This is perhaps the best book to introduce the layman to the field of economics... This book was a Godsend for me... I stumbled on it in my early college days when I was taking two semesters of Economics and neck-deep in a Keynesian textbook of Fabian socialist fallacies and liberal lies. Hazlitt's book opened my eyes to an insightful intellectual library that supports free-markets and individual liberty. Economics in One Lesson enlightened me, while it helped develop my economic reasoning. It helped me confirm what common sense told me all along - that a laissez-faire free market is the way to go!

While I already had a libertarian bent, this book basically introduced me to the Austrian School of Thought on Economics. The "Austrians" vindicate the market economy's spontaneous order as the surest way to have optimal prosperity, opportunity, and individual liberty for the masses. The verbal logic and reasoning of the Austrian school is generally easy to understand and makes sense to the reader. Needless, to say my interest in the laissez-faire perspective grew - and I read and amassed a library of hundreds of interrelated books on various disciplines from economics to history to political theory. I also recommend any books by other "Austrian" luminaries such as Ludwig von Mises, F.A. Hayek, and Murray Rothbard. Hidden Order by David Friedman and Capitalism by Ayn Rand are also worth mentioning.

It is often said that people who study economics become more libertarian. Studying the Austrian perspective should do so even more so. Economics in One Lesson is a great way to start.

This book is usually listed by free-market advocates as one of the five books to read first. Henry Hazlitt writes with unequaled clarity. He outlines that basics of many fundamental ideas--the price system, inflation, government subsidies, minimum wage, and others. He uses pure logic and reasoning almost exclusively, only providing statistics as sidenotes to the main point. However, the book's strength is also its weakness. While he makes a tremendous intellectual defense of free market economics, it by no means complete. I would recommend this to any beginning libertarian or free market advocate; it will provide many strong points for further contemplation and research. However, a Keynesian advocate will still be able to question certain ideas. Yet, any intellectually honest statist should read it, because Hazlitt does present his arguments cogently, clearly, and with power. One note: a more seasoned free market economist may wish to consider this book a medium priority, because it may be somewhat basic to someone familiar with classic arguments.

If you are interested in learning more about economics, this isthe book to get you started. Forget the statist Samuelson and Nordhaustext they forced on us in Econ 101, "Economics in OneLesson" is the real stuff! Each essay is clear and easy to read with no hard math for us remedial liberal arts majors. More organized and consistent than Friedman, Hazlitt shows that economics only becomes complicated when it is twisted and contorted so as to fit an intellectually dishonest view of the world.

If you're taking an introductory high school or college economics course that doesn't use this book, buy it and read it as a supplement to your coursework. It's very easy to read an essay a day and you'll be intellectually armed, no matter what tripe they try to force down you in class.

As a follow-up book, may I suggest Ayn Rand's "Capitalism: The Unknown Ideal," which lays a moral foundation for a free market, an essential step and one lacking in most economists' view of life. After all, capitalism is not some system devised by experts, it is what naturally occurs when free men are able to trade goods and services...

And if you really want to be versed in the subject, get "Capitalism" by George Reisman, who should win a Nobel prize for this brilliant text. Just having this 1046-page volume on your bookshelf will keep the statists at bay.

If you have already read and learned from "Economics in One Lesson", consider buying a copy for a friend. Spread capitalism and spread the wealth!

One day Henry finds a dog and he tries to take it home on the bus. Henry and Ribsy become best friends. One funny chapter was when they entered a contest and Henry tried to clean up Ribsy and mistakenly put pink powder all over Ribsy and they ended up winning because Ribsy was a pink dog. I am going into 4th grade and I read this book for school summer reading. I liked it a lot.

My all-time favorite book is HENRY HUGGINS. I am a 34-year old mother of 2 boys who are too young to read the book by themselves and not interested in sitting through a book with very few pictures. However, I have been eager to share this wholesome story with them. So, this book on CD was perfect!! I play it in the car and I don't hear a sound out of them for miles--they are so engrossed in the story and don't want to miss a word. (great for long trips!) They love Henry's adventures & his crazy dog, Ribsy. Neil Patrick Harris does the most fantastic job reading this wonderful story. His voice changes so much for each character that you would swear it was more than one person reading the story. From Mrs. Huggins to Mr. Pennycuff, the pet shop owner, Neil Patrick Harris keeps us entertained with his impersonations of the characters. I love this CD set. I'm thrilled to be able to share Beverly Cleary's timeless stories with my children and I know they will love them just as much when they actually learn how to read! I hope they have Neil Patrick Harris record the other Henry Huggins books too. Super job!!

From my understanding, Beverly Cleary was a librarian who could not get some boys to read. They complained that there wasn't anything to read that they could relate to. They asked why weren't there books about kids like them, just average boys? So Beverly Cleary wrote "Henry Huggins" for them- a story of an average boy who gets into all sorts of believable adventures with highly amusing results. It is a GREAT book, and Ms. Cleary introduced to children's literature some of its greatest characters: Henry and his dog, Ribsy; and, in later books, his tomboy friend, Beezus, and Beezus' amazingly pesty kid sister, Ramona. Everyone of the subsequent books in the Henry/Ramona series is fantastic- filled with humor and characters with whom kids can understand and relate. "Henry Huggins" started it all and makes a wonderful introduction to Ms. Cleary's world on Kickalat Street.

SUBWAY ART does not only inspires a new generation of"Graffiti Artist",but also shows that Graffiti IS an ART..all in it's own.It can not be taught,it is a self taught art that has been greatly overlooked...once the book is read you will have a different look at the"Underground Art"

The epitome of classic NYC graffiti, Subway Art has become the veritable Bible for this particular subculture that has exploded around the United States, and also the world ( just to name a few: Germany, Iceland, Denmark, Amsterdam, France, and Japan ). Contained herein are the masterpeices by the Kings of the Line, Dondi ( R.I.P. ), Blade, Lee, Kase, Seen, Lady Pink and a host of others. The pictures are large and there are some fold-outs, capturing the SIZE and LENGTH of what are basically moving steel masterpeices. There is a brief line or two about tags and throw-ups, but the book concentrates more on top-to-bottoms, window-to-bottoms, and whole cars. What is important about this book is its documentation of an up and coming subculture that basically gave a big EFF YOU to an environment that was comparable to some 3rd world countries by creating an art that was not only dangerous ( in its execution ), but creative, and beautiful. The message that "we are here, and WE SHALL BOMB", in SPITE of Transit Authoriy and the indifferent system which placed them there is characteristic of adversity which spawns creativity ( the same adversity that created Hip-Hop ) . An important peice of work, and a must for art afficiandos and graf & hip-hop heads alike.

Cutting right to the chase, Subway Art is pretty much the blueprint to subway graffiti or "Bombing", as it is universally known. Photographer's Henry Chalfant and Martha Cooper are on point like sniper's in covering the genesis of subway graffiti in New York and it's glory days during the 70's and early 80's. Packed with unforgettable shots of subway art (no pun intended), New York graffiti legends in action and informative text from both the authors and artist themselves. Upon first reading this book, it takes the reader on a colorful train ride into New York's subterranean art world and shed's adequate light on a youth based culture, which has transcended the very dark, and dangerous underworld in which it was conceived. It's to no surprise why Subway Art at one time was the most stolen urban art book in the U.S. and abroad. Although subway graffiti in New York was sadly abolished during the late 80's under the Koch administration, it's legacy lives on through the book Subway Art and the many underground artist who continue the practice of aerosol art. Subway Art is a must for any graffiti or urban art lover as well as those just seeking the low-down on subway graffiti in The Big Apple.

This book is superbly well-written. It is as if a kind, patient, highly gifted uncle comes to visit. The reader is taken step by step, thought by thought, along the way to appreciating the beauty, skill, and effects of the practice of magic.

The writer's style takes the simplest observations and gradually builds them until, before you know it, you are quickly doing things of startling sophistication and skill!

This handbook not only informs and instructs, it enriches. The author converses with the reader, and this comfort in reading inspires confidence in doing.

This book is an invaluable addition to any magician's library...it is one of the three best I have read in thirty-five years of studying magic.

A lavishly illustrated new edition of the classic handbook for conjurers is designed to help magicians of all levels, from beginning to advanced, hone their skills at legerdemain and develop new and exciting illusions to baffle the mind. This book helps you prove that the hand is quicker than the eye, and that the ingenuity of a master magician can defy the most suspicious scrutiny.

I first started reading this book when I was 13. I really liked the photos which were rare for magic books before the 1980's. Even today, The Amateur Magician's Hankbook is still a great teacher of coin sleights, card sleights and billiard balls. Have patience and you will succeed in being a great entertainer.

My Father bought Up Front when it was released and I read the cartoons numerous times. Later, I read the text. This book does more to capture the human experience of war than any other of its time. It prefigures and anticipates the recent oral history books such as, "The Good War", "D-Day" and most recently, "Citizen Soldier". The last two, by the way, are well worth the read. Through Willy and Joe, Maulden protrayed the absurdity and the eternal human spirit in the everyday events that make up so much of the experience of war. The cartoons alone make this a book which even the most casual student of WWII should read. His text captures the experience on the ground, the mud and cold, the rain and heat, the boredem and fear and the workman like approach to war that made up the GI's life. Get it. Read it.

This book is, without a doubt, the greatest book on the World War II infantryman ever written. Why? Because it was written by and infantryman, for infantrymen. Sgt. Bill Mauldin claims on the first page that his business is drawing, not writing, and that his text is only there to back up the cartoons. However, the text is some of the most endearing, personal, and excellent works on WWII ever. Mauldin brings the war down from the lofty views of Generals and reporters to the personal level, to the point of giving you a basic narration of the average day in the life of an infantryman. The cartoons, naturally, are the main power behind the book, and they are, even to this day, still hilarious. Hilarious, but at the same time showing you the gripes and hardships of the average GI during the war. If you want to experience World War II from the GI's perspective, read this book!

I first read this book 20 years ago, as a senior in high school. My uncle, a Korean war-era Ranger, gave it to me. My Dad, a Vietnam infantryman, liked it too. Sadly, I lost that old, faded copy somewhere along the years.

Imagine my joy to find a reprint! The book means much more now that I can understand it. I've got 13 years in the Army myself, in Infantry and Special Forces. I'm a Major now, and I pay close attention to what Mauldin writes about officers. I want to be the kind of officer that he respects: always putting the welfare of my men first, respecting my men, and leading from the front. His narrative and comments are a constant reminder to me of the responsibility I hold for my soldiers.

If you are from the World War II era, you already know about Willie and Joe, and there's nothing new I can tell you. If you are an old soldier and you somehow have missed this book, then you are in for a treat. If you are a young soldier, or a prospective soldier, or the family of a soldier, then you NEED to read this book. For anyone else, it's a great window into a world that, thanks to some brave men 50 years ago, you will hopefully never have to see.

My grandson, who is six, especially enjoyed the arithmetic lesson in this book, as Henry's friend adds up his earnings steadily. He was also interested in seeing which bear got to Fitchburg first. The illustrations are charming, and the story wears well for repeated reading. As for the references to the Alcotts and Emerson and Henry the Bear's likemindedness with Henry David Thoreau, that's just an extra for adults.

3 to 8 yrs. Some may find this book objectionable in that they may believe that its underlying message for children is 'work is bad.' But that doesn't seem to be the author's intent. It seems to be more observational then as a teaching tool.

Based on a passage from Henry David Thoreau's Walden, the story is about Henry--the main animal character (bear?) in the story--and his friend, who decide to go to Fitchburg. Henry chooses to walk the 30 miles, while his friend plans to work, so that he can earn enough money to ride the train. We then bounce from character to character to witness what they are experiencing in their quest to get to Fitchburg.

Good illustrations, and interesting story providing ample discussion material for parents and children, about the different meanings this story possess.

This is a wonderful picture book about two bears who both want to reach Fitchburg, a town thirty miles away. Henry decides to walk, and his friend decides to do odd jobs around town in order to earn money for the train fare. The reader can decide with the turn of every page which bear is enjoying the journey more. A great book about how the journey is as important as reaching the destination. Also a note on the the origin of the story and Henry David Thoreau. Great illustrations as well.

I thought I knew my American history reasonably well until Henry Mayer taught me how much I had missed. Garrison certainly was far more than the hot-headed crusader on the nut fringe I read about in one text after another. But this book also is more than a correction of an historial footnote; Mayer breathes life into the moral arguments about slavery before the Civil War and weaves America's history from the signing of the Constitution to the passage of the 14th Amendment into a colorful, lively tapestry. This is biography raised to its finest form.

Henry Mayer has written a definitive account of the life of William Lloyd Garrison, the great abolitionist. While I have a Master's Degree in American History, and have read extensively about 19th century America, I had not until now read anything of this power and scope about this great central figure. In many ways, the Garrison portrayed here is the epitome of an American ideal: fierce and unswerving in the constancy of his views about great and weighty matters, willing to not only stand up for his convictions, but to live them every day of his life. Mayer does a particularly good job in delinieating the early days of Garrision's life and the surprising--at least to me--roots of both his background and his passion. While we can learn a great deal not only about the conduct of an intellectual life from Garrison, we can also learn a great deal about the conduct of family life as well. Gentle, kind, loving and doting, Garrison at home stood in marked contrast to his public personna of "Garrison the Madman," as he sometimes introduced himself. We also find a cast of peripheral characters in this biography (William Herndon, Ralph Waldo Emerson, Frederick Douglass, Abraham Lincoln, Harriet Beecher Stowe, etc.) which enliven it and give it the necessary depth required for a weighty and detailed biography. Taken in all, this is a terrific biography, and one of the best books I have read in some time.

I cannot recommend it highly enough. A rich read about a great American hero for all times. Mayer obviously loves and admires Garrison, but this did not keep him from portraying this hero with his blemishes as well as strengths. The most startling thing about this great read is just how important Garrison was to America's most tumultuous time --- the abolitionist of all abolitionists, a leader who appreciated how deep religious beliefs and moral politics go together, who believed in the power of the written and spoken word, who helped perhaps as much as anyone in our history to move our nation and free it of slavery. Truly a companion biography to go with the best biographies of Lincoln --- no understanding of the Civil War can be complete without knowing about Garrison, and this is definitely the way to know about Garrison. To say it simply: no one can claim to be a Civil War buff without knowing about Garrison, and no one can know about Garrison any better way than by reading this book. Highest kudoes to Mayer!

I found this book hard to grade, but easy to read. Stories are the best way for people to learn, and this book has six interesting ones (about Josiah Wedgwood, H.J. Heinz, Marshall Field, Estee Lauder, Howard Schultz, and Michael Dell) describing entrepreneurs pulling themselves up by their bootstraps to create major brands. As a book of engaging business stories, this is a five star book. In terms of the insight you will get from these stories compared to the potential insight you should get, this is a three-star book. I compromised the two to come up with my grading.

If you want to learn about today's brand-building challenges, other books handle that subject much better. If you want to learn about how the Wedgwood, H.J. Heinz, Marshall Field, Estee Lauder, Starbucks, and Dell businesses got started, this is your book. The material is handled much like historical fiction (except the facts are meticulously gathered and documented), and you will find the going easy and pleasant.

If you like Horatio Alger stories, you will find those here as well. I suspect that exhausted entrepreneurs on long plane trips where their computer batteries have run out will find this book helpful in recharging their personal batteries. As Winston Churchill once said, "Never give up." That's the key lesson here. Through trial and error, these entrepreneurs kept trying until they found formulas that worked.

The choice of examples is a little flawed. Five are consumer branding examples and only one is a business example (Dell). Of the consumer branding examples, you will find that most are about selling to the higher income people. That gets a little repetitive.

The explanation of the examples is also incomplete. Considering that this is a business book, there is relatively little financial information other than annual sales and occasional asset turnover ratios. Qualitative example are helpful, but they are more helpful with more pinning down. For example, when you see the profit margins that Wedgwood had, that explains a lot about why the company could afford such lavish promotions. Without similar information on Heinz, you wonder why he was so successful in making sales but went bankrupt. Presumably, he had low margins.

The photographs and maps in the book are a plus, and I enjoyed them very much. The book was printed on such high quality paper (similar to that used for diplomas) that the images are on the same paper as the text. This permits the book to have many more illustrations than similar-sized business books.

The point about earning trust in the book is easily explained. At the time when these entrepreneurs were getting started, their largest competitors usually provided poor quality products, sometimes had inappropriate brand images, often failed to offer decent guarantees, and typically acted in self-serving ways. Earning trust isn't too hard if others are scoundrels or incompetent. Above all, these entrepreneurs stood for decent human values, and got that point across in one-to-one situations. I'm not sure that point comes out clearly enough, even though it is certainly present in each example.

Those who think the Internet age is unique will find the comparisons to the beginning of the Industrial Revolution in England and the transportation improvements in the United States to be valuable contrasts. But each age brings its unique changes. Entrepreneurs should seek to grasp those changes, but also see what others have missed. I think that the Starbucks concept could have been successfully innovated in the late 1950s. It's just that no one did it then.

After you finish enjoying these stories, I suggest that you think about the values that your organization stands for. Are those values presented and delivered in ways that make your organization more trustworthy than any other? How else do you have to be superior in order to establish a burnished brand image?

Be serious about giving people the best you can possibly provide!

This highly readable business book profiles six successful entrepreneurs from the eighteenth to the twentieth century. Each profile (Josiah Wedgwood, Henry Heinz, Marshall Field, Estee Lauder, Howard Schultz, and Michael Dell) details the milieu of the era and offers insight into the environmental business factors that each of these business builders faced.

It is this holistic approach to the subject of each profile that makes the stories so compelling. Using her command of history, Ms. Koehn outlines the period view of each of the products (pickles to perfume) and vividly draws the reader into the strategy of each of these entrepreneurs' approach to the market and building their brand. It is the power of these stories that gives the brand message such import. All of these people had a great number of competitors in their market niche but their focussed approach to the brand associated with their goods or services is what set them apart.

Ms. Koehn uses some excellent demographic and financial information (indexed to today's dollars) that provide the backdrop for the scale of the success each of these entrepreneurs' achieved. This provides just enough quantitative information to provide texture without clouding the real story in statistics.

As an executive in the software business today, I found a great deal of comfort in the fact that the challenges I face in today's competitive marketplace are not new. In fact, with great courage and resolve, they have been solved again and again in differing but similar ways over centuries.

Brand New is a brilliantly written book about entrepreneurs, brands, consumers, business history, and socioeconomic change. The book explores these subjects through the examples of six entrepreneurs-Josiah Wedgwood, H. J. Heinz, Marshall Field, Estée Lauder, Howard Schultz of Starbucks, and Michael Dell-and the brands and companies they created during times of economic and social change: Wedgwood during the Industrial Revolution, Heinz and Field during the Transportation and Communication Revolution of the late nineteenth and early twentieth centuries, and Lauder, Schultz, and Dell in our time.

Koehn is a perceptive historian and biographer as well as an astute analyst of brand creation, entrepreneurship, and organization-building. She explains how the entrepreneurs in her book were able to understand the economic and social change of their times and anticipate and respond to demand-side shifts. This understanding, she argues convincingly, enabled these entrepreneurs to bring to market products that consumers needed and wanted and to create meaningful, lasting connections with consumers through their brands. Koehn also focuses on the importance of these entrepreneurs as organization builders who understood that their success depended on developing organizational capabilities that supported their products and brands. Her book is very well-researched throughout, and uses primary archival documents extensively in the historical chapters on Josiah Wedgwood, H. J. Heinz, and Marshall Field. Koehn also brings her entrepreneurs and the stories of how each built his or her company and brand to life with her talent as a biographer and historian.

The book's emphasis on drawing lessons from both past and present offers many valuable insights for those interested in coming to a better understanding of brand creation, entrepreneurship and entrepreneurial management, and organization-building. Koehn's emphasis on the demand side of the economy and on entrepreneurs and companies making connections with consumers through the brand distinguishes her book as an important work of business scholarship on brands and entrepreneurship. A lively, interesting, and engaging read, Brand New is also valuable reading for anyone interested in business, economic, or social history or biography of business leaders. I highly recommend it!

Journey with a guy with much testosterone, but a HUGE heart. I was not looking forward to reading this book for my 18th Century British novel class, but upon starting to read I found it to be a pleasurable story. This piqaresque novel has a humor that I have seldom encountered in other narratives. What is ironic is that Fielding wrote this piece during one of the most traumatic periods of his life. His wife just passed away, his daughter was dying, and he was inflicted with the gout. One would never think it from the clever way the book is written. The point of view gives us an in so that we feel as if we ourselves have roles in the storyline. Rooting all the way for Tom despite his flaws, we find out more about human nature along the way. A good read, light a candle and sit down with some wine like they would've and enjoy this classic comical delight.

It was about time I read "Tom Jones." Fielding's 1749 novel gives us a panoramic view of 18th century British life. Its titular hero journeys among the low- and high-born trying to find his way in a world in which he occupies a precarious position. Fielding uses the sprawl of 800 pages to explore a multitude of social, political, and literary issues, gluing them together with an exquisitely outlandish, fully embodied sense of humour.

The action of the novel begins with a view of the Allworthy family, a landed gentleman, Thomas Allworthy and his sister, Bridget. Into this family is dropped an orphan, a foundling - a child, if you will, of questionable parentage. This child, Tom Jones, is raised alongside Bridget's child, Blifil, as relative equals. Both are tutored by two ideologues, the philosopher Square and the theologian Thwackum. Jones is a precocious, free-spirited youngster, spoiled by Allworthy while Blifil, the heir apparent to the estate, becomes the favourite pupil and spoiled accordingly by his mother. As the two youths age, Tom develops a fondness for the neighbour's daughter, Sophia Western.

Tom's sexual development begins to get him in trouble, as it tends to throughout the novel, and as a result of one such incident, coupled with the goading jealousy of Blifil, Tom is driven out of the Allworthy home, left to seek his fortunes in the world. Meeting his supposed father, Partridge, on the road, the two begin a quixotic ramble across England. Sophia, meanwhile, pressured into marrying Blifil, runs away from home, beginning her own voyage of discovery.

"Tom Jones" begins with the narrator likening literature to a meal, in which the paying customer comes expecting to be entertained and satisfied. All 18 books of "Tom Jones" start out with such authorial intrusions, each cluing us into the writer's craft, his interactions with his public, and various other topics. This voice is actually sustained throughout the novel, providing a supposedly impartial centre of moral value judgments - each of which seems to tend toward enforce Fielding's project of a realistic, and yet, didactic portrayal of a world full of flawed characters.

Some of the issues the novel deals most extensively with are modes of exchange, anxieties over female agency, and the power of rumour and reputation. Exchange and the ways in which value is figured include a wide range of goods - money, bodies, food, and stories - and are integral to the story. The treatment of women is a great concern in "Tom Jones": from Partridge's perpetual fear of witchcraft to the raging arguments between Squire Western and his sister over how Sophia should be treated, to general concerns about sexuality and virtue. A novel that can be in turns hilarious, disturbing, and provoking, "Tom Jones" is never dull. Despite its size, the pace of the novel is extremely fast and lively. So, get thee to a superstore and obtain thyself a copy of this excellent and highly entertaining novel.

I first picked up Tom Jones because to put it bluntly I am a bibliophile and it was a cheap book. However, I was suprised at how engaging and hilarious the story was despite the claims on the back cover, which are often far off. To tell the truth I did not expect to make it through this extremely lengthy tome, I only wanted to satisfy my curiousity.

Although I am a fan of Jane Austen I was shocked by the freshness and wit that Fielding's writing still retains. Every book in the novel begins with an essay by the author. Do not skip these, they are one of the best features of the book. My favorite is the essay before the ninth book which explains the purpose of these introductory chapters. What a riot!

The story of big hearted and big appetited Tom Jones and his adventures and misadventures is one long satirical gem. Fielding's interpretation of morals, piousness, love, and high society is still as hilarious and relevant as it was in the 18th century. For anyone who appreciates wit and history, this is a must read.

I first read this bookin the mid-seventies when I was in my early twenties. I recently re-discovered it as a niece was going to Greece to study and wanted some backround about the culture and character of the Greek people. Reading a book some twenty years later and particularly and author like Henry Miller can tell you something about the author and the reader and how perceptions change in twenty years. Miller's crystal clear renderings of the ambience and character of the Greek landscape and the Greek character are timeless treasures to be soaked up as in the brilliance of the Greek light by anyone that loves art. Although I would not define the book as a classic work of literature (there are too many first person accounts that wax and wane depending on the mood of the author, I would say that it has some characteristics of classic art in it's timeless appeal as well as it's changing meaning to a changing reader. We can look at at great work of art, say at age 21 and it means one thing. then we can look at the same work 25 years later and it will mean something totally different, yet have more depth in some areas and less meaning in others. This is what I found in reading The Colossus of Maroussi. If you want to be transported to the timelessnes of the power and potency of the Greek mind and heart, read thhis book.

As a Greek-American reading about Greece in Miller's account written in the 1930's, I found it to be very moving. It isn't simply a travel book about Greece, it's about Greece healing someone's soul!

I absolutely love Miller's, "Tropic of Cancer," and was expecting the same style for Maroussi. However, I was mistaken. Miller doesn't include any of his notorious womanizing stories here. Instead, Miller writes about finding peace in contemplating Greece, modern and ancient. Again, his written prose is like reading poetry. There are some passages from this book that I had to "cut out" and keep for inspiration.

I highly recommend this book to anyone interested in Henry Miller or Greece. I must also recommend Edmund Keeley's, "Inventing Paradise," which is something of a companion to Maroussi. In it, Keeley discusses Miller's Greek journey, which he took along with George Seferis, Lawrence Durrell, and other 20th century Greek poets, writers, and painters.

Henry Miller's reputation as a writer needs little verification from the likes of me. Nevertheless, it is a pleasure to be able to confirm the abilities of a truly great author. This example of his work is in some ways a peculiar one since it was written during a turning point in modern history, namely the Second World War, and was inevitably a turning point in Miller's own life as well.

Henry Miller has not always had kind things to say about his native U. S. A. Here, in "The Colossus of Maroussi," he uses the American state as a kind of false backdrop for his discoveries in Greece. For Greece is the central geographical landscape on which he builds. Far from being a travelogue, however, it is a story of that ancient land and some of its people; Miller uses the fabric of Greek life to weave a story of mankind.

His writing is distinctly dated today, but delightfully so. It is full of a poetic imagery that is almost entirely absent from the main stream of post-modern literature. As such, it is very complex writing which occasionally seems to be almost self-serving, as if the author was writing for no one but himself. In the main, it is a very accessible book that tries to reach out in pure, non-political terms to touch the essential core of what is man. At the present time, we could do well to review our own situation in life, and one way of doing so is by simply reviewing the literature on the subject. I recommend "The Colossus of Maroussi" as a place to start. Besides being the work of a truly formidable writer, it will take you to places you probably never dreamed existed.