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*My Argument With the Gestapo*, originally entitled, *My Escape from the Nazis* is about an imaginary trip to London and France when WW II was just getting started (before Pearl Harbor). The Nazi atrocities had not yet come to light when Merton wrote it, but the book was oddly prophetic. It is dreamlike and playful, sophisticated and airy, but the message is serious. We can't blame any one person or people for war. War is a condition in our own individual hearts. The book reminds me a bit of the French existentialists, Camus and Sartre, and reads at times like an avant garde play by Albee or Ionesco with its surreal dialogue. But it's too socially conscious to be Kafkaesque. It presages Merton's deep commitment to and involvement with the peace movement of the '60s. In fact, it must be the gonzo journalism of the '40s.
Merton was so intelligent and talented that he could have written the score, lyrics and dialogue for a Broadway musical (and drawn the posters for it into the bargain - I've seen some of his drawings) but soon after he wrote this piece, he became a Trappist monk for 30 years. It's amazing that such a hip and sophisticated work could have come from the pen of a 26-year-old postulant.
If you've ever read Merton's autobiography, *The Seven Storey Mountain*, you will recognize the autobiographical material here. In fact, the author names himself as the main protagonist.
I doubt if I would have read this book were it not for the fact that Thomas Merton wrote it. As far as I know, this is his only published novel written before he entered the Abbey of Gethsemani in 1941 and only published after his death in 1968. Merton says it was "...a kind of sardonic meditation on the world in which I then found myself: an attempt to define its predicament and my own place in it."
Maybe someday somebody will write an annotated version of *Gestapo*, but until then, the novel stands on its own merits and is, in my opinion, well worth reading.
pamhan99@aol.com
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Marc d' Angelo planned to spend his summer fixing up his new house. He never wanted his new neighbor to suffer because of it. As if the hole were not bad enough, he accidentally cut off her water too. Not to mention the problems she was having that were not his fault. Her skylight was leaking, her walls were crumbling, and her kitchen cabinets were falling. Lucky for Paige Marc's family is in the construction business. Marc started to take care of not just her house, but her and her son as well. The more he tried to help the more she pushed him away.
Marc is a man that feels it is his duty to shelter and protect others. Marc does not see that too much helping can eventually be considered interfering. Paige was raised by a father who was always trying to 'help' her, so she rebelled by becoming fiercely independent, but too much independence is not always a good thing.
If Paige and Marc could both find a middle ground, they could probably have a future together, which would probably be wonderful for everyone including Paige's son. This is a good story with two very strong independent characters. I enjoyed the fact that both characters were so strong and that if they were to have a future it would be out of want and not need.
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The book provides a biography of Cleveland's life and political career along with quite a bit about his youngest son, Francis Grover Cleveland.
The main drawback to the book is that there are no footnotes or indexes, making it much less useful for historians.
Nonetheless, historians and history fans should enjoy the rare entries from PRIMARY SOURCES revealing the thoughts, and feelings of a 20 year old future First Lady being romanced by the President of the United States. I particularly enjoyed excerpts from Mrs. Cleveland's ledger during Spring Break, 1885 which she and her mother spent at the white House when she was 'unsure of Cleveland's intentions' before ultimately marrying in 1886.
The author's style which includes vivid descriptions of objects, settings and individuals makes reading about Cleveland brisk, enjoyable, light fare.