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Having grown up in Brooklyn, I was thoroughly impressed by the accuracy with which Torres illustrates the "I've got mine, so .... you" thug mentality that's so much a part of the underground New York experience. That, combined with the "Code Of The Streets" and a tiny dab of conscience, is what makes Carlito seem human and uncannily real-to-life.
Torres, being a NYC criminal court judge, has chosen to expound his abundant understanding of the criminal mind not through textbooks or bland case studies, but through this brilliant character depiction. I place it in the same category as "Down These Mean Streets" - a modern urban classic.
Yet Carlito never comes across as a merely evil person. Living in America, where the streets are paved with gold except in the barrio where he spent his entire life, Carlito says that no way was he going to spend his whole life washing dishes when there was big bread out there for guys with the guts (he would use a different word) to go get it.
Torres, to his credit, never romanticizes Carlito to the point that he comes across as a good guy, either. Carlito follows his way because its the one HE chose, and if that means dancing with a fine lady at the Palladium one night and then going into Lewisburg Penitentary for a 3-year stretch the next, that's how it goes. Those are the risks and rewards of the life he leads. He meets characters like smooth guy Earl Bassey, crazy guy Nacho Reyes, wise guy Rocco Fabrieze, and bad guy Pete Amadeo. All in all, "Carlito's Way" is a wild ride, both the ups and downs.
I really recommend that you get the audio version of this book and listen to Torres read his book. The movie "Carlito's Way" actually focuses on the second book Torres wrote, titled "After Hours." It's good, but the first novel is told in the 1st person, in Carlito's voice, and Torres is fantastic as he speaks in Carlito's voice. Well worth a listen.
The saga of Carlito Brigante's life (in essence the film Carlito's Way) is actually chronicled in two books, the first titled Carlito's Way, wherein Carlito in 1st person narrative describes his rough-and-tumble childhood and induction into New York's ruthless criminal world, culminating in Carlito's arrest, conviction, and sentence of thirty years in Riker's Island. Yet no one can accuse Brigante of being simply a heartless killer. We get to sympathize with his plight; he is undoubtedly the hero of Torres' tale.
The next installment, titled After Hours (written in 3rd person this time), is actually the setting of the movie, beginning when David Kleinfeld, Carlito's Alan Dershowitzesque attorney, gets Carlito out of prison on a technicality. The David Kleinfeld character is another reason to read this book after seeing the movie, as things in the book turn out quite differently for most of the characters affected by Kleinfeld's machinations. There's also some additional fleshing out of characters and episodes not included in the movie, including Brigante's trip to Spain, where the brash hombre shows off his bullfighting skills. I'm not giving anything away.
Like the Shawshank Redemption, the movie also highlights the profound changes in American everyday life and culture (and with it the criminal world) during the twentieth century. The two books trace Carlito Brigante's criminal career, from the swinging and colorful 1940s, when Carlito existed on small-time armed robberies and switchblades, all the way to the sleazy lava-lamp lit cocaine infested 1970s, an appropriate prelude of the Me Decade. Central to the story is the role New York's Italian Mafia plays in the life of Brigante. Brigante, a Puerto Rican, is eventually admitted to their exclusive innermost circles, but because he is not a Sicilian is never elevated to the status of a "Made Guy," which ultimately leads to his downfall. Via subplots and secondary characters Torres notes the rise and fall of the Cosa Nostra's influence in the Big Apple.
I thought that Miller brought a lot to the somewhat hapless role of Gail, Carlito's longtime love-interest and confidant. I found it much more believable that Carlito's girlfriend would be a stripper and aspiring dancer. In the book her character is an elementary school teacher, which makes the idea of Carlito persuading her to go to the Bahamas a bit implausible.
In an interview contemporaneous with the film's release, Torres said that his novels were inspired by his exposure to countless Carlito Brigantes who had walked through his courtroom throughout his career on the bench. Torres also includes a vocabulary of Hispanic street slang and underworld terms.
An extremely capable writer of prose, Torres pens a stimulating, readable, and believable portrait of life in the Barrio. Barrio is Spanish for jungle, in this context the urban jungle-ghetto that wickedly and unknowingly nurtures the self-destructive psyche of a career criminal who knows nothing but a life of violence and self-preservation.
Splendid!
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Sweeney's historical and geographic backgrounds, as well as extensive testimonials from the characters around Cochise, truly make the story come alive. Of special interest are many of Sweeney's footnotes, in which he gives a brief life story of just about every single person mentioned in the story (wherever possible). Sweeney is also ready to admit when information is missing, which is very refreshing for a biography. And in an even-handed fashion, Sweeney is not afraid to criticize Cochise at points, such as when he flouted his agreement to stay on the Chiricahua reservation to allow his warriors to continue raiding in Mexico.
Anyone who reads this book will come to greatly respect Cochise as a man, even if some of his actions were brutal. Unfortunately, this story ends like all other works of Native American history, with the eventual destruction of the people's independence. But while he was in his prime, you can't help but root for Cochise.
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Some men take the path of unbelief, and find that it works for them. Some other men find this path impossible, or inconceivable, and Toby Johnson has written this book for them. As many readers have already said, it can be critically helpful at a crucial point in life.
Highly recommended.
This book can guide you to that piece. It shows that being gay is a spiritual asset, not a liability. Where some look down on same-sex love as defective, because it does not express the male-female duality, Johnson turns it around and proudly declares that to be the precise reason why same-sex love is spiritually superior. It transcends the duality.
Johnson's vision of a life-affirming, sex-positive spirituality of love, cooperation, mutual respect and acceptance is in sync with modern scientific knowledge, and does not ask the reader to suspend logic or critical thinking. Gay christians who are struggling with their sexual orientation will especially appreciate Johnson's convincing refutation of common "biblical" anti-gay arguments.
A powerful book for personal change, a wonderful antidote to the negativity of the Religious Right, and a great gift to a gay friend who is unhappy with his life or suffering from low self-esteem.
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