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Thus, Chapter 1 discusses the nature and dynamics of Homer's "signs" (Gk. _semata_), that is, elements within the poetry that index traditional meanings and knowledge, thereby reaching beyond their immediate or literal contexts in order to convey further implications for a tradition-aware audience. This indexing process (termed "traditional referentiality") can be found at every level of the poetry, from the smallest formula to the entire Homeric register as a whole. Chapters 2-4 provide comparative evidence for Homer via South Slavic oral poetry. After first reviewing the scholarly debates over the analogy, Chapter 2 then examines the parallel from the perspective of the singers themselves. Chapter 3 continues this examination and investigates the similarities and differences between the specialized languages of Homer and the South Slavic _guslari_. Chapter 4 then discusses the traditional referentiality of South Slavic poetry as it pertains to story-patterns, typical scenes, and formulas.
Having created a comparative framework from which to proceed, Foley uses the following sections of this book to explore the effects of oral tradition in the Homeric poems themselves. Chapter 5 focuses on the traditional story-pattern of the Return Song and its implications for Penelope's characterization and the unity of the _Odyssey_ (and the particular importance for its ending). Chapter 6 then examines the typical scenes of feast especially in the _Odyssey_) and lament (limited to the _Iliad_), while Chapter 7 details the nature of traditional referentiality in relation to Homeric phraseology. All of these observations on _Homer's Traditional Art_ then culminate in Chapter 8 in which Foley provides a close reading of an extended passage of the _Odyssey_ (from Book 23) that incorporates each of the traditional perspectives established in the preceding chapters and gives a very clear "sign" of his own, demonstrating the difference that an understanding of Homer's underlying oral tradition can make.
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Author: Jeremy Strong Main Characters: Charlie Smugg, Tony, Streaker.
Storyline\Plot: Tony bets Charlie that he can train Streaker over the summer holiday. The bet is based on the fact that Tony can train Streaker, his dog, not to run after everything that she sees . Streaker likes to run after small hairy things because she is a Greyhound and she is used to chasing after the hare. One way Tony tried to train Streaker was to tie a mobile phone around her collar, when Streaker ran away Tony would call her to make her stop. Tony has lots of wacky ideas and inventions to train Streaker all very amusing. The forfeit has something to do with an iron tub and a sticky end. I know who wins, you don't, so read it and you will ,but I will tell you that Charlie cheats. My Opinion Of The Book: I loved this book it made me laugh. It made want to read more of his work. I'd never change the ending because it was so good.
Favourite Character and Favourite Part: My favourite character was Streaker, she's fast. My favourite part was the end but I can not tell why because then you'll know.
Recommendation: I'd recommend it to anybody over 4 and I give it 10\10