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other interesting books in this genre: "Reflections in a looking Glass" a centennial celebration of Lewis carroll. , "Photo Historica" landmarks in photography , "a new history of photography" edited by michel frizot.
Most notable is the series of images of Julia Jackson. (She also appears on the front and back covers.) One can see her life evolve over the time span of the photos. These images become even more interesting upon learning she was mother of Vanessa Bell and Virginia Woolf. So here at last is the real Mrs. Ramsey.
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1) seeing the characters grow up, fall in love, mature, and resolve their difficulties. I don't usually like childhood sweetheart stories, but this was fantastic.
2) the remarkable hero and heroine. Yes, Jane is sometimes headstrong and almost always self-centered. But you can really feel her love for David, even as she herself realizes it. And the hero? Well, a gorgeous man is always fun to read about, especially when he is not conceited about it. Joan Wolf is also shrewd in that she portrays David having an affair with a married woman; he is not perfect, but he doesn't want Jane to know about it.
3) the stunning authenticity. I am not a horse person, but I felt that I was there in the stables, on the training grounds, and at the races. The same thing with the London season. And Wolf's awareness of the tremendous obstacles between hero and heroine is realistic, as is the initial solution planned for the couple. [This book, I should warn, has some surprises about people].
Find this book, if you can, and read it please. Actually, I would recommend nearly all of Wolf's earlier novels. She packs so much into a thin little Signet Regency, it is simply unbelievable. In terms of intensity of feeling, she reminds me of Carla Kelly, Mary Jo Putney (who writes longer books), and Mary Balogh. But her heroes are not usually angst-ridden, and the poignancy in Wolf's stories (if any) is well under control.
If you like strong heroines, you will love Jane as much as everyone does including her David and me. I've read hundreds of books but never read of a heroine that is stronger than Jane.
I also adore love stories about a H/H who are sure of themselves and Jane and David definitely fit that mold. There are no words to express how deeply this book affected me. I could easily put it at the top ten of all the books I've ever read. I could not put this book down once I started. If you can find a copy, get it. It took me months to find a very used copy.
Here's the basic story but it's the way Ms. Wolf draws the love story that is more breathtaking than anything else: Jane's parents die when she is six. By this time, she's into ponies and riding since her parents ignore her to hide their disappointment because she was born a female. When her father's title goes to her Uncle in England, she has to go to him too. She doesn't cry for her parents but she does for her pony since she's told she'd have to leave her pony when she leaves her Ireland for England.
Her Uncle gains her favor by giving her two ponies as a welcome gift. The ponies are cared for by a stablehand David who is a year older than Jane at seven.
Jane and David become inseperable. She has finally found someone who loves ponies as much as she.
The complications come once David reaches sexual maturity but Jane stays ignorant of everything but the few people she knows and of course, her horses. The class distinctions, Jane learning to ride astride and her being given a London Season are all woven just wonderfully by Ms. Wolf.
It's a wonderful book to lose yourself in. I know I will. Again and again.
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I'm a man of little words. All I can say its a really really great book! Buy it and try it!
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(39) "Tidings of the Geese" is a short tale in which one of the Shogun's inspectors informs Ogami Itto that the Yagyu have sent assassins to kill Lord Hotta. The fight sequence involves a desperate ploy by the Yagyu. Lone Wolf is not an assassin in this one, for, as he observes: "So long as the Yagyu scheme in the shadows of the shogunate, there can be no return to enlightened rule. Nor any end to our quest."
(40) "The Frozen Crane" has Lone Wolf and Cub coming upon a woman and her dead husband's younger brother who have finally avenge his death. Ogami Itto refuses to bear witness to what has happened and has to teach the woman a lesson about the true quest for vengeance.
(41) "Chains of Death" has the Yagyu using the Kurokuwa clan to try and kill Lone Wolf and Cub. This episode becomes a series of battles in the snow with Kojima's artwork carrying pretty much the entire story. The fact that Kurokuwa have finally submitted to the Yagyu is not lost on Ogami Itto. Visually the best story in this volume, the tale that gives the volume its title is not one of the more significant stories.
(42) "The Infinite Path" tells the complete story of the duel that earned Ogami Itto the position of Kogi Kaishakunin. We knew the basics of the tale, but this telling involves a duel between Lone Wolf and Restsudo Yagyu. The flashback makes it clear that the reason why the Yagyu were so desperate to be Kogi Kaishakunin could offer Lone Wolf an end to his quest.
(43) "Thread of Tears" finds Ogami Itto meditating at a temple while Daigoro meets a young widow. However, this is no chance meeting for Lone Wolf had killed her husband and she has been waiting to cross his path to ask for a duel. While watching the duel Daigoro has his own, rather chilling test.
(44) "Beku-no-ji" is the only tale in this volume where the story deals with Lone Wolf being hired as an assassin. The job offer is as much of a focal point of the story as the assassination at the end. Again, Ogami Itto's sense of honor provides insight into his walk on the assassin's road.
One other thing that most of these stories have in common is that most of them take place in winter. I am not sure at this point how much we are supposed to pay attention to the turning of the seasons; then again, perhaps I am wrong to assume that these stories are being told in chronological order. I will have to contemplate this in the silence of my room after I read tonight's episode. The ability of Koike and Kojima to maintain this high quality of graphic narrative is most impressive. This manga deserves every accolade it has received.
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(73) "The Castle of Women" offers up another interesting test for Ogami Itto to face before being hired for a task. Sixteen men walk the roads wearing the mark of Gozumezu, each carrying 100 ryo and the next part of the story behind the job their lord wants Lone Wolf to do. The story is indeed worth the hearing, but this is but a complex opening gambit in a much larger game.
(74) "The Women of Sodeshi" finds Lone Wolf and Cub visiting a fishing village where there are only women, brought there by a tragic song. Yet even this distant, strange little village has its secrets.
(75) "Brothers of the Grass" tells the story of two brothers who have been planted in deep cover by the Yagyu. One of them, Getsugyoku, whose particular talents and peculiar nature would be suited to bringing down Lone Wolf, has disappeared, and the Yagyu force the one brother to track down the other.
(76) "Five Wheels of the Yagyu" is the showpiece story in this volume as Getsugyoku uses the five wheels of the Yagyu grass: joy, anger, sorrow, pleasure, and fear to try to kill Ogami Itto, retrieve the Yagyu letter, get back his human face. A very different type of "duel," than we are use to seeing in these stories, which only serves to make it all the more memorable.
(77) "Incense of the Living" introduces us to yet another fascinating type of shadow warriors, the Yama-Shu, one of the Shogun's special detachments. At the age of 42 they have a "living funeral," say farewell to their family and friends, and are buried alive, only to be dug up and given a new name as a member of the Shibito-Metsuke (Ghost Inspectors). After this ritual we find these warriors have been given the task of finding a secret gold mine. Of course, you know who has been hired to defend the mine.
This is one of the most thematic volumes in the "Lone Wolf and Cub" series, with four of the five stories devoted to the Grass, the deep-cover ninjas of the Yagyu. The ability of Koike and Kojima to enrich their epic with virtually every story is really astounding. The period detail is fascinating, but it is the grand scope of the overall story, as well as its individual chapters, that makes this one of the greatest comic books in the history of the entire world. Very few Western comic books were coming up with stories this good when they got to their seventh year (unless they already had a major dry spell and had a new team take over the book).
After 30+ years of collecting comics there are only three current titles that I still collect. GROO (the joke is still funny after all these years) Usagi Yojimbo (a classic series of stories with a bit a humor as well.) and Lone Wolf and cub. (I know these are reprints but the issues since 13 were never published in English so as far as I'm concerned it is new.)
More interesting that the stories themselves (and they are plenty interesting) is the look at the psyche of Nippon. Brothers of the grass is a great example. By any modern stardard the "grass" have an unstable obsession, however duty overrides all, but can even these great warriors in hiding for years overcome the Lone Wolf and his quest for revenge? Keep reading
By now followers of the series have gone beyond the visceral thrill of Ogami's martial prowess, and have absorbed the shocking horror of what Lone Wolf's destiny really is. A truly masterful graphic novel.
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(128) "Tales of the Grass: Nindo Ukon" offers the fourth story in the last pair of volumes telling of one of the Yagyu grass seeing the sign of the wolf fire and heeding the call to come to Edo. Unlike the characters of the previous tales, Nindo Ukon has some other business to take care of first before he heeds his master's call.
(129) "Struggle in the Dark" resumes the conflict of wills between the master poisoner Abe-No-Kaii and his captive guest, Retsudo Yagyu. By now we know that the grass have started to arrive in Edo and Retsudo uses them to great advantage to force the deadly little game between him and Kaii into its final stage. Throughout these books Koike and Kojima have done their best to replicate the customs and beliefs of this period, and in this story something we learned long ago becomes Retsudo's trump card. In a scene with great meaning for what is to come in this volume, the head of the depleted Yagyu clan offers Kaii some strange advice.
(130) "Song of the Spirit" finally returns us to Ogami Itto, who leaves Daigoro to watch over the two swords standing in the ground and boldly enters Edo to ask a favor of Taruya Toemon, the Machi-Doshiyori who runs the city's greatest festival. Lone Wolf wants permission to use the festival to enter the great castle of Edo. But why?
(131) "Great Reversals" finds Ogami Itto walking the floors of Edo castle in search of Retsudo Yaygu while Kaii tries to face death on his own terms and proves himself to be the great coward we have always known him to be.
(132) "Scarlet Summer, Silver Fall" tells the tale of how Abe-No-Kaii met his fate having been ordered by the Shogun to commit seppuku. This is the right to kill oneself with honor to atone for failure, a right allowed only to the samurai class. Kaii is not really a samurai, but he is expected to act like one. But the poisoner has some surprises left.
Thus ends the largest sub-plot in this manga epic. Now the only impediment remaining to the final act of the death struggle between Ogami Itto and Retsudo Yagyu are the Yagyu grass. I start Volume 27 tonight knowing that the publication of the 28th and final volume in the Lone Wolf & Cub saga has been delayed (a month so far); and I thought I had lucked into perfect timing on when to begin the epic by reading one story a night before bed. Oh, well: Time flows. Seasons turn. But the wheel of Karma cannot be broken."
Great stuff - Powerful storytelling and stark visuals with few restraints, but you would expect no less of the Lone Wolf and Cub series.