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I saw Mapplethorpe's famous exhibition in Philadelphia just before he died,the exhibit that was banned at the Corcoran in D.C., then siezed for a while in Cincinnati. The flower photographs were dye-transfer prints, which made the colour surprisingly intense; some were almost 3' tall. People would stand for a long time in front of those, enraptured, sensing the work on several different levels at once. This book does a good job of bringing that to you. You can look at this book over and over again, put in on a coffe table to start converstaions or, after having not seen it for a while, rediscover it to be awed and inspired anew once again.
The edition I have is a 1990 paperback 12" in height; the pictures are presented one to a spread, so that there is a blank white page accross from the flower, which is a very classy touch, completely the correct way to do it.
I took a course of creativity from author Dan Wakefield a number of years ago. One of the many excellent exercises we did was to take a flower and write as much as we could about what we observed during an hour. At the end of the time, I was bursting with new ideas for all kinds of things. Try it sometime!
Seeing this marvelous book by Robert Mapplethorpe (that would earn a G rating if it were a motion picture) reminded me of that exercise. I had the same feeling as I examined each image, and had a great desire to start taking notes.
The essay, A Final Flower, by Patti Smith helps put these great works in perspective. Mr. Mapplethorpe found it "as easy to hurl beauty as anything else." "He came, in time, to embrace the flower as the embodiment of all the contradictions reveling within [him]." He was inspired by "their sleekness, their fullness, Humble narcissus, Passionate zen." As such, he found flowers to be "worthy conspirators in the courting and development of conflicting emotions."
The images themselves evoke more complicated views than any others of flowers that I have seen. The closest to his style is that which Georgia O'Keeffe used in her painings. But there are more dimensions to these photographs.
For example, a single flower may evoke a part of a human body, but it will also stimulate an impression of a human emotion contained in the flower image separate from the body part. Further, the shadowed background behind the flower will add movement and context that greatly expand the meaning of the overall image. Mr. Mapplethorpe also displays a genius for using varieties of color together to express complicated rhythms that make looking at the images a lot like listening to a drum beating a distinctive tattoo. He also employs juxtaposition (to make one thing appear to be part of something else), allusions to emerging and receding, and contrasts to great effect.
The technical quality of the images is superb. The lighting, detail, and composition of each image are precisely as must have been intended. Each image is an exquisite gem. Although I liked all of the images, some appealed to me more than others. Here are my favorites:
Irises, 1988; Rose, 1989; Orchid, 1977; White Longstem Flower, 1982; Orchids, 1982; Orchid, 1986; Flowers in a Vase, 1985; Orchids, 1987; and Poppy, 1988 (second one). I would like to specially praise the astonishing Calla Lilies (1985-1988) for their amazing beauty and inspiring qualities.
Where else can something simple display so much important meaning and complexity about nature and the viewer? I suggest that you consider looking at leaves, rocks, and feathers as possible additional sources of inspiration. Try your hand at arranging tableaux that use the vocabulary of Mr. Mapplethorpe's work here.
May your heart and mind be suffused with the wonders around you . . . creating a meditation inspired by nature!
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This book had the feel of a classic! The style and language literally transported me to the 1800's during the time of the French Revolution. Smith's first rate talent as a writer will keep you in bone-chilling suspense as Morivania enters ghastly catacombs and numerous dark wooded trails. There are plenty of moments which will make your hair stand on end and which develop into outright terrifying events!
The Prey is a magnificent novel that is sure to please fans of classic horror. I can't recommend it highly enough!
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His electrifying preaching was taken down in short-hand, and carries the most powerful anointing of anything I've read outside of the Bible. His sermons and teachings are still reaping results today in ever-increasing measure. When you read them, you'll understand why.
There's no 'side' to Wigglesworth, no show, just the Living Christ and Holy Spirit working through a yeilded servant. He truly deserves the accolade, 'Apostle of faith', but like all genuine Holy Ghost preachers, his message is Christ, and leaves his hearers healed, saved, and hungry for righteousness. The Lord confirming His Word with signs miracles and wonders.
Look at these sermon titles, and buy the book now.
Our Risen Christ.
The Power in the Name.
I AM The Lord Who Healeth Thee.
Wilt Thou be made Whole?
What it means to Be Filled With the Holy Spirit
There's nothing really spectacular about the life of this plumber in turn of the century England - God made him the world shaker that he became.
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Sprott, tells the story of the 40th Alabama Infantry, Stone's Battalion and Ector's Brigade. I was especially interested in information about General Ector and his brigade as little is written about this unit especially at the battle of Chickamauga. He will educate you about the everyday life of the Confederate soldier in the Army of Tennessee. His and fellow comrade's trials and jubilations are all there.
The editors do a fine job coordinating Sprott's manuscript, filling in his thoughts and corroborating historical evidence.
Highly Recommended!
As a high school US History teacher, I have found that it is books such as "Cush" that makes history come alive to students. They can feel the emotion with which Sprott's story is told. And, because it is a primary source - straight from the "horse's mouth", it has much more credibility to it than the facts they can glean from their text books.
Dr. Smith has done a marvelous job of editing Sprott's papers. The work was no doubt tedious but at the same time must have been intensely rewarding when it was finished. After reading the book, I have come to feel like I knew Samuel Sprott on a personal basis!
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There's no author listed in the book, so I gather it might have been written by a group of archivists? The writing has that dry, "committee" like feel to it. Which is a little sad, because Bob Smith lived one interesting life! His story is very inspiring.
I read it in one sitting, about three hours, so it's not long. From my perspective, you don't have to be an alcoholic to enjoy this book. Cause I enjoyed it.
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