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This highly influential work has a very simple message: live like Christ. Presented in this book, it is a very strict message. Thomas takes a very strict interpretation of following Christ and the message is very much rooted in the idea of works. It is the actions that one must perform, and not so much the inner state (though he does stress that the inner state is important). This would be a difficult message to take or to give, but again, we must consider the audience: monks living in a monastery. They must live a harsher life and because of their vows, this devotional makes perfect sense.
This can be read as a historical document in Christianity or as a devotional. Either way, one can find great value and and some illumination of the words of Christ through this volume.
The "Imitation of Christ" is divided into 4 books, each undertaking a basic theme for development. They are, respectively, the Spiritual Life, the Inner Life, Inward Consolation, and the Blessed Sacrament (i.e., the Eucharist). In turn, each book is sub-divided into numerous chapters, each a page or two long. All of which makes the "Imitation of Christ" a useful book for daily devotionals. One can skip around freely within the book, dipping in as the mood strikes. Yet, I think one is well-served by reading it through at least once. Only then does one see Thomas' thought in its fully-developed form. Do be sure to get a good translation. I am fond of the one by Leo Sherley-Price.
The "Imitation of Christ" is divided into 4 books, each undertaking a basic theme for development. They are, respectively, the Spiritual Life, the Inner Life, Inward Consolation, and the Blessed Sacrament (i.e., the Eucharist). In turn, each book is sub-divided into numerous chapters, each a page or two long. All of which makes the "Imitation of Christ" a useful book for daily devotionals. One can skip around freely within the book, dipping in as the mood strikes. Yet, I think one is well-served by reading it through at least once. Only then does one see Thomas' thought in its fully-developed form. Do be sure to get a good translation. I am fond of the one by Leo Sherley-Price.
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Pistone, along with Richard Woodley, does a great job of bringing real-life Wiseguys like "Lefty Guns", "Sonny Black", and Tony Mirra to life on the printed page, and even though I know Pisone survived his ordeal (He obviously did- He wrote the book!), I was still constantly worried about him. Any fan of true-crime will love Donnie Brasco!
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My only criticism of the textual content is of LeDoux's statement (p. 259), apparently based on observations by Wolpe, that hyperventilation during a panic attack "increases the carbon dioxide in the lungs and blood and results in a variety of unpleasant bodily sensations...." Indeed hyperventilation can and does produce unpleasant bodily sensations. If sustained long enough it can actually cause the subject to faint--and therefore stop the hyperventilation unless it arises from a metabolic condition. It does so, however, by decreasing the blood CO2 and producing an alkalosis.
There are excellent discussions of the different limbic system structures as well as the frontal lobes. The sections on the amygdala I thought were especially good, and the discussions of how the frontal lobes and the limbic areas interact in various and important ways is equally good.
Unlike other important areas of science, there are few really accessible books on the brain for the non-specialist, but I've noticed the situation has improved significantly in the last 5 to 10 years. If you liked this book and want to round out your knowledge of the human brain, I can also recommend the following books, all of which are similarly well-regarded and well-written:
1. Descartes' Error: Emotion, Reason, and the Human Brain, by Antonio Damasio
2. The Language Instinct: How the Mind Creates Language, by Steven Pinker
3. Phantoms in the Brain: Probing the Mysteries of the Human Mind, by V. S. Ramachandran, Sandra Blakeslee
4. Nature's Mind: The Biological Roots of Thinking, Emotions, Sexuality, Language, and Intelligence, by Michael Gazzaniga
5. How Brains Think: Evolving Intelligences, Then & Now, by William H. Calvin
There are about a half dozen others that I could have added to this list, but I would read these first. In fact, I would start with Gazzaniga's book and then read the others, since his book is more of a general introduction, whereas the others deal more with certain special topics.
If you read these books you'll be in pretty good shape in terms of having at least a basic understanding of current neuroscience. Anyway, good luck and happy reading.
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However, I found the contents of this video to be very respectful of the language ASL, while admitting that signs, and not Sign Language, is being taught.
That being said, what is taught here is a very good foundation for learning ASL later. Unlike a lot of "sign language" introductory books, this doesn't focus solely of the semantics of handshapes, but on the idea of whole body language, and the importance of observation in communication. For example, people using this video will pick up facial expressions, and learn to maintain eye-to-eye contact, rather than eye-to-hand.
Also, creativity is stressed over memorizing handshapes, so that the signs are more meaningful for the child. This is very appropriate in that Deaf children of Deaf parents use a lot of "home signs," which are signs unique to that child's or family's usage, are used when a child is very young, and are easier to produce or in some way more meaningful for the child than the "real" sign. Home signs are discarded when a child starts school. At any rate, this is an excellent way for children to begin to be creative and expressive in the way they communicate many YEARS before they will be able to do so with spoken language.
The text is readable-- something a person with a baby can pick up and put down-- you don't need hours of uninterrupted concentration. The video and the reference are child-friendly, so that older children won't be left out.
As long as this remains child centered and communication centered, and doesn't become about rote memorization of signs, this will be a wonderful thing, an odyssey for parents and their babies-- and so much fun! I remember beginning sign language; it is such a joy. I discovered things my body communicated without my realizing it, and I also discovered that I could be much more observant by paying attention to just a few simple things.
Have fun-- so much awaits you!
In an age where the most publicized fiction tends to be simple-minded and genre-bound, it's refreshing to come across a writer with Joyce's complexity. "Dubliners" is so rich in its intellectual and symbolic atmosphere that many readers may be put off by the overall weight of the prose. The writing is so thick with metaphorical contexts that the literal content of the story occasionally becomes obscured, which can be frustrating for those not used to reading Joyce. Yet, while difficult, "Dubliners" is far from impossible to decipher, and although these stories function well as a whole, they are also more or less self-contained, which makes "Dubliners" easier to get through than Joyce's other works(it's a lot easier to take on a ten page short story than a 600+ page novel like "Ulysses" or "Finnegan's Wake"). For readers who are new to Joyce, this would be a good place to start.
A final note: since this book is old enough to be considered a "classic," there are a plethora of editions available from various publishers. I own the Vintage edition (ISBN: 0679739904). Not only is it a quality printing (not that cheap newspaper ink that rubs off on your fingers), it also contains about a hundred pages of criticism at the end that help shed light on Joyce's often illusive themes. Normally I shun forewards and afterwards (I like to think I've read enough to discover a story's theme on my own), but in the case of Joyce I found that a push in right direction can mean the difference between enjoyment and frustration.
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I read the book quickly, and followed some of the outlined plans for financial mastery. For a month I kept track of every penny I spent and found in the months since that I'm much more concious of what I spend. I have grown to have an aversion to impuslse buying, in part because the book brings home the wastefulness of materialism. I have really cut corners, and gotten rid of a lot
of useless clutter, and feel much better as a result.
Best of all, I have been able to live for almost a year on a third of what I spent when I was in a more fast track job.
Will this book work for anyone? I'm not sure about that, because the simple fact is, some people value possessions over free time. Some people are more than happy to work two jobs if it means being able to buy what they want, and live the lifestyle to which they are accustomed. I can't see the US being overrun with frugality anytime soon. But, for those who wish to live on less-- writers, stay at home moms, artists, or those needing to get out of debt-- this book is flawless.
The book is well worth reading and learning from, even if you don't do all the steps it asks you to. Live your life to your OWN satisfaction and leave the JONES alone. There are a lot of JONES' who are bankrupt. Spend money with NEED and VALUE in mind. Let the others mind their own business.
It was a shame that Joe Dominguez died recently. He did live a GOOD life by helping others who needed help and were also willing to listen to his advice. A person must be willing to listen AND learn from the examples of others.
Have you ever felt that you could really contribute something great to the world if you only had the time to do it, without worrying about earning a living? Or maybe you'd just like to finally learn to play a musical instrument and play in a band. Or volunteer for a great cause. Or be a full-time parent to your children. Or travel. Or work part-time, or at a fulfilling, rewarding job, even though it doesn't pay much. Or just finally be able to throw that dreaded alarm clock in the trash. This book can help make it happen.
The real question is, are your dreams important enough to motivate you to make some changes in your life? If you're happy with your situation and feel you have enough free time and money, then maybe this isn't the book for you. If you're closer to where I was (in debt, feeling trapped in my job and tied to a paycheck) then maybe there's some useful information for you here. Here's what I've done since reading it:
- Got out of debt - Started saving 50% of my income - Sold my house, moved to a houseboat ($1200/mo. less, MUCH more enjoyable living situation) - Doubled my salary - Sold most of my belongings, except the ones I truly enjoyed. - Took up hobbies that had always interested me, but that I'd made no time for (kayaking, cycling, hang gliding)
My goal is early retirement, so I can travel, write, play, or whatever else catches my attention. But early retirement isn't the only reason to read this book. The ideas presented here can make your life easier, more meaningful and more enjoyable. It helps you evaluate your own dreams and desires, and it gives you a way to make them reality.
I didn't choose to follow each step to the letter. For example, my investments are in mutual funds instead of treasury bonds, and I don't track all my expenses every month, although I did that for a while (very enlightening experience to see where the money disappears to). In other words, take from this book that which makes sense to you, but at least give their suggestions careful consideration. Don't expect a magic wand - it takes a lot of effort to change the way we do things and many people are not willing to do that. But if you are ready to put forth some effort to make your life better, this is the book for you.
Liebling joined the "New Yorker" in 1935, and wrote for it until his death in 1963. He was hired by Harold Ross and his editor was William Shawn. Both in his personal and his professional realms, Liebling was disordered and off kilter, often battered and turbulent, and generally quite exciting. He did not actually finish high school, but was accepted at Dartmouth, from where he was twice expelled for failure to meet the minimum attendance at chapel, so that he did not finish his studies there, either. But he wrote a great deal at Dartmouth, and at the insistence of his father he enrolled in courses at the Pulitzer School of Journalism at Columbia, where he managed to stay for a couple of years; while at Columbia he was assigned to cover police stories, and this lead him to serve as an assistant to well established newspaper reporters and to learn the mechanics of the trade.
He married three times, lived in France (wrote many "Letters from Paris") and reported World War II in detail (starting in 1939). He participated in the Normandy landings on D day, whence he produced a particularly memorable piece concerning his experiences on a landing craft. He was there when the Allies entered Paris, and this caused him to write afterwards: "For the first time in my life and probably the last, I have lived for a week in a great city where everybody was happy."
Liebling was probably the first to take advantabe of the penumbral area in which fiction and reality are barely discernible from one another, and to exploit it in his writing. Capote followed.
He wrote about writing, too, in his classical "Wayward Press" columns of the "New Yorker." He was, in fact, the first serious critic of the press, a job he clearly relished. In people he gravitated towards the odd, the slightly weird, and the eccentrics who had found niches in life from which they they sometimes prospered, often not: in other words, the low life. In New York and London and Paris he consorted and maintained society with strange people, in relationships that spanned decades. These people thought highly of Liebling and what he stood for; what he stood for contained much decency and a total lack of pretension. He spoke to people by remaining silent and letting them speak, something which appears easy but is not. He wrote about the many things he got to understand from these poeple, using clear, simple prose. He was meticulously accurate in his work, aided in this by a formidable memory which allowed him to quote verbatim hours of conversation, long after it had taken place.
Sokolov's biography of A.J. Liebling is as complete and exacting as no doubt his subject would demand. It contains a bibliography, an index and chapter notes. This is an enhancing book: one feels better after reading it.