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That's this books strong point. It is written clearly for teenagers, dealing with the issues they need to know about. It covers nutrition and the likes wonderfly, in a way that can be easily understood, but also deals with uniquely teenage concerns such as how to discuss this with your parents and how to deal with going out with friends, school meals, etc. In addition, it covers the basic reasons for become a vegetarian, and the different types of vegetarians there are. It's a great resource for any teenage considering vegetarianism.
1. What is a vegetarian, anyways?- This gives straight forward answers, and describes different kinds of vegetarians and why people are vegetarians.
2.For The Planet- About how being a vegetarian benifits the planet.
3. For The Animals- You guessed it, all about how being a vegetarian helps animals.
4. For Your Health- About how being veggie helps you. This part also dispels many myths not-vegetarians have about a vegetarian diet.
5.Making The Switch- About going from meat-eater to vegetarian.
6.What will your parents say?- I think this is one of the best chapters, as it gives lots of information about what parents may be thinking and how to convince them without being rebelious.
7. What will your fiends say?- Yet another concern to teens, this chapter deals with dealing with friends.
8. Sticky Situations- This is another great chapter for teens, that answers all those nagging questions. What about at friends houses? How about when I'm traveling?
9. Surviving at School- All about cafeteria blues, science class diesection, and ways to make changes in your school.
10. Some Nutrition Basics- Another great chapter. All the nutrition you need to know, written in a clear way for teens to understand.
11. Fabulous Vegetarian Foods- All about vegetarian foods to try.
12. The Makings Of A Meal- About what to include in yummy and healthy meals.
13. Some Recipies To Get You Started- I'll be honest, I haven't tried any of the recipies yet, but they sound great. They are written in a ay great for beggining cooks.
This book is written in a non-judgmental, just facts way, but after reading it you will probably want to be vegetarian, if not vegan. I love the way the author talked to real teens, and included their quotes, knowledge, and tidbits of information about being vegetarian. This book includes a good concrete basis on all information nessecary to a teenage vegetarian, and is written in a engaging, interesting, funny, and informative way. I wish I could give this book 10 stars, it is such a great reference for the teenage vegetarian.
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Karen loves cats too.She also wishes she could have a club like Kristy's.So when her best friend Hannie gets a kitten called Pat Karen starts a Kitty Kat club.She thinks it will be a success.But Pat,Pricilla and Boo-Boo don't get along.And Karens other best friend Nancy wants to be in the club too.Karen,Hannie and Amanda are always arguing over who gets to be Presidant.And when Boo-Boo hurts Amanda's cat Karen is a total wreck.All she wanted to do was start a club[and be Presidant].Why did it go great for Kristy but awful for Karen?Find out what she does.
The author told me about a kitty cat club. The story explained the rules in running a cat sitters club.
In the kitty cat club Karen wants to be the vice -president. She thinks she should because she came up with the idea for the club. Amanda has a cat named Priscilla and is Karens friend. Hannie is Karens best friend and she likes cats but never owned one. Then one day she decided to get a cat and she named it Pat.
Karens, Hannie, and Amanda now have a kitty cat club. They have meetings on Saturday afternoons. They bring their cats to Karen's house and discuss if anyone got a phone call from someone that wanted a cat sitter.
This story was interesting because there were lots of surprising parts in the story. I thought the kitty cat club would get a lot of customers but it didn't work out that way.
This story was well written because it was easy to understand. It was a fun topic and I recommend this book to those who like animals and who enjoy being part of a club. I think other kids would enjoy reading this book because it kept my attention and interest.
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I saw the play in its Off-Broadway incarnation and was overwhelmed by the drama, brought out by a magnificent cast (members of which helped write the text), many playing multiple characters. The skill and passion of the actors, I think, was responsible for much of the power of the evening, combined with a simple but effective production. Inevitably, reading the text alone will not bring out the full impact of this work. Still, it is a powerful testament and one that should be disseminated in whatever form. If it's produced anywhere in your neighborhood, I would say, run, don't walk to see it.
Kaufman and the other members of the theater group travelled to Laramie, Wyoming, which was the focal point of the Matthew Shepard tragedy, in order to interview the people of the town. As the play's opening states, the dialogue of the play is drawn from these interviews as well as from other sources. Thus the play's language has a raw authenticity. Many different voices are heard: a policewoman, Matthew's father, a Catholic priest, a lesbian college professor, Matthew's killers, a Unitarian minister, a viciously anti-gay protestor, etc.
An interesting aspect of the play is the presence of Tony Kushner's play "Angels in America" as a sort of "background" text. "Angels" is mentioned more than once in this play, and indeed, there are significant parallels between the two texts. I recommend that people read both of these remarkable works.
Many issues are addressed in "Project." One character notes that "we need to own this crime." This play is a not only a morally challenging attempt to deal with a high profile tragedy, but also a compelling work of art.
However, even though hundreds of high schools have done this play in the fall of 2002 alone, maybe you aren't able to see it.
This is the most amazing play ever. Not because it has amazing language like Shakespeare. In fact, the language can get pretty ugly because this play is compiled of monologues. Each monologue is from one of the many interviews which the Tectonic Theater Company made in Laramie. In other words, every single word spoken in this book was really said. EVERYTHING is true.
The play we did was so amazing. It CHANGED people. They looked at homosexuality differently. They had new respect and a new view of things. We ended up performing it for the whole school because they felt the students needed to see it.
The Laramie Project is about the responses to the hate crime commited in Laramie, Wyoming. The monologues include people who grew up with Matt Shepard, the boy who was beaten and left to die, people who helped the family, and people who knew the accused. i strongly encourage you to read this twice. Don't bother watching the movie, though.
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How this came to be is the subject of Jack Matthews' fascinating book, The Battle of Brazil which follows the creation of this masterpiece from the germ of inspiration to the film's triumphant success at the 1985 Los Angeles Film Critics Awards. Along the way, we get a wonderful view into the heads of both Gilliam and Sheinberg. (Though the book is clearly on Gilliam's side, Sheinberg is not presented extremely unfairly. If he comes across as a bit of an unimaginative ogre at times -- well, that's because he was.) We get the full details of Gilliam's battles with Sheinberg over both the length and the tone of the film and, in one of the book's best chapters, an in-depth analysis of the differences between the two versions. This chapter, I think, beautifully illustrates how, just through selective editing, you can change the entire feel of a film without reshooting a single shot. Much as how you can't help staring at a car wreck, there's a sick fascination with how Sheinberg was able to change Brazil from one of the greatest films of all time to a bland, unmemorable love story without any apparent sense of humor.
The behind-the-scenes details of the making of the film itself are anecdote filled and a great read with candid details that cover everything from how Gilliam's original vision evolved during the shooting to his on-set difficulties with actress Kim Griest. Especially amusing to me were the lists of actors also considered for the lead role of Sam. One's mind boggles at some of the suggestions (Tom Cruise!?) and makes Jonathan Pryce's sly lead performance all the more appreciated.
The last half of the book contains Gilliam's shooting script for his version of Brazil, along with copious footnotes that clear up several of the obscurities (i.e., what the singing telegram girl is singing, what Michael Palin's daughter says to Sam) that have occasionally confused even the most devoted of audiences. Its a brilliant script to boost.
Although Jack Mathews is clearly on Gilliam's side (how could anyone with an ounce of sense NOT be?!), he lets Sid Sheinberg, who might possibly be Satan, speak, and Sheinberg simply hangs himself with his own words. Mathews' wonderful tome includes an original shooting script with some magnificent deleted sequences.
One important point to remember while reading Mathew's detailed account: The studio knew *exactly* what they were getting--the players involved had already *read the screenplay*! Gilliam's film was both on time and largely on budget, and yet the powers-that-be couldn't accept the film.
This story has a true-life happy ending--Gilliam's gone on to make The Fisher King, 12 Monkeys, and Fear & Loathing in Las Vegas, and, according to the imdb, is finally starting on Good Omens. Sheinberg? Retired and, in all likelihood, forgotten except for his role in this near-fiasco. Like in the film, imaganation triumphs. One wishes critics' groups would make a point of awarding a "Best Unreleased Film" of the year.
Read, and smile.
"Brazil... where hearts were entertaining June..."
Even if you don't think much of the film BRAZIL, if you love interesting films and want to know why it's rare to see one come out, read this book. I'm sure Terry Gilliam isn't alone in his battles with studios and critics. If you did like BRAZIL, you'll also get a glimpse of Gilliam's creativity with some of his storyboards, plus you get the entire script of the film with some annotations. After reading this book, I got a great behind-the-scenes look of not only how a film comes about, but how it gets marketed to the public as well.
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It's this book that inspired the following article.
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"Proactive Prosperity: How To Keep Filling Your Glass"
By Randy Gilbert (c)2002
A kindly looking man, who worked as a janitor in the World Trade Center, approached an old and graying homeless woman one cold September morning last year. She looked chilled as she stood there clinging to her shopping cart containing all of her meager belongings.
The janitor smiled and held out an old thermos to the woman and said to her, "This old thermos has been my friend for many years and I want you to have it. It's a very special thermos, because as long as you share its contents, it always has enough for everyone. Please take it, for I have a feeling I won't be needing it any more after today."
Do you have a favorite book that you read over and over again? I have one that tells about how people view the world and the profound impact that it has on their lives. It uses an age-old illustration of how some see a glass half empty and others half full. As I pondered this again, a story-like vision came to me, which doesn't happen often, so I paid close attention.
The clear glass that I was picturing turned into a metal thermos, like the ones carried by construction workers. Instead of big hands, small hands in tattered gloves held it. An old woman was stooping down in front of a small child and her mother. It was snowing and they were clinging to each other for warmth.
The old woman asked the little girl, "would you like some sweet warm cocoa?" She used the thermos top as a cup and I could see steam rise as she placed the cup in half frozen little hands. The girl drank it down and then flashed the biggest smile she had ever smiled and her eyes shown as bright as a rainbow.
"Mommy, is she an angel?" the little girl asked. "Yes dear, and that is what we're going to become. Do you remember that happy song we used to sing when your daddy was still alive?" They began singing the sweetest and most enchanting melody. People walking by and those coming up from the subway station were drawn to them as if by magic.
Some people stood there transfixed, tears welling in their eyes. Others said a quiet "thank you" and laid money down on the walk in front of them.
Two of the listeners were a young boy and his father. They had been shopping and the well-dressed man held a large bag of packages. "Father, are they angels?" the son asked. "Yes, I think so, and that is what we are going to become. Do you remember we used to make gifts when your mommy was with us and give them to people who needed them?"
The father reached into his bag and began handing the bright packages to his son, who gave them out to the homeless people along the street. I thought to myself, this is truly a miracle, the bag seemed to never empty.
My attention was drawn to a man in a wheelchair who received a shiny red pocketknife. In a voice that was choking back tears, he said, "Thanks son, I lost one just like this in Nam. You know, I used to be quite a toy maker; I can whittle just about anything with a knife."
The story in my mind began to fade as he wheeled himself up the sidewalk and breathlessly said, "I know an alley where I can get some wood and I'm going to start sharing this gift right now."
Wow, that's what it means to be proactive. Pessimists see the glass as half empty. They say, "it's not enough." Their negative attitude causes them to turn inward and be selfish. When a decision comes along they believe their doubts, which turn into fears, which then produces unhealthy stress and anxieties. They end up experiencing the lack they saw in their minds.
Optimists see the glass as half full. They say, "I'm happy to enjoy whatever life gives me." However, their positive attitude of sufficiency doesn't last long, especially after a few swallows are taken and the glass is nearly empty. Optimism without prosperity becomes a limiting belief of being content with poverty.
However, Proactive people see the glass as something to be used, both for themselves and to serve others. Like the thermos in the story-vision, there will always be abundance. You're a very special person. As long as you share your contents, you'll always have enough for everyone.
This story-vision extends to other things, such as your smile, your talents, your bank account, the skills you've acquired, and the knowledge you have. Your life will always have these in abundance if you use them to serve others.
Prosperity is not a glass half empty or half full; it's you becoming a glass and being used to bring joy and abundance to others, knowing that your source of supply will never run dry.
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I have a very high regard for Mark, that's why I incorporated many of his philosophies into my life and into my first book "Success Bound." When it was completed I sent him a copy to read. I was totally amazed when I received back the following testimonial.
"If you're ready to be permanently success bound, read this book!"
Thank you Mark!!! You are now my super-hero.
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The book is written from a Roman Catholic perspective, but it also provides a wonderful antidote to the vengeful God of Protestant Fundamentalism.
The book is simple and direct, and it provides solid scriptural and contextual bases for its thesis that God loves each one of us immeasurably and will never give up on any of us. What a concept!
Although the authors' views are well grounded in scripture and are supported by highly respected scholars, they seem to remain largely hidden from mainstream popular Christianity. This will be a wonderful book to share with people who are sincerely struggling with these issues !
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The only drawback the 2 books present to an aspiring numerologist is, paradoxically, its strength: being such a complete guide to the subject, there may a tendency to rotely follow the examples given, neglecting your own intuition when doing a reading. Of course, it is important to "read what the numbers say," but the overall tone of a reading must also come from a connection to source energy through your own intuition. But this is really a trivial point in comparison to the excellence of Mr. Goodwin's work.
The 2 volume set comes complete with tables and descriptions for every part of a reading, and Mr. Goodwin has many sample readings which will get you started.
Without question, this 2 volume set is the best description of the subject you can find, and should be required reading for any numerologist.