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In the second half of this volume, a desperate and half-blinded Retsudo calls upon the true last of the Kurokawa - a retired group of ninja, now aged and crippled, but still deadly. They have fulfilled their years of servitude to the Yagyu, but Retsudo insists that they perform one last mission: Kill Ogami Itto!
As this series progresses, and spirals further into the depths of sacrifice for duty, the whole concept of Ogami vs Retsudo fades, as does good vs evil. They both seem to be men trapped by their roles, trapped by their obligations, destined to agony by their senses of responsibility- Itto to his road of hell, and Retsudo to his blood line.
If you are interested in a critique of Budo, and a sharp critical gaze into the intricacies of Japanese origins of honor and duty, you must read these books.
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This is what sets Professor Wolf's book apart from the others, for it is Louis the soldier, not Louis the lover that is explored here. If one wants to understand the workings of 17th and 18th century France and indeed Europe, one can not do better than this outstanding book. Unfortunately, this book is not widely available and this is tragic, since it is one of the best works of scholarship in the 20th century. I would recommend, if one is seeking to understand the dynamics of France and Louis (and the two were much the same during the period in question), to seek out a second hand version of this book. While the text can at times be demanding, it is well worth the effort.
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Lt. Jason Kent lives secluded in an 800-year-old gothic mansion, brought stone by stone from Germany. However, the gargoyles, which guard its turrets, can't keep the pain the world offers Jason at bay. A mission gone wrong has forever changed his physical appearance and abilities. Now he only interacts with the world through the computers in his study and the occasional visit of one of the children from his nearby orphanage.
The recluse had started his orphanage as an extension of a gag. He'd risked everything once to save a child from certain starvation, smuggling her into the United States. He had all kinds of money and nothing to do with it, so he started an orphanage for hard to place children in memory of that first child he'd rescued. But the terrible scars resulting from his last mission keeps him from the halls of the orphanage, and from the hugs of the grateful children.
Angie understands the need to hide. She lives with her own deep-set fears; that is, if she risks her heart with Jason he will find her wanting. She can't stand for him to look at her with that look of pity and disappointment that she'd seen in her previous fiancé's eyes after the drunk driver came around the curve at her on the wrong side of the road. Sure, Stephen had said all the right things, but he had also left her standing at the altar. She absolutely believes that Jason will want more, and certainly deserves more, than she can possibly give.
Talented author Judith Lyons has a marvelous gift of characterization. Even as she exposes the deep-set emotional vulnerability of her characters, Lyons doesn't allow them to wallow in self-pity, but forces them to confront their weaknesses and grow. The well-crafted plot, unique setting, and intrusion of a whimsical child weave together in an exhilarating plot. Reflecting both the tragedy and the triumphs of life and love, SOMETHING TO TALK ABOUT comes highly recommended.
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(88) "Firewatchers of the Black Gate" finds Retsudo Yagyu leading the Shogun's annual pilgrimage to the family mausoleum. As part of this ritual we learn about the Shogun's bodyguards, the Firewatchers (the Kemuridome-Shu), who are also the warriors assigned to ensure all fires are out along the route; each carries a section of ladder that can be joined together with others. The Shogun, concerned that Ogami Itto's actions are eroding the Shogunate, tells Retsudo to solve this problem within a month or forfeit his own life. Retsudo then orders the Firewatchers to kill Ogami Itto, and in this story we see their first attempt.
(89) "The Immortal Firewatchers" continues the quest of the Firewatchers to kill Ogami Itto, who is trying to get to Edo by water. However, as such things often do, this fight comes down to a duel between Ogami Itto's Suio-Ryu and Habrui Genbu, Kuromon Kemuridome-Shu.
(90) "Paper Money" brings together several themes we have seen in earlier stories. Again, rather than helping to slay Ogami Itto, there is someone who want's Lone Wolf's help. However, this time, it is not his sword that is desired, but rather the money he has collected on the Assassin's Road.
(91) "Lifeline" finds Daigoro once again separated by his father because he had been distracted. Now Daigoro struggles to catch up with his papa, following the two tracks of the baby cart that Lone Wolf pushes across the sandy beaches. This is another one of the classic stories in this series where the dialogue is at a minimum and it is Goseki Kojima's drawings that carry the story.
(92) "Twilight of the Kurokawa" reveals that not all of the Kurokawa ninja have been slain by Ogami Itto. Retsudo Yagyu visits the retirement home of the Kurokawa, where there are five old men who had served their code for fifty years and now live out their final years in Kurokuwa village. Retsduo relates what Ogami Itto has done (represented by Kojima's artwork) and "asks" for these old men to use their famous sword wheel, which has never been defeated, to kill Lone Wolf and Cub.
After the bloody two-parter that begins this collection, the final trio of stories suggests a quiet before the storm, or at least a significant lull in the action. The ebb and flow of this grand saga is part of its strength, for this is not a bloodbath from start to finish. In fact, the fights are the least compelling part of the narrative for me. Instead, I focus on the character development, the historical detail, and, of course, the relationship between father and son. I am now two-thirds of the way through the Lone Wolf & Cub story and continue to look forward to reading the next episode each night before retiring. As soon as I finish I will probably start it over again, to better appreciate how Koike and Kojima put their masterpiece together.