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What I have it a sturdy paperback with a few footnotes to indicates translations variants, or to define an odd term or two. It is flexible, and can withstand (as mine has) being tossed into a briefcase or handbag without worry.
The margins are about the size of any novel, and so notes are difficult to write, but this its best use is as a second or third Bible, not for primary study. Its strength is its clean presentation and portability.
A basic, 62-page concordance is in the back, listing a few citations for key terms for easy lookup during Sunday school.
A section called "Biblical Backgrounds" surveys in a few paragraphs the function and history of all 66 books. This brief introduction says who is believed to have written, for example, I and II Chronicles (Ezra) and how it relates to other books (Samuel and Kings). Short and sweet, the reader will be able to get a quick look in the middle of a sermon and track better the context of the references.
The words of Jesus are in red. Others might find this distracting, but when I am ooking something up, knowing Jesus said something, but unable to remember the verse number, this helps.
The paper is of a decent width without making this book 100 pounds. Set in a Times New Roman or similar typeface, at what appears to be a 10 pt font, I find it easily readable.
It is a paragraphed Bible, meaning that contiguous ideas are connected using paragraphs, much in the same way we do in modern English, complete with indentation. This makes the reading more natural.
There are a few short introductions explaining the principles of translation (how Hebrew tenses were considered, for example), and an "Explanation of General Format," which succinctly presents the ways the publishers of this version managed Greek, Hebrew and Aramaic translation difficulties and what modern punctuation was employed that was unknown during the time of the Bible's writing.
A note on the translation:
The New American Standard translation claims to "adhere as closely as possible to the original languages of the Holy Scriptures, and to make the translation in a fluent and readable style accordingly to current English usage." There are paraphrased editions, like the New International Version (NIV) or New Living Translation that are both more reader friendly. In buying any translation, I suggest looking over samples of each to see which best fits your purposes. Ask your pastor which your church uses if reading along during the service is your goal.
A good way to make comparisons is to read the first few chapters of John from several translations. The differences will be obvious.
I fully recommend "Holy Bible New American Standard: Red Letter Edition, Paragraphed."
Anthony Trendl
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While early parts of the story focus on Matt and Eric and, at the end, Matt again, the majority of it is told from Jessie's viewpoint. Pullein-Thompson is well known for her horse stories, which is probably why she's able to write a good story from a dog's point of view. Jessie is determined and loveable and stubborn, but she's also a dog. She doesn't understand things the way people do - and you don't expect her to, either. She doesn't get it when Eric is taken away to the hospital and she doesn't see him, or when she goes back to their London flat and can't find him. That's okay. It adds to her doggy-ness.
Jessie's trek from the kennel through a bad home, into the woods where she is injured and then mates with a big stray named Tinker, is beautifully done, sad but honest. This is the classic coming of age from a dog's point of view.
Matt is also a well-drawn character, as is his mother and Eric, who is so poor that he sells handmade scarecrows for a few pounds each, but they are all people, who come in second to Jessie, the dog.
Pullein-Thompson's writing is solid and poignant, from the way she depicts Jessie's confusion when she is injured and dirty and sore and scared and doesn't even know Matt anymore, to the way she gracefully handles Tinker's death in a way that won't scare any kids.
SUDDEN WHEN THEY PLAYING MATT SAW BUBBLES COMING WATHER.
"THERE'S SOMETHING IN THERE," MATT SAID. MATT PULLED THE BAG OUT OF THE LAKE, HE PUT HIS HAND ON IT. IT WAS BARELY BREATHING BUT MATT COULD STILL FEEL THE HEART BEATING. WHAT WAS IT? HOW LONG HAS IT BEEN IN THERE WHO DID IT? NOW DANGER IS RIGHT AROUND THE CORNER. I THINK THIS BOOK IS FUNNY, SAD KIND BOOK.
THIS IS FOCUSES ON MATT AND HOW AII OF THIS AFFECTS HIM
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of many of its related technologies that are discussed in
this book. As such, I am frequently asked by people how they
can quickly understand the benefits of SIP technology, why
it is important to them, and what it can enable. The answer is
simple - read the Sinnreich/Johnston book. The book helps you
understand how SIP, its extensions, and related technologies
all fit together, and why SIP is revolutionizing communications.
This is a fabulous piece of work, written by two recognized
leaders. I highly recommend it.
Henry Sinnreich and Alan Johnston are two of the most knowledgeable authorities and notable figures in the SIP world. I expected a lot from them them. They've greatly exceeded my expectations, doing a surprisingly good job of explaining WHY the SIP protocol works the way it does, WHAT sort of advanced services it is making possible, and HOW service providers can use it to enrich their business offerings.
This book is an absolute "must read" for anyone in the industry, especially for people familiar with traditional telephony who are trying to design, market, or implement new telecom services of any kind. If you haven't read this book and Gonzalo Camarillo's new SIP book, don't argue with the old-timers on the SIP mailing lists -- they're likely to just tell you to "RTFB" . . . and this is one of the books they're referring to.
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All your family members should read it. And if after reading Hebeler's book you still feel the need for professional financial planning, insist that he/she read it as well.
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This book is an excellent illustration of how, step by step, a garden is planted and what the seeds and living creatures do from that point on. We get to see above and below the soil as the garden progresses throughout the season. There are all the names of the plants and creatures labelled neatly next to each, on the main page and in the margins. Best of all, the classic children's poem about the house that Jack built is modified into a catchy text for each picture that makes understanding the magic of a little garden ecosystem effortless for kids as young as three years.
Top notch illustrations and a unique format set this picture book apart and earned it a permanent place in my collection. I only wish I had it in hardback!
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Whether by plane, train, bus, bicycle, or automobile- one thing was certain for those Americans during a warm August in 1963, "They were gonna March on Washington come Wednesday mornin'."
I had the pleasure of enjoying this wonderful book over the Thanksgiving holidays and I will always remember the March on Washington and be thankful for the sacrifices made then I'll pay my respects to those who thought enough of me to do so.
Whether by plane, train, bus, bicycle, or automobile- one thing was certain for those Americans during a warm August in 1963, "They were gonna March on Washington come Wednesday morning."
I had the pleasure of enjoying this wonderful book over the Thanksgiving holidays and I will always remember the March on Washington and be thankful for the sacrifices made then I'll pay my respects to those who thought enough of me to do so.
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Keats, Ezra. John Henry: An American Legend. Toronto, Canada: Random House, Inc, 1965.
John Henry, written and illustrated by Ezra Jack Keats, tells the story of a fictitious American legend. Through the powerful illustrations, Keats portrays John Henry as a heroic man with much importance in society. Keats uses bold colors throughout the story, which help stimulate the reader's emotions. John Henry's importance is first revealed in the opening of the story. Unusual, marbalized paper illustrations accompany the words that tell of the night noises welcoming John Henry into the world. Even as a newborn child, he is the focus of the story, taking up an entire page in the book. When John Henry realizes his own strength, he makes the decision to leave his family and go out into the world. The illustration during this part of the story shows that a change is because of the bright colors and the image of waves rolling into the next page. When a storm strikes, John Henry's first act of bravery comes into play. Black and grey colors give a feeling that things are not quite right. The storm nearly causes a ship to sink, but John Henry is able to gain respect and admiration from others by bringing their ship to safety. John Henry, who was born with a hammer in his hand, feels called to go help build railroads. The illustration of him helping with the railroad tracks is much different thtn the other illustrations because John Henry is not the center of attention. Perhaps the reason for this is because helping build the railroad with a hammer in his hand is where John Henry belongs. Henry's next opportunity to be the hero occurrs when a lit fuse burns closely to dynamite in a cave, causing a very dangerous situation. Trying to put out the fuse, John Henry first trips and falls, but recovers by putting out the flame with his hammer. In this illustration, the hammer takes up and entire page! This shows that the hammer and John Henry are of equal importance; without his hammer, he is only an ordianry man. After proving himself to be a hero, John Henry develops a feeling of much confidence in himself. When told about an extremely powerful steam drill, John Henry states that he is more powerful and can drill more holes faster than six men combined. The illustrations of Henry's "race" with the machine are very effective in portraying motion. The hammer appears to be moving so fast that it becomes almost a blur. The pictures show how tired John Henry is becoming, and eventhough the steam drill is ahead of him at one point, he continues to work harder and faster. With much determination, John Henry picks up another hammer so that he can get twice as much done. In this illustration, John Henry and the two hammers take up two pages. Keats uses a bright orange color to offset Henry and the hammers. The bright color gives a feeling of excitement and makes the reader feel confident that John Henry can beat the steam machine. Througout John Henry's battle with the machine, people watch with admiration. John Henry continued to hammer, even after the steam machine collapsed. His goal was to break through the tunnel and when light began to shine through, everyone saw that his goal was reached. With hard work and determination, John Henry once again proved himself to be a hero. He died while walking out of the tunnel, carrying not one, but two hammers.
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Many of these offerings are peculiarly French with ingredients that may not be common to average American cooks. Yet almost all can be prepared at home with a little bit of time and effort. This is NOT food for the diet crowd although Soltner's use of creams and butters and oils is entirely reasonable and serves to accentuate rather than hide flavors. Particularly appealing are the many stories of his childhood and early cooking days that are shared throughout the book.