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This book contains some of the best advice I have come across. It is very down to earth, has a simple style - but that's Dave's way! As straightforward as the writing, the homespun wisdom and advice is not trendy, it is the type that will hold true in 50 years or 50 years in the past. However, it is NOT common knowledge and I learned many valuable lessons.
Read it if you are a CEO or a kitchen manager in a fast food restaraunt - either way you will have more insight into life in general.
\o
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True to the original quest, the book is packed with dramatics: the reunion of Dewshine and Scouter, Two-Edge's confrontation with Clearbrook, Tyldak being noble, a last minute rescue from a soul-brother, Leetah grappling with Cutter's mortality, elfin homocide, and the final destruction of Blue Mountain.
Of course, its always refreshing when an under-exposed character finally gets his chance to save the day. Go Dart! AOOOOYAAAH! ^_~ My only quarrel is with Aroree, who has been reduced to a powerless, doe-eyed victim whose only hobby seems to be stalking Skywise.
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The collection covers the relationship between Cutter and Skywise, two male elves who consider themselves "brothers in all but blood". Different aspects of their relationship are revealed, including their "sort of Recognition", and Skywise's fear and loathing of the idea of Recognizing a mate. The tone of the stories varies from serious to playful (I think the image of a troll beauty shimmying out of her dress has permanently scarred my retinas). The stories are all black and white art, but one doesn't miss the colors with art and storytelling this lush.
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It is also a wonderful patchwork of unique and pleasing writing styles, diverse cultural experiences, and even varied outcomes. Some women stayed and fully embraced the countries they lived in. Some returned to the United States with a broadened vision of the world she thought she knew. But each woman continued on her life-path filled with new sight - a renewed acceptance of her spiritual or cultural identity, perhaps...or an enlightened recognition of her role as mother, partner, student, teacher, or daughter.
As a traveler, a woman, a mother, and a former expat, I found myself nodding in agreement with so much of what I read in this book. When she finally sat back and watched her daughter flourish in Cairo, Laura Fokkena discovered a comfortable extended-family mothering atmosphere - somehow attentive yet intentionally disconnected at the same time - a far cry from the eagle-eyed, over-protective, Click-It-Or-Ticket parenting drilled into busy American families. This Egyptian philosophy I have vowed to make my own.
Other contributors, too, wrote from places in their lives that felt familiar: Karen Rosenberg, who comes "from a family of reluctant Jews," followed a path from Amagi, Japan, back to her spiritual roots. Stephanie Loleng found her own Asian identity in Prague, where the food of home would have to be prepared herself. And Emmeline Chang, raised in the United States by Taiwanese parents, struggles to belong on either continent.
And perhaps most recognizable, each woman in Expat expresses her frustration at linguistic difficulties. Each woman is a writer, after all, someone who depends on language - perhaps more than on people or money or timing - to make things run smoothly. And, certainly, as a foreigner, that taken-for-granted skill is slippery at best, even for bilingual expats. Editor Christina Henry de Tessan folds this phenomenon easily into her introduction: "...accustomed to being efficient, competent, articulate, and able to navigate the various logistics of American life," these women found themselves at sixes and sevens with everything around them.
But armed with determination, great tolerance, a readiness for change, and often dozens of books, they learn to color outside of the lines they used to know, to create themselves anew.
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The first 36 pages are info about Burma, and I must admit the color photographs are all excellent. The recipes call for a lot of ingredients that are hard to come by in the small town where I live (small enough that butter is sometimes hard to come by), but they also look great. They are layed out well, and are easy to read. Some ingrediants have alternatives, but not nearly enough to make this usable by people who don't live in metropolitan area with specialty stores.
This is why Wendy Griffin's "Daughters of the Goddess," a 13-essay survey of contemporary Feminist Witchcraft and Goddess Spirituality by British and American writers, is potentially so rewarding to male readers. Much is in this book, pointedly subtitled "Studies of Healing, Identity & Empowerment," that even the most thoughtful of men might otherwise never encounter, assimilate and, if they so choose, embrace.
"Who are the Daughters of the Goddess?" Griffin asks in her introduction. "They are women in the United States and Britain who may call themselves Witches, neo-pagans, pagans, Goddesses, Goddess women, spiritual feminists, Gaians, members of the Fellowship of Isis, Druids, and none of these names."
They are also indirectly or directly our companions, gentlemen, and whether or not they acknowledge us as such, if we fail to encounter them, fully, it's our considerable loss. "Daughters of the Goddess" offers an engaging look at the scope of what men might gain instead through a fuller understanding.
Griffin herself is that rarest of academic essayists, blending rigorous observational discipline with a narrative lyricism that is at times almost painfully beautiful. But she can sting, as well; consider her comment in a recent interview:
"If being on the Goddess Path means doing personal magic, dressing up like fairies, dancing through the woods and nothing else, it is pure escapism. Patriarchy should love it."
And so, gentlemen, if you find yourself scratching your head over what "patriarchy" has to do with Goddess/Gaian spirituality, please purchase this challenging, wonderful book and open yourself up to the voices of the 13 fiercely eloquent women Griffin has so skillfully brought together between its covers.