that perfect spot where you get a chance to shine and slay your opponents.

When I learned to play bridge as a teenager, Goren's Bridge Complete was my Bible. It has gone through many revisions since, but looking over the latest, I see it still retains all its virtues. I'm not denying this book will take a lot of time, and everything must be read more than once best with a paper and pencil close by, but you will be rewarded. The pleasure you will get from deftly executed bidding and play is ample compensation for the time you have spent. Read and enjoy. I'll see you at the bridge table!
-sweetmolly-Amazon Reviewer

When first learning bridge almost a decade ago, I had Sheinwold's classic book (Five Weeks to Winning Bridge) and this one. This book was by and far the better; furthermore, it has remained a book that is constantly re-readable. Each time through I pick up another fascet of the game from Goren and his editors (since he died).

The bidding system used is what is commonly known as a "two over one game force" which, in my opinion, is a very powerful system. It does take a little bit more study than a purely natural system, but not much.

Although I well recommend this book for any serious beginner, even a complete beginner, my wife found the "Bridge for Dummies" (Eddie Kantar) book more accessible. Of course, she was only learning Bridge because I asked her to play with me... After all, what good is a wife if not a permanent Bridge partner? In any event, I highly recommend the Kantar work as well.

A final word: despite the book's age, it is not at all dated.

I bought this book after I got Contract Bridge for Beginners... This book should be on the shelf of any bridge player! It's not the best book for beginners, but it could be used by a beginner as well as an advanced player. If you are a beginner, you should buy Goren's Contract Bridge for Beginners. It's short and to the point. Bridge Complete expands on many of the items in the beginner's book and offers many new items.

This story provides a way for children and parents alike to put in simple terms the complex feelings which arise with chronic illnesses and disorders. For children too young to discuss their feelings, this book voices the fears they cannot express with words. I recommend this book to all children who must face illness, whether it be chronic or temporary.

Henry and the White Wolf is an extraordinary fable and a must-read for families with, and without, young loved ones who are ill. Beautifully written and illustrated, this magical little story offers hope and healing for children undergoing difficult medical procedures. The accompanying smooth pebble and the book are treasures to be held onto in time of sickness and in health. Enjoy this enchanting tale of strength, hope, and dignity.

Beautifully illustrated story that moves the soul. This book fills your heart with joy. It's not only for sick children but any child that is enduring a difficult time in his or her life, like the sickness of a sibling, freind, parent or close one. I highly recommned this book to anyone that is able to read or is able to be read to, while experiencing the uncertainty of being ill.

Henry David Thoreau, born in Concord, Massachusetts, on July 12, 1817, was one of the co-founders and most influential representatives of the philosophical school known as "Transcendentalism." (Others include fellow Concord residents Ralph Waldo Emerson and Bronson Alcott, reformist teacher and father of Louisa May Alcott.) Thoreau's life centered around his home town; yet, as his writings reflect, he was very familiar with all major philosophical schools of his time, not only those developing in America but also the writings of Kant, Goethe, Schiller and Hegel - indeed, the very term "transcendentalist" derives, as Emerson explained, from Kant, who had first recognized intuitive thought as a kind of thought in its own right, holding "that there was a very important class of ideas ... which did not come by experience, but through which experience was acquired ... [and which] were intuitions of the mind itself." These were the ideas which Kant had called "transcendental forms." (Or, as Thoreau himself once put it in his Journal: "I should have told them at once that I was a transcendentalist. That would have been the shortest way of telling them that they would not understand my explanations.")

To this day, transcendentalist philosophy, and Thoreau's work in particular, has proven enormously influential - on the program of the British Labour Party as much as on people as diverse as spiritual leaders Mahatma Gandhi and Martin Luther King Jr. on the one hand and rock star Don Henley on the other hand. Henley in the 1990s even went so far as to found the Walden Woods Project, teaming up with the Thoreau Society to preserve as much as possible of Walden Woods and the land around Concord, and foster education about Thoreau. Yet, during his life time only few of his many works, now considered so influential, were published, and even those did not find wide distribution. "I have now a library of nearly nine hundred volumes, over seven hundred of which I wrote myself," he commented on the poor sales of his "Week on the Concord and Merrimack Rivers."

This collection, one of two Library of America volumes dedicated to Thoreau's works and edited by renowned Thoreau scholar Elizabeth Hall Witherell, presents the majority of his essays and poems, from well-known works such as "Civil Disobedience," "Life Without Principle" and "Walking" to a large body of lesser known (but just as quotable!) writings and loving observations of nature ("Autumnal Tints," "Wild Apples," "Huckleberries"). A companion volume, edited by Robert F. Sayre, contains Thoreau's four longest publications ("A Week on the Concord and Merrimack Rivers," "The Maine Woods," "Cape Cod" and, of course, "Walden") - thus omitting from the Library of America series only his extensive journals and the posthumously published "Faith in a Seed," a collection of four manuscripts left partially unfinished at Thoreau's death in 1862 and published for the first time in the late 1990s, to much fanfare among Thoreauvians the world over.

Introspective to a fault, the man who once built a cabin on Walden Pond and for over two years lived the life of a hermit, was also a keen observer; of nature as much as of the world surrounding him. The shallowness and greed he saw in so-called "civil" society filled him with skepticism ("intellectual and moral suicide," he scoffed in "Life Without Principle") - and with the tireless need to encourage free thinking and personal independence. "I wish to speak a word for Nature," he thus opened his essay on "Walking," and explained that he sought to make a point in favor of "absolute freedom and wildness, as contrasted with a freedom and culture merely civil, - to regard man as an inhabitant, or a part and parcel of Nature, rather than a member of society." And he went on to mourn the fact that few people were truly able to walk and travel freely, to leave behind the social bounds that tied them down, and to open up to nature's beauty. This, of course, echoed his famous statements in "Walden" that "the mass of men lead lives of quiet desperation;" that however, as he had learned by his "experiment" on Walden Pond, "if one advances confidently in the direction of his dreams, and endeavors to live the life which he has imagined, he will meet with a success unexpected in common hours." And this was the same spirit who, staunchly opposed to both slavery and to the Mexican War, would rather spend a night in jail than pay his taxes, and who summed up his posture in "Civil Disobedience" by saying that "I think that we should be men first, and subjects afterward. It is not desirable to cultivate a respect for the law, so much as for the right" - a statement echoed roughly a hundred years later when Mahatma Gandhi told an English court that he believed that "non-cooperation with evil is a duty and British rule of India is evil," and also resonating through the publications of many an American civil rights leader, first and foremost Martin Luther King Jr.

While I had read much of Thoreau's work already before I discovered the Library of America collections, I am extremely pleased to see the majority of his body of work reunited in two volumes in this dignified series. For one thing, while there are innumerable compilations containing "Walden" and some of his other better-known works, it is still difficult to get a hold of Thoreau's lesser known essays and poems. Moreover, though, and more importantly, reading his works in the context provided by this collection makes for much greater insight into the man's personality, and his philosophy as a whole. While a biography certainly adds perspective, nothing surpasses the experience of reading Thoreau's works in context - and in the context of the works of other Transcendentalists, first and foremost Emerson. This is a true literary treasure: to behold, cherish and read again and again.

The LoA editions are wonderful. Their texts are definitive, and the quality of the binding and the paper is top-notch (acid free, etc; it's lightweight, so they can fit everything into a small package.) I've bought a number of LoA editions second hand, and they stand up very well (the type is wonderful and easy to read.)

The problem is that people come out with lots of editions of Thoreau that are piecemeal. You can get Civil Disobedience with Walden, but then you can't find Walking.

Another advantage to the LoA is that they don't have annoying prefaces that tell you how to read the text.

This is a very fine collection of Essays and Poems but a bit pricey. I have to think that Thoreau would not have approved. Go to the library and paw through some of the essays
to see if you want the ones that you cannot get through another
collection. Frequently "Walking" or "Civil Disobedience" or
"Life Without Principle" are added to small volumes of Walden.
I, of course, shelled out the cash and bought it, but I
sometimes have second thoughts. The paper is quite thin and
I have doubts about it's durablity. If you intend to read this
work several times while underlining and making notes, I would look aroung before buying this specific volume. If you merely want a presentable copy to sit on the shelves and only occasionally consulted, but otherwise dormant-than this is for you.
As a side note, Thoreau demonstrates that some mediums are
better for others. Although a master prose essay writer( I see
"Walden" a a collection of discrete, connected essays) his
poetry isn't so great. This is not uncommon, although a great
prose-poet, Nietzsche's straight poetry is very weak.
Essentially, the material inside this volume is worth your
money. This volume itself may not satisfy your needs though.
Go to a university library, read through the essays, and decide
how important ownership is for you. Thoreau would have approved
of such an investigation.

Yet again, J Ridley takes the reader on a remarkable journey, guiding you through the maze of factual background without ever letting your hand go. His mastery of the English language and notable training as a barrister make him the best narrator of the century.

Jasper Ridley's bio of Henry VIII, if nothing else, suggests to me that executioners must have had a steady employment during early 16th-century England. In Ridley's biography, England's formative king is essentially a psychopath, and the country became Protestant, not because of any doctrinal attachment to the Reformation, but as a consequence of political machinations and goals on Henry's part. This, in fact, is one of the book's great strengths; Ridley is rare among biographers in his thorough attention to and excellent summary of the thicket of political events surrounding Tudor England, and this book does an excellent job of explaining these intricacies. Especially fascinating was the depiction of the conflict between Henry and Holy Roman Emperor Charles V. Henry would have probably gotten the papal annulment that he wanted to dissolve his marriage to Katharine of Aragon, if only Charles had not effectively controlled the pope and been such a bitter enemy of Henry's; then Henry would have found no need to break from the Catholic Church, and history would be entirely different! For a Renaissance monarch, Henry seems more to resemble one of the 20th century's bloodthirsty dictators in this book. While the depiction initially surprised me, Ridley backs up his claims with such excellent documentation and use of primary sources (which I was able to check), that he definitely has a point! A fascinating bio.

Ridley paints a picture of a King who is as ruthless a tyrant as any 20th Century dictator. Henry VIII is shown as a ruler who forced his ministers to do his bidding and then executed them to satisfy public opinion, once his policies began to loose popular support. He would stop at nothing to get what he wanted, including breaking with the Pope in Rome and reforming the Church in England with him as the head, when the Pope refused to grant him an annulment from his wife, who could not give him a male heir. Thereafter, Henry played Protestant and Catholic factions against each other, so that he could remain in complete control as an arbiter; alternatively burning influential Protestants as heretics and Catholics who refused to recognize him as Supreme head of the Church of England as traitors. Ridley's picture shows us a king who would stop at absolutely nothing to get what he wanted, including turning society and 1000 years of religion completely upside down! A fascinating look at the Stalin of the 1500s!

Current US international policy shows just how brilliant and enduring Frederick Turner's Frontier Thesis really is.

The basic idea is that after the initial explorations by Spain, England, etc., the real colonisation of America was a flight from conditions in Europe (including Ireland and Britain) which led to a European-style culture and settlement of the East Coast.

This led to a second flight from European-like influences into the interior - which simply pulled European-style culture further west. And so it continued until Europe finally reached the West Coast.

There are numerous ramifications of the thesis, including the "force majeur" (might=right) attitude of the settlers towards the Native Americans - with its ominous overtones on the eve of war in the Middle-East.

As far as I understand it, for all the "warts", Turner was looking to UNDERSTAND the American mentality/culture, as shaped by by historical experience, and the Frontier Thesis is a critique, NOT a criticism.

Read this book and gain a whole new, or at least greatly expanded, view of what it means to be an "American".

Current US international policy shows just how brilliant and enduring Frederick Turner's Frontier Thesis really is.

The basic idea is that after the initial explorations by Spain, England, etc., the real colonisation of America was a flight from conditions in Europe (including Ireland and Britain) which led to a European-style culture and settlement of the East Coast.

This led to a second flight from European-like influences into the interior - which simply pulled European-style culture further west. And so it continued until Europe finally reached the West Coast.

There are numerous ramifications of the thesis, including the "force majeur" (might=right) attitude of the settlers towards the Native Americans - with its ominous overtones on the eve of war in the Middle-East.

As far as I understand it, for all the "warts", Turner was looking to UNDERSTAND the American mentality/culture, as shaped by by historical experience, and the Frontier Thesis is a critique, NOT a criticism.

Read this book and gain a whole new, or at least greatly expanded, view of what it means to be an "American".

Mr. Turner ingeniously express's who we are and the reasons why. This work produced last century harbors a number of ideas on what made this country the greatest nation in the world. Mr. Turner correctly weaves his thesis on the frontier in a very short span.

By reading this work you will realize what separates the United States from every other land. All other works on the history of this special place we call home are details and footnotes on the events that have taken place over our brief span of time.

I read this book many, many years ago. It was actually the first Irving Stone book I ever read. I still remember how much I enjoyed reading it, and I can still remember the story. Brilliantly written. You seem to be living among the characters. Irving Stone has the gift to write, all based in real-life facts. Again, a must read for any history-novel lover.

Approximately 15 years ago I bought this book aout Heinrich Schlieman, and his discovery of the ancient lost city of Troy. He studied Homer, and believed the city did exist. In his late 40's he met a very young Greek girl in Athens. He asked her father for her hand in marriage, and her father agreed.The museum in Athens holds not only the treasures he unearthed at Troy, but he found the mask of Agamemnon, and other treasures (the Lion's Gate) showering Sophia with these treasures. I loaned this book, and never received it back. I have looked for it for years. I cannot believe this wonderful book has not been reprinted and available. It is Irving Stone at his best.

Stone was able to put into this book the unusal and unconventional story of Schliemann and his young Greek bride in a way that you cheer them on and you feel their disappointments. It is entertaining as well as inspiring. It also brings up that age old question, "Was there a Troy?" and convinces you there was.

Henry Darger (1892-1973) spent most of his life working as a dishwasher, janitor, and bandage roller at a hospital in Chicago. Darger's mother died in childbirth with his sister when Darger was 3 years old, and his father died when Darger was 15. The family was economically destitute, and the young Darger ended up in boys homes, orphanages, and such unsavory institutions as the "Asylum for Feeble-Minded Children" in Lincoln, Illinois. Darger lived most of his adult life in the same apartment, and when he died in 1973 his landlord found a number of homemade books containing three large manuscripts written and illustrated by Darger, each more than 5000 pages long.

The most important manuscript is the first, a 14 volume work titled "The Realms of the Unreal, or the Glandeco-Angelinian War Storm, Caused by the Child Slave Rebellion," which Darger spent two decades writing and illustrating. This epic is the chronicled history of a 4-year war on an imaginary world. On this world, children have been enslaved and a war breaks out to free them. Spearheading the rebellion are the seven Vivian sisters, little girl heroes--figures which seem to have been based, at least partly, on Joan of Arc. Among the story's other main influences are Frank L. Baum's Oz books, the works of Charles Dickens, and the history of the American Civil War.

Darger's artwork is both imaginatively vivid and disturbing. Most of the art involves little girls as the heroes and the victims, with men and supernatural creatures called "the Blegiglomenean Serpents" (or, "the Blengins") as their oppressors. The little girls are often depicted in idyllic portraits; however, they are also often shown being strangled or killed in battle. Also, they are often nude, and sometimes portrayed as hermaphrodites with male genitals. Much of Darger's work is composed of individual figures traced from magazines or comics. Artistically, Darger is compared with figures as diverse as Blake and Andy Warhol.

Henry Darger, the janitor who spent a lifetime writing and illustrating a loving paedophile epic of staggering proportions never seen until his death, has not yet found his time but it will come. His frenzied Blake-like illustrations have had some exposure in museums which feature outsider and folk art (like the recent exhibit at P.S.1 in NYC) but this collection of his work exhibits a glimpse of the novel they were designed to support. With no training his obsessive masterpiece includes prose, poetry, songs and maps. Infectious in a raw undeniable way it is a spelendid, brilliant, disturbing and awesome.

I've waited for a collection of Darger's work ever since I first saw a handful of originals on exhibit at the County Museum. This volume has a lot (over 100?) of high quality color reproductions of the Vivian Girls leading the sometimes bloody, cosmic child slavery rebellion against the invading Glandelinians, along with source material, and some interesting shots of Darger's studio/apartment.

There are also some pretty interesting writing excerpts from Darger's mammoth source material, REALMS OF THE UNREAL (which dwarfs the notebook writing of David Fincher's antagonists in SEVEN and FIGHT CLUB). It's pretty genuine, and the editors contend to've kept the editing to a crucial minimum.

Tim Burton, et al., can claim to be as weird or on the fringe as much as they want, but they don't hold a candle to someone with a real chemical imbalance.

It's pricey, but well worth it if you're a collector of this sort of stuff. Now, if only someone would make a comparable collection for Adolfo Wolfi...

Illustrated by Peter Fiore and edited by Steven Schnur, Henry David's House introduces young readers ages 5 to 9 to the life, thought and writings of Henry David Thoreau. Text and illustration collaborate to showcase the beauty, power and subtlety of solitary living withing the context of a nature-oriented retreat as represented by Thoreau's tiny house in the woods and on the shore of Walden Pond. Henry David's House is an enthusiastically recommended addition to school and community picturebook collections.

"Near the end of March I borrowed an axe and went down to the woods by Walden Pond and began to cut down some tall white pines for timber..." Author, Steven Schnur has chosen several wonderfully engaging passages from Henry David Thoreau's Walden, in this elegant picture book, and young readers will really get a vivid sense of the hard, yet rewarding work of building his house, the few possessions needed to live comfortably, the beauty of the changing seasons, and living the simple life in harmony with nature. "Sometimes, in a summer morning, having taken my accustomed bath, I sat in my sunny doorway from sunrise till noon, rapt in a revery, amidst the pines and hickories and sumachs, in undisturbed solitude and stillness, while the birds sang around or flitted noiseless through the house, until by the sun falling in at my west window, or the noise of some traveller's wagon on the distant highway, I was reminded of the lapse of time." Peter Fiore's lush and exquisite watercolor illustrations bring the splendor of Thoreau's existence at Walden Pond to life on the page, and together word and art evoke feelings of peace, quiet, and contentment. Perfect for readers 8-12, this book works well as a real aloud with D.B. Johnson's Henry Builds a Cabin, for younger children. With an editor's note at the end to fill in further biographical details about Thoreau and his time at Walden, Henry David's House is an evocative treasure to read, share, and most of all discuss. "We can never have enough of Nature."

Henry David's House is a picturebook adaptation by Steven Schnur of a part of Henry David Thoreau's classic nature book "Walden", told with only a limited amount of editing. Beautiful, slightly abstract yet full-color illustrations by Peter Fiore bring this classic thinker's words to vibrant life for young readers. Henry David's House is a superb introduction to a literary masterpiece for young readers, and its final message, "We can never have enough of Nature," reverberates in the hearts of all ages. Highly recommended for family, school, and community library picturebook collections.

Along with Flashman, possibly the funniest book I have ever read.
Root (a pseudonym) writes to many well known British (and to a lesser extent international) people of the day (early 1980's) eliciting replies that border on the hilarious.

It's amusing that the vast majority took him seriously.... the line about Margaret Thatcher... "A Strong man like yourself".. to the then Pakistani President Zia-al-haq is absolutely priceless.

So British! A delight for the likes of me. The only time he seems to have been caught out in this entire series of crackpot letter writing was by the Oxford University Admissions Tutor who hit the nail right on the head, realising that Root is a fraud!

Neverhteless, this is the kind of treatise that keeps spirits high and makes one wish one had thought of it first. Well done, Root's alright!

I found this book a compelling read. The Henry Root letters has formed the basis of many of the letters I have written in my adult life.

One of the funniest aspects of this book is the replies. I particularly liked the response from Colonel/ President Zia-al-haq including a signed photo.

All in all, a book that you can pick up and put down when you feel like it. Lets do it! Here's a pound!