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It is of great interest for us since just in this years the wolves also return to the forests of our Eastgerman country.
It is wonderful written, understandable also for the laymen and rich in nice figures.
Most important for us is however, that this book is written by a man who obviously feels responsible for the life on our so endangered earth, who understand that human life is tightly connected with all the other appearances of life and that the good evolution of one kind of life is the necessary precondition for the healthy existence of all another creatures.
Men like Richard Thiel give us the hope that life has a chance to survive at our planet.
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List price: $12.00 (that's 20% off!)
Did you ever pick up the phone when your child was playing quietly? You know what happens, right? Your child suddenly needs your assistance THIS MINUTE and will make it impossible for you to have a conversation. The same thing happens if you get a visitor or run into someone when your child was otherwise perfectly happy. Anthony Wolf tells you why your child does this. And better yet, he tells you what you can do to STOP this!
While implementing his strategy takes some self-control, it is not difficult, and there isn't a lot to remember. The important thing is to be consistent and use his approach whenever you deal with tantrums or interruptions. He calls this approach Robo-Parent. When it's clear that the child is just trying to keep you hooked into an argument, you stop talking and remove the child to his room. At our house we just say "Goodbye." It's kind of like a time-out in that it resets everyone's mood, but there's no clock. The child can come back whenever he's ready to behave. Usually my kids just go to their room and come right back out. It's not a punishment.
In fact Wolf clearly disapproves of punishing children, because he says shaming and hurting is counter-productive. Think about an abusive boss you had and how eager you were to do your best with that behavior. That's how your kids feel too. This approach leads to better feelings for everyone.
Wolf has another book out called _Secrets of Parenting_ which is mostly taken from this book. Buy one or the other as there is a tremendous amount of overlap. Both are appropriate in handling children between 2 and 12; he has another book on dealing with teenagers.
(64) "The Moon in the East, the Sun in the West" has Retsudo ruminating on how he has sent all of his legitimate sons to be slaughtered by Ogami Itto. But the old man has an illegitimate son and daughter, and horrible plans for them both.
(65) "'Marohoshi' Mamesho" is another one of the fascinating characters created by Kazuo Koike and Goseki Kojima. This time around the title character is an old policeman from the capital on the verge of retirement who stumbles across Ogami Itto being commissioned for his next act of assassination. "Marohoshi" has spent his life protecting people and he is not going to let this ronin continue on the assassin's road.
(66) "Spoiling Daigoro" is an offbeat story where the family that hires Ogami Itto persuades him to let Daigoro stay with them while he goes off to do his job. They have a son who is a coward and a weakling with no friends, and the boy's father thinks that having Daigoro around might be good for Suzunosuke. Ogami Itto agrees and thinks go well for a while, but Suzunosuke soon grows tired of hearing his parents praise Daigoro day and night.
(67) "The Hojiro Yaguy" finds Retsudo's illegitimate son planning on using poison darts that can stop a charging horse to slay Lone Wolf. It looks like there is no way on earth Ogami Itto can escape, but, of course, he always has something up his sleeve. Warning: The ending of this one is unexpectedly brutual and shocking.
(68) "The Bird Catchers," is another episode where Lone Wolf and Cub are spectators for the most part as they come across a group of female falconers preserving a dying way of life. But what makes this tale of some significance, especially as the last one in this volume, is that in the eyes of his son, it seems Ogami Itto might have finally gone too far.
"The Moon in the East, the Sun in the West" is another superb collection of stories in the Lone Wolf & Cub saga. Koike and Kojima still manage to provide a new twist and turn in every volume while stringing us out as long as possible with both the short term mystery of the Yagyu letter and the long term quest of Ogami Itto to get his vengeance on the entire Yagyu clan. I read one episode a night right before bed and am almost always surprised to see what new direction each night's story might take. This has to be one of the ten greatest comic epics of all time.
(59) "Nameless, Penniless, Lifeless" is one of the most disturbing stories in the Lone Wolf and Cub saga. It begins with a woman putting on a sex show for peasants. But what is even more shocking is that the woman has lost her mind and that her husband, whose face is half scared by terrible burns, is the one who talks her into her displays. There is more here than meets the eye, as is often the case in these stories, and the way in which the truth is revealed might remind you of part of Shakespeare's "Hamlet."
(60) "Body Check" is another one of those tales in which Ogami Itto has to use his brains to put himself in a position to use his sword for his next assassination.
(61) "Shattered Stones" begins with one of the most different ways that Ogami Itto has met someone who wanted to hire him for an assassination. On top of that the rules of the assassination are quite different (again, I am reminded of a Western parallel in the novel "Sophie's Choice").
(62) "A Promise of Potatoes" is an amusing little change of pace story for this series. Daigoro is off by himself again, being beaten up by a group of kids, when he is rescued by a con artist who teaches the boy to sit by a bowl looking pitiful as a way of making money. But where there is Cub can Lone Wolf be far behind...
(63) "Wife Killer" is a wonderfully ironic title, which we learn is used to describe somebody who gives away the tricks of magicians, who are known as "hand wives." Noronji Hoya, the Princess of Magicians, who has been using a delighted Daigoro as her "assistant," is about the encounter the "wife killer," an old saki-sotted magician who travels with two thugs who extort money from magicians: pay up or have your secrets revealed. But Noronji Hoya has a better proposition: she will perform a trick and if the old man can reveal her secret she will kill herself; if not, then she will take the old man's eyes.
Kazuo Koike and Goseki Kojima are back to telling tales in which Ogami Itto is more often than not more of a spectator to the action in which other characters carry the stories. One of the testaments to the greatness of this manga epic is that the title character can be almost incidental to the story and it is still completely riveting. Here we are, not even halfway through this saga, and they are still coming up with new and intriguing variations on the basic themes they established early on. The fact that they can maintain this high level certainly justifies the exalted status Lone Wolf & Cub has in the international world of comics.
(55) "Talisman of Hades" finds Ogami Itto is now putting up pictures of a baby cart where once he had pasted the talismans of meifunado to invite clients of death and assassination. A group of young students on their way to an academy stumble upon the mystery of the signs and when they see the strange ronin slay a "priest" (another Yagyu assassin in disguise of course), they decide they must intervene, forcing Lone Wolf to teach them a valuable lesson.
(56) "Ailing Star" has Daigoro finding a place to stay with an old granny who lives under a rotted bridge in danger of collapse. The locals keep trying to convince the old lady to leave, but she refuses. "Ailing Star" forms an interesting counterpart to "Talisman of Hades" as Daigoro has his own little lesson to impart.
(57) "Thirteen Strings" is an 118-page story where Koike and Kojima come up with their own version of a Kurosawa film experience (the rain during the last acts of the story is a clue). When we come to end of this epic tale, surely "Thirteen Strings" will be one of the most memorable episodes. A runaway horse is about to trample a child in the road when Ogami Itto intervenes. The horsewoman turns out to be the Lady Kanae, Daughter of the Go-Jodai of Odawara Han, and a spoiled brat who fancies herself a samurai. Ogami also learns of a larger conflict between the Go-Jodai and the farmers. Drought has blighted the harvest for four years and the Go-Jodai has tightened the screws on the farmers, who "hire" Ogami to attend a meeting between the two sides (because if anything happens to Chosuke, the leader of the farmers, Lone Wolf will bring word back to the farmers). Go-Jodai has his own agenda for implementing fundamental agricultural reform. Meanwhile, his headstrong daughter seeks revenge on the ronin who has insulted her. But then the rains bring a sudden flood that changes absolutely everything. This is a memorable story of surprising depth, showing that Koike and Kojima are absolute masters of their craft.
(58) "A Poem for the Grave" has Ogami Itto seeking help in finding the secret of the Yagyu letter. This turns into another assassination job, which results in an encounter with another honorable soul who seeks to turn Lone Wolf from the Assassin's Road. The question is whether things might be different this time because of Ogami Itto's separation from Diagoro.
I am in awe of Koike and Kojima maintain this level of excellence through a story that is not even halfway over by this point in the telling of the tale. I continue to savor one story each night at bedtime so that I can think about how it fits into the big picture and the ebb and flow of the story. An absolute masterpiece, not just as a comic book, but as an epic narrative.
Because I am also reading the Blade of the Immortal series, there is a natural tendency to compare these to manga, which are both similar, and quite different. Kazuo Koike is perhaps the more inventive writer. Since thus far the Lone Wolf series lacks the grand theme of revenge that knits Hiroaki Samura's work together, the Lone Wolf plots are limited to the individual stories. This is not a flaw at all, just an explanation of one of the key differences. Koike is a master of minimalist story telling, ironic devices, and plots that take surprising turns when least expected.
Both series have more than their fair share of violence, although Blade of the Immortal stands out for its depictions of fighting and dismemberment. Lone Wolf's violence is sudden and swift - less choreographed. Goseki Kojima, the artist also has a strong sense of the sweep and motion of a scene, while Samura's clean, balanced graphics produce a lighter, less congested style. Of course, the fact that Lone Wolf's page size is half that of Blade of the Immortal makes direct comparison more difficult.
There are several changes between the stories of volume one of this series and this second volume. For one thing, the tales are twice as long, allowing for better building of tension and plot, as well as more depictions of life in the world of Edo-period Japan. In addition, Daigoro, Lone Wolf's son (the cub of the series title) gets much better parts than he does in the first volume. He is no longer just a plot device, but a living character. Finally, there is an inner sense of the 'romance' and tragedy of a ronin seeking a life of honor.
That last two stories, 'The Gateless Barrier,' and 'Winter Flower' are perfect examples of the breadth of Koike's talent. Both are stories of murders that must be done, but one is a cautionary Buddhist tale, and the other is a finely honed recreation of the classic forms of Japanese tragic drama. Completely different from each other they are two strong arguments for pursuing this series.
Instead, Lone Wolf continues to work as a hired assassin in four of these five stories. The change of pace tale is (12) "Tragic O-Sue," where it is actually young Diagoro who causes trouble; but even then everyone assumes this is just another one of those convoluted ploys used by Lone Wolf to assassin his impervious victim. Diagoro is certainly up to more in that episode in all the others to this point combined and I find some of it farfetched, but I also appreciate the twist on the standard story line.
There are subtler twists in the other stories from writer Kazuo Koike and artist Goseki Kojima as well as the Lone Wolf continues to earn his pay. In (10) "Red Cat" we see the familiar ploy of Ogami Itto allowing himself to be captured to gain access to his target, yet there is still a surprise ending. Then in (11) "The Coming of the Cold" finds the assassin acting in concert with others rather than going it alone to achieve his goal. I know (13) "The Gateless Barrier" is the key story in this volume, with its introspective look into the psyche of the main character, but once again the best story is the last one in the volume, (14) "Winter Flower."
Much is made of the cinematic artwork of Goseki Kojima, which makes a lot of sense because "Winter Flower" looks like an illustrated movie. In a brothel a samurai is killed while making love to a prostitute, while another prostitute commits seppuku immediately afterwards. The official investigating the deaths is troubled by what he finds, especially since it is clear the second prostitute was the daughter of a samurai, who allowed herself to live a degrading life and then killed herself. The reader knows who can make the connection between the two incidents, but the why remains the big mystery. I even appreciate the irony that this story, the best in the series to this point in the saga, is probably the one in which the Lone Wolf appears the least. It is tempting to read more than one story a night, but the road is long and patience is a necessity.
Today I ordered another of his books: THE SIX SUCCESS STRATEGIES FOR WINNING AT LIFE, LOVE & BUSINESS.
List price: $24.99 (that's 30% off!)
List price: $13.00 (that's 20% off!)
The kernel of Wolf's approach toward dealing with children is in handling the I Want You Now personality. His descriptions of typical childhood behavior ring true to anyone who has children. Ever have your child playing quietly in the same room until you pick up the phone, and then s/he needs you to help RIGHT AWAY? Wolf will explain why this happens. Better yet, he'll tell you how to handle this so it won't keep happening.
His advice on handling bad behavior is for you to become a Robo-parent. It completely disconnects the I Want You Now behavior, because it doesn't engage. Robo-parent deals with the child, no muss, ignore the fuss, and very soon your child learns that tantrums and stickiness don't succeed. While I can't always tamp down my emotions to turn into Robo-parent, it's good to have a strategy that WILL WORK.
Dr. Wolf's recommended approaches are in line with my personal values, which don't include harsh punishment and spanking.
I was able to decrease my stress in dealing with my child on a day to day basis and now spending time together is more enjoyable because there is practically no fussing.
It's funny to see him try his temper tantrums now, because I can see his frustration when they have no effect on me. As a result, he rarely has one.
I plan to give copies of this book to my friends for Christmas.
What an ending! In my heart I always figured it would turn out the way it did, but the final act actually moved me to tears. In the climactic end, the authors have not only brought their series full circle, they have made a comment on the state of bushido in history at that time. Its hard to write a review of this without giving it away - all I can say is this series must be collected and read from the very beginning to fully appreciate its scope and power. But it IS worth it.
As always, the art is staggering and the minimalist dialogue perfectly suited. There has never been anything like Lone Wolf and Cub.
This final installment revolves around the showdown between Ogami & Daigoro and their nemesis, Retsudo Yagyu. Yagyu brings the final remnants of his "Grass" (Deep-cover Ninja who spend generations infiltrating villages in Japan) to the battlefield, and employs a truly insidious deception against Itto (Which I won't spoil!); I studiously avoided any situation that may have resulted in my discovering the end of the series before I got a chance to read it, and although I had a general idea of how the final battle would play out, I was still moved to tears at the final twenty pages.....
If you haven't experienced any of the Lone Wolf and Cub series, I can't recommend them highly enough. I've been reading comics since I was two years old, and I have NEVER read such a finely wrought story; It ranks among my favorite works of fiction, right alongside Lonesome Dove and The Stand, and that's pretty damned impressive.......