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The Civil War was not what either side expected or wanted. A few hotheads - militant abolitionists from the North & secessionists from the South - fed the flames while the majority of Americans stared on in bewilderment as the Union disintegrated.
In The High Command Mort Kunstler gives us glimpses of the movers & shakers of the battles to come; fresh in their uniforms, devout in their cause & James Robertson's narrative keeps pace with this artist's energy & insights.
Through heat of summer & cold of winter, over trackless hillsides & through mud- coated towns, Mort Kunstler keeps us going; from bloody battle fields in the mists of morning to cavalry charges into the smoke of cannon fire; from sunbaked drummer boys to bone-weary marchers; from cheering infantrymen as their leaders ride by to face-to-face gun fights in wooded ravines; from heartbreaking bad news to new babies born; from dazzling balls to heroic stands in broad daylight to dismal retreats in the dark of night.
A wonder-filled pictorial history book, rich in the details of the life & times of the people of the Confederacy with fascinating stories. A must for any reader of American history. Do visit my site for my full review of this & many more books on history & art.
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A cultural atlas presents its readers with a tremendous amount of information. Even a casual browsing through this work reveals enough information to provide the seeker of knowledge with a firm grasp on the history, geography, and culture of the efficient, effective "Warriors of the North" known as Vikings or Northmen.
This atlas explains and defines the Viking Age, beginning in the 8th century and ending in the 11th century with the creation of the Scandinavian nations of Sweden, Denmark, Norway, and Iceland. These tall, blonde, blue-eyed Vikings also left their mark on lands from North America, across Europe into Russia -- which was named for the Rus, a Swedish tribe -- and into the Byzantine Empire of Asia Minor and beyond. The Vikings endowed the Europeans who followed them with the Viking genes for bravery, impudence, physical beauty, and intelligence, genes which Viking warriors spread widely in the Northern Hemisphere.
The compilers of this work, edited by James Graham-Campbell, present the reader with a plethora of charts, maps, and captioned photographs illustrating and enriching cogent expository text.
Everyone on the planet, ... will recognize this book as a valuable tool in the study of a great European people.
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For anyone with a curiosity about what air warfare in the First World War was really like, READ THIS BOOK. I highly recommend it.
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I also found Kunstler did not paint as many movie scenes in this book, instead capturing the actual historical looks of these "Gods and Generals" of the Civil War. Any lover of history or military art will appreciate his attention to detail and riviting scenes. Enjoy!
The subjects of Mr. Kunstler's paintings are invariably interesting, and he does not like to paint scenes or events that have been done previously by other artists. This book is the companion to, and illustrative of, the events and people of the novel "Gods and Generals" by Jeff Shaara, soon to be made into a motion picture of the same name. It follows four exceptional soldiers through the first two years of the war: Robert E. Lee, Thomas J. "Stonewall" Jackson, Winfield S. Hancock, and Joshua Lawrence Chamberlain.
In this book, there are many new paintings not yet published elsewhere, but whether you are an old Kunstler aficionado or newly introduced to his work, you will find this book unequaled. The reproductions of the paintings are eye-catching, displaying each painting in vibrant, striking colors, true to Mr. Kunstler's originals. I say above that his paintings are educational, and so they are. I urge you to look closely at every work of art. If you do, you will not only see an astonishing amount of detail, but also learn much about the people, the times, the objects people used, and the war. Again, we have Mr. Kunstler's constant striving for perfection to thank for paintings which are correct in every detail. He is the quintessential perfectionist, who painstakingly researches every detail, no matter how small, to provide his audience with true, as well as beautiful, depictions of people, places, and things. He consults with knowledgeable historians, such as Professor Robertson, who wrote the text for this book, on even such matters as the weather on the particular day that he wants to depict in a painting. All of the accouterments are true, as well as the animals, the uniforms, the weapons, the landscapes, the battlefield situations, the lighting -- everything. Rarely does one find, in one individual such as Mr. Kunstler, artistry to the point of genius coupled with an unceasing demand for perfection in all of the details of his art.
I admit that I am no connoisseur of art and that I can claim no expertise or experience in art. Even someone such as I, however, can at least partially appreciate the artistic techniques used by Mr. Kunstler. His positioning of people, animals, buildings, and other objects to lead the observer's eye to the main subject of the painting, his extraordinary use of light to play on this or that subject in the picture in greater or lesser brilliance in order to accentuate or subordinate that subject, and his use of color, always precise, to delineate bright sunshine or dark shadow, or to emphasize or minimize, are all techniques that even such as I can note and admire. His paintings are so life-like as to defy the observer to differentiate them from photographs. But no photographs could depict such wonderful color and the precise instants in time which Mr. Kunstler so deftly chooses to picture.
Mr. Kunstler has, with every book he has introduced, been able to obtain the very best in historians/commentators to draft the texts. He has obtained the services of, for example, Henry Steele Commager (for the book "The American Spirit: The Paintings of Mort Kunstler"), James I. Robertson, Jr. (for "Jackson and Lee: Legends in Gray," "The Confederate Spirit: Valor, Sacrifice and Honor," and the current work), James M. McPherson (for "Gettysburg"), and Dee Brown (for "Images of the Old West"). Dr. Robertson's text in "Gods and Generals: The Paintings of Mort Kunstler" is, as always, the perfect complement to the paintings. As with Mr. Kunstler's art, so also with Dr. Robertson's narrative, one can learn much, whether one is a novice or an experienced hand.
Thus, whether you are a "Civil War buff" or simply interested in exceptional art and edifying prose, you will enjoy this book (and you would do well to consider obtaining Mr. Kunstler's previous books, named parenthetically above). You cannot go wrong with the team of Kunstler and Robertson.
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Elizabeth Hickey's new book, I Love You More Than . . ., offers a beautiful way to deliver this message of love and caring. The story is a conversation between a little girl and her father, part real and part imagined. The photographs, illustrations and text combine to create a moving and powerful message of love between a parent and child.
The book is cleverly constructed to be universally applicable since the family structure of the characters is ambiguous. While father speaks of his love for his daughter, the message is acknowledged "from Mommy, too." The story does not state whether the parents are together, separated, unmarried, married or divorced.
It was heart-warming to share this book with my eleven year old son, Mark. Here are Mark's comments:
The story I Love You More Than . . . walks you through a little girl's dream about how much her father loves her. The beautiful illustrations contribute to the story greatly by giving the reader a picture of the child's wonderful dream. I thought that the photographs were adorable. They reminded me of when I was a toddler and my parents read stories to me. I think that all children and adults will find this story inspiring and touching to the heart.
Unlike fairy tales, this story makes the child whose parents read them this book feel that their parents really love them. I am sure that all kids would enjoy having this book read to them as much as I did. This book is sure to be a classic bedtime favorite.
Mark's responses reflect those of other children and adults who have encountered this book. I Love You More Than . . . conjures warm memories of the best parts of the reader's relationship with his or her parents. These combine in such a positive and gentle way to melt the heart of all parents and help them share the warm glow of their parental love with their children. This book is a treasure. The world is a better place because it is available.
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This book is a remarkable memoir, vivid and graphic, sometimes uncomfortably so, in its portrayal of the horrific experiences of the POWs and their unflinching will to survive. It is a living testimony to the freedom of the American spirit and should inspire great respect for all those men, whether military or civilian, who did not shrink from the responsibility of defending this country in a dark time of history. Some of these heroes,like Jim, were fortunate enough to live to tell us about it.
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Father Flye, born in 1884, lived a a full century--more than twice as long as Agee--with uncommon relish. It's clear from the recollections that Hampton has gathered that Flye had a lasting effect on everyone who met him, from the mountain boys he taught to the New Yorker writers who visited him at his cluttered apartment in Greenwich Village.
And now, when our country is presented with unprecedented challenges, the story of Father Flye-who knew history, loved humanity, and endured with strength-is especially relevant.
Father Flye's story is not without heartbreak and loss. It's about life, after all. But a remarkable and exuberant life. The stories collected in this book are mostly transcribed radio interviews and letters. They focus on the particular, and that's what makes them so charming.
Father Flye was married at age 30 to Grace Houghton, a quirky portrait artist 10 years his senior. His first parish assignment was in Milledgeville, Georgia. After that small disaster, he took a temporary job at St. Andrew's School on the Cumberland Plateau of Tennessee. The school was founded by monks of the Order of the Holy Cross to teach local mountain boys who came from extremely primitive circumstances. Father Flye, a Yalie, and Grace, who had had a studio in Italy, stayed at St. Andrew's for 36 years.
The Flyes had no children, but the St. Andrew's students were their boys. Grace painted their portraits and sewed their clothing. Father Flye gave them elocution lessons. He taught them history. He punished them for trying to flush a frog down the toilet by making them stand outside and recite poetry. He gave them self-respect, respect for learning and life, and futures. "Piffle," they called him. His antics left them wide-eyed. His love filled their hearts. His poetry settled in their minds. He corresponded with them for decades after they left St. Andrew's.
Readers looking for intriguing history, biography or "something inspirational" will love Father Flye and his quirky wife, Grace. Grace was "no bigger than a bar of soap after a hard day's wash." A victim of Addison's disease, she became more reclusive with age. Father Flye was a vegetarian. Grace, anemic, ate a little meat. She saved tea bags to shred to make nests for the mice at her "Noah's Ark." She moved her broom to different locations on the porch as a signal to her neighbors that she was fine, still alive. She is listed by the Smithsonian as one of America's finest portraitists.
In a recent memoir published in American Places, historian Bertram Wyatt-Brown writes affectionately that the Flyes were unquestioned intellectuals. He describes them entering the chapel in their black robes, looking like nothing so much as "a pair of underfed crows."
The book is "Mr. Holland's Opus," "Music of the Heart," "Dead Poets' Society," "Goodbye, Mr. Chips," the Mitford books, and a costume drama. Its two eccentric protagonists will warm the hearts of readers as the Flyes warmed the hearts of those they befriended, from Appalachia to Greenwich Village.
Mr. Hampton, a retired radio announcer, was one of the lost boys that Father Flye saved.
And through this book, Mr. Hampton has saved Father Flye for us.
Hampton has magnificently woven a rich mosaic diffused with both light and darkness of the life of a man whose pilgrimage as an educator of both young and old minds from, "the Mountain" of Sewanee to the streets of the City of New York, was always filled with enriching the lives of those he met on his way with great compassion and love.
In this expansive work of love, in which the meticulousness of historic detail is in itself a wealth of knowledge, Bill Hamptom has shared not only an unusual story but years of wisdom and grace that are not often found in an ordinary life.
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George Stable is an amazing character. He is introspective and self-depricatory, creative and extremely perceptive. Somehow Collier makes his character believable despite George's young age.
I love the humor in the book; the crazed bohemian artist of a father, the strange world inhabited by child performers and their dreadful parents, and criminals who can never seem to do anything right.
The illustrations by Lee Lorenz are wonderful. Mr. Lorenz was a cartoonist for the New Yorker AND had graduated from my high school. I decided to use an excerpt from the book as my Senior Year Book quote.