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Awakening Love introduces Love as the power and the personality as the mechanism for transformation to reach one's soul expression. The personality is described through weaving information on the chakras, patterns of psychological wounding and directions for spiritual unfoldment. To illustrate the material, the personality and its patterns are described using the nine personality types of the enneagram. The nine personality types are clarified and deepened through the interpretation of Jesus' Teachings. Personality pitfalls and patterns of self-undoing are clearly explained as well as clear methods for personality integration and growth.
Meditation instruction is given for each of the nine personality types. Each meditation provides healing, personality integration and an infusion of soul awakening.
Awakening Love is a must read!
Awakening Love makes Enneagram personality study vibrant and clear. We learn "the astonishing power of our thoughts"-how each personality type creates thought forms which either enslave the mind or transform the soul. To take this learning even further, Jesus' teachings are woven in for instruction in the self-realization of the nine personality types. Discussion of world religions is fascinating and supports the understanding of underlying spiritual principles. Supplemental materials include insightful exercises within the text and sacred meditations among the appendicies.
This book is well worth the purchase simply to consider the perspective of any one of these aspects of study. Yet it's the weaving of them that makes this book a gem-a rich tapestry of personality theory and spiritual transformation tools that will inspire profound growth and awakening to your truest Self.
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Yet I but scratch you with this poisoned blade,
And you are dead as if I clove with it
That false fierce greedy heart.Betrayed!Betrayed!"
As I think of those bone chilling lines they ring ripples of fright and despair through my still salivating soul, because there's a part of me that longs for more. I remember the first time I encounted Mr. Thomson's masterpiece. It was only a few lines, but it left me starving for more. It soon became a small obsession. I had to have it! I read Thomson's "The City of Dreadful Night" and he became an instant favorite for me as far as poets are concerned. I have read Dickinson and Whitman and Poe, but none of them compare in my opinion to Thomson's morbid metaphors and detrimental descriptions of pain and suffering. I could almost feel the words literally penetrate the deepest recesses of my darkest heart of hearts. Emotions are impossible to put into words exactly, but I believe Thomson damn near succeeded in his "melancholia" as he would put it. You almost have to take breaks in the middle of reading in order to gather your now shattered positive emotions and regain a stronger than steel composure to take in just a little bit more. I feel like Thomson is one of my best friends now because I can relate to everything that he's feeling through his darkest times. He totally discouraged me as a poet myself and crushed whatever confidence I had in my own writing abilities. But it's okay, I'll recover and resume my own confidences denial about actually having skills...I think. For all of you who haven't read this masterpiece to mankind, I strongly suggest that you sink your teeth in and experience first hand how words can be daggers in your consciousness by the absolute best there is. For everyone with insomnia, scream loudly with me the words that should be echoed to the edges of the universe...
"A NIGHT SEEMS TERMLESS HELL!"
His portrait of his mental state also became a portrait of an industrial society, and the vanity and pointlessness of its various sorts of activity and effort. His City of Dreadful Night, a true city of despair, held up a dark mirror to the urban England of his day, filled with faithless churches, empty and ultimately unrewarding activity, and the despair of grinding poverty.
In an age so filled with self-improvement twaddle and the cult of positive thinking, such a poem actually seems like a breath of fresh air. It ends with a splendid portrait of Dürer's Melencolia.
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Ironically Teale's setting of his childhood memories was a rural country only sixty miles down the Lake Michigan coastline from Chicago, but a charming farm community with a tiny English village, eccentric neighbors and vagabonds who camped and resided amongst the knobby sand dunes, dark virgin forests, marshes all abounding in wildlife and fauna. A time when slow moving milk and strawberry trains made local stops to picked up their harvests for the city markets and a time when young boys adventured with mail order cameras and witnessed the first airplanes take flight. Teale had touched the hearts of so many American servicemen overseas because he reminded them of the homes they longed to return to when so far away at war.
Teale's maternal grandparent's farm 'Lone Oak' has long disappeared off any local maps and alas many of the local sand dunes were destroyed by the coming of even more steel mills and other industrial plants which have polluted the shore ever since. However, some of the people Teale portrayed and immortalized in 'Dune Boy,' their headstones can be found in the quaint Furnessville cemetery, which is today surrounded by the surviving 1863 Lewry House; the 1880 Furness Mansion; the 1886 Schoolhouse Shop, and the Indiana Dunes National Lakeshore; A bountiful national preserve, home to the modern science of ecology, and habitats to wildlife and plant species not found anywhere else in the American Midwest. A charm that inspired Teale to become the prolific author and American Naturalist of his time remains in these Indiana Dunes. Teale's "Dune Boy" is a testament, which can inspire todays and future generations to save what remains of the great sand dunes of Indiana. It is one of our family Classics and a recommended reading for anyone who has a passion to Save the Dunes or who comes to visit our Indiana home.
I recommend reading 'Dune Boy' with 'Ann's Surprising Summer' by Marjorie Hill Allee, (published earlier in 1923) but concerning the Great Depression years and the portrait of a collegiate woman and that of her family camped in the dunes, and that fiction read with Thomas Rogers "At The Shores" (published in 1980) set between the World Wars, which continues the adventures of young adolescents in the Indiana Dunes. The recent publication "Moonlight in Duneland" an oversize tome by the historians, Ronald D. Cohen and Stephen McShane, illustrates the travel posters of the early 20th century that promoted the Indiana Dunes and can add depth to the above reads.
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"I wrote the ending first," Paul once said, "after reading 'The Defence of Guenevre.' The book was written to lead to the ending."
Paul refers to the poem by William Morris. The Defence of Guenevre" The poem ends with Arthur's courtiers straining to hear an approaching sound:
"Her cheeks grew crimson, as the headlong speed
Of the roan charger drew all men to see
The knight who came was Launcelot in good need."
The deliberate understatement is stronger than any melodrama. Nor is anything more needed. Aside from the fact that Morris could count on his Victorian readers to know that Guenevre would be rescued, the arrival of a champion is enough to complete the poem. In her defence, Guenevre complains that she is unfairly damned because she was given a choice between two mighty lovers. Put on trial by one of those lovers, she is in despair. The coming of Launcelot, the second one, gives her hope.
With that in mind, can there truly be any doubt as to the outcome?
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This is an excellent exploration of the complexities of Jefferson's beliefs and the even more complex world of how his writings and thoughts continue to impact America today.