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He does not write about topics for monks, but topics that will touch the heart of every beliver. I recommend this book to anyone who is searching for the depths of Orthodox spirituality.
A [partial] list of chapter titles might prove helpful:
Christ of the Old and New Testaments The Christ of History: A Living Christ The Hidden Aspect of the Nativity The Righteousness of Humility Repentance and Asceticism in the Gospel The Deep Meaning of Fasting Between Ressurrection and Ascension The Holy Spirit in Dogmatic Theology and in Ascetic Theology The Virgin in the Theology of the Church
Abba Matte is not yet well known in the west. He will become more well known as more and more of his works gets translated into English, and as this little book makes its rounds from person to person. His monastery in the desert, some 50 miles southwest of Cairo, draws as many as 500 visitors a day now...
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I have read quite a lot on the Ogham, and aside from Robert Graves' White Goddess, this is probably the most inspired and innovative spin on them I have come across, although it is not the most insightful. Now whilst I agree that the Ogham should not be looked upon only as a "tree alphabet", if one has decided to emphasise this approach then there should be a little more about the nature of the tree and how this affects ones interpretation of the individual staves. Just my personal opinion!
That aside, the actual practical side of the book is a geat idea, enough to redeem it at any rate! I particularly admire the work gone into the quatrains, which are far more insightful than many of the traditional word oghams, which have lost much meaning in their translation. These add so much more to the depth of reading one can traditionally get from them, and has revived my flagging use of them.
This book has altered the way I use the ogham quite considerably, but I shan't be using the staves that come with the set, I'll stick to my own (oh the comedy!). Mine came with two that were losing their bark and in a fraying bag. Rustic,or just shoddy? I think the latter. That aside, it is true that making one's own staves is a much better idea. My own set I spent a while over, collecting the wood of each tree and bush to make them with, all in all a much better way of doing it!
Of all of Ms. Matthew's works, I find the Celtic Wisdom Sticks of a par with her Celtic Devotional, and both to be superior tools for those pursuing a neo-Celtic or maybe meta-Celtic path.
The actual "sticks" in the set The Celtic Wisdom sticks--at least in the ones I received--were not really that great, but I have since realized that, truly, they are merely meant as a guide--and that if your soul takes to the Ogam, and the soul of the Ogam takes to you, that you will eventually make your own set that has the mark of your own energy within them. And, I would recommend doing this. The 'forfedha' letters on the Four Airts, or Four Directional Indicator stave is truly ingenious and adds a remarkable sense of visionary continuity with other visionary practices in the Celtic tradition. The particular indicator stick I received in the set was a little imbalanced--which I think can throw a reading off and is another reason for making your own staves--but I find this innovation, like everything else Caitlin does, to be truly cutting edge, while honoring of the ancient.
Many of the suggested readings are also beautiful, combining the best of intuition with the nature of this lore to guide those who walk in this way with a quality of "the next step," which any working oracle should do. The Oghams, like the Runes and the Yarrow Sticks of the I-Ching, are not a static and lifeless oracle, but a living, breathing being that becomes a co-walker in your life.
To this end, I feel that the book is well worth the purchase, but I would recommend using the actual sticks that one receives in The Celtic Wisdom Sticks as simply a model or guide for creating your own set. Definitely reap the harvest of Caitlin's analepsis, as she puts it, but buy this set primarily for the book.
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where as some books are like 40 pages per chapter and ya need to sit down with a fair bit of time just to read the chapter
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This quirky little mystery is like watching a Nick and Nora Charles Thin Man movie from the '40s. I pictured Keith (the protagonist) and Myra Moody as William Powell and Myrna Loy. The dialogue is full of that elegant, sophisticated banter they spoke so well. Keith, a failed novelist/former screenwriter, just can't keep trouble from finding him. Thus, his escapades, like having an imbecile threaten him with a gun on the beach in broad daylight to stealing a body from a nursing home, make this a laugh-a-minute twists-and-turns kind of novel that you can't put down. And there is a plethora of wacko characters, one of my favorites being the daffy desk clerk at the hotel Keith and Myra reside after their house is trashed. This fragile-egoed schizoid definitely deserves an award for best supporting character in a novel!
The novel goes through many twists and turns with several seemingly unrelated events suddenly coming together and making sense. And after you cut through the humor, there is a seriousness that raises the question of where the dividing line is between obligation to a friend and integrity to oneself. All in all, this was a most enjoyable read. This is a sequel to Greg Matthews' FAR FROM HEAVEN, which I intend to read soon. Let's hope this isn't the end of the series.
Moody is the ulitmate anti-hero. Although he has become more sophisticated than he was when we first met him in "Far from Heaven," his sense of humor had me laughing out loud at several points.
But this is not solely a comic novel. It has moments of beauty,sorrow, and clarity that are uncommon in the mystery genre.
I certainly hope there is a third installment, although the novel's ending has me guessing there will not be. That is a shame. Keith Moody and his smart-ass wife Myra are two of the most likeable charactors I've ever encountered in fiction.
After forty years, CENTERING remains as relevant as ever. The good news is that it's still in print. M. C. observes that, in our society, "ordinary education and social training seem to impoverish the capacity for free initiative and artistic imagination. We talk indepedence, but we enact conformity . . . Brains are washed (when they are not clogged), wills are standardized, that is to say immobilized. Someone within cries for help. There must be more to life than all these learned acts, all this highly conditioned consumption. A person wants to do something of his own, to feel his own being alive and unique. He wants out of bondage. He wants in to the promised land" (p. 43).
Wisdom arrives through a childlike sense of wonder, or through "centering," as M. C. calls it. "Within us lives a merciful being," she observes, "who helps us to our feet however many times we fall" (p. 8). "Wisdom is not the product of mental effort," she tells us. Rather, it is a state of "total being, in which capacities for knowledge and for love, for survival and for death, for imagination, inspiration, intuition, for all the fabulous functioning of this human being who we are, come into a center with their forces, come into an experience of meaning that can voice itself as wise action" (p. 15). She encourages us to "ride our lives like natural beasts, like tempests, like the bounce of a ball or the slightest ambiguous hovering of ash, the drift of scent: let us stick to those currents that can carry us, membering them with our souls. Our world personifies us, we know ourselves by it" (p. 7). "I sense this," she writes; "we must be steady enough in ourselves, to be open and to let the winds of life blow through us, to be our breath, our inspiration; to breathe with them, mobile and soft in the limberness of our bodies, in our agility, our ability, as it were, to dance, and yet to stand upright, to be intact, to be persons" (p. 12). CENTERING is a "sensual, sexual, trusting" book "full of surprises" (p. xv) you'll want to share with your friends.
G. Merritt