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Back in civilization, Greg discovers that Nahani has earned a reputation as a killer. There is a large reward being offered to anyone who can kill her and bring in the skin. Greg is naturally upset by this, and tries to convince people that the wolf is not a threat. He is opposed by a trapper named Dan who does all he can to stop Greg from helping the wolf. Concerned for Nahani's safety, Greg embarks on a 3-year quest to locate the wolf and save her if he can.
The story of how Greg manages to locate and track Nahani through one of the remotest and most inaccessible regions of the country is as inspiring as it is fascinating. Better still is the story of what happens when Greg eventually locates the wolves.
This story, which ends on a very positive note, is said to be true. It was told to the author (Robert Franklin Leslie) by Greg himself. Aside from the few places where human motivations and emotions are attributed to the wolf, the story rings true. It is a real treat for anyone who believes in the interconnectedness of all living things.
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The writing itself is like an hallucinogenic dream--half mad, surging with the glories of the senses, and tumbling with emotions. It is alternately exhilarating and exhausting, funny and wrenching, easy and uneasy. I picked the book up and put it down in fits and starts, worn out like a swimmer caught in a large blue wave. Wolf's mystical and very physical journey through illusion, the shattering of illusion, and its aftermath is a celebration of the things of the earth, the power of the pulse of life over the coldness of the grave. It is a torrent of philosophy; a breakdown between mind, spirit, body; between integration, disintegration, and reintegration; a sensual delight. It worn me out, wore thin, then filled me up again.
Wolf Solent--a poetic, mystical, idealistic young man comes to a small town in Dorset, is torn between two loves, discovers Beautiful Truths and Hard Truths, and must find a way to reconcile the contrary currents of life. We follow the details of his soul's journey over the course of a year--sometimes stream of consciousness, sometimes chaotic narrative experience, or funny scenes of people pretending to be civilized but really acting out of the mysterious, instinctual, pagan human heart. This narrative is much like the chaotic jumble inside the head of every person who thinks seriously about life's meaning, and maybe thinks too much. It is about the churning brain, about the bodies which carry these thought-machines around the luminous earth, about the spirit which envelopes both and aches, always, for something more and greater than itself.
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Though they could have done more with Zeta Battalion. Wasted their brilliance slightly...
Oh, by the way, anyone remember what Jamie Wolf's 'Mech was again?
It was hard to put this book down. It kept me on the edge of my seat all the way through. This quality of writing is what other writers should strive for!! Not set word limits by the publishers.
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In what may be the best in an excellent series, Wolf, Professor of English at San Francisco State University and leading expert on Dutch literature, introduces the reader to an Amsterdam of gaiety and sadness, beauty and squalor, hope and despair. The selections are arranged thematically and geographically and include "City and People," "Canals," "Red-Light District," "Gay Amsterdam," and "Jewish Amsterdam." Among the provocative essays and stories are Remco Campert's "Soft Landings," Hermine Landvreugd's "Staring out the Window," and Margo Minco's "The Return."
To read this fine collection is to come a step closer to overcoming what Cees Nottebom observes in the opening selection, "Amsterdam": "This is my city, a token for the uninitiated. She will never reveal herself to the outsider who does not know her language and history, because it is precisely language and names that are the keepers of secret moods, secret places, secret memories."
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This end piece wavers not at all with regard to the charaters, story, plot and tone as begun and carried through Sword of the Lamb and Shadow of the Swan. Alexand, Adrien, the Concord, the Phoenix, the Outside... you cannot help but be caught up in the personal, political and global struggles of the society which MK Wren has created. The technology developed as part of this post-Disasters environment makes their world only that much more appealing.
Intensely detailed, the historian in me was just as delighted with the "archive lectures" as with the "current" story line. The lectures are also very much a necessary part of the first read-through.
Within the character's lives and the attendant system-wide events they are a part of, there are enough challenges and setbacks to keep what is going right from feeling over sappy and preordained. I only wish that, like the Hobbit and Lord of the Rings [the only series I've gone through more copies of], there were more books to go with these three.
Have I been vague enough in my praise? May I also say that I liked the original cover art better?
I despair of ever seeing this story done properly on film, but there is one person who could do it justice - Hayao Miyazaki, master storyteller from Japan, known the US for "Totoro," "Kiki's Delivery Service," and "Princess Mononoke." (He could also do a worthy animated "Diary of Anne Frank." With the eye and heart of a spiritual magician, and artist's touch to match, I wait for him to bring Nahani alive on the screen. In the meantime, I'll just have to keep reading the book itself...