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This is what you can call a simple idea, well told. A lonely, bitter old gaffer needs redemption, and thus is visited by three spirits who wish to give him a push in the right direction. You have then a ghost story, a timeslip adventure, and the slow defrosting of old Scrooge's soul. There are certain additions in the more famous filmed versions that help tweak the bare essentials as laid down by Dickens, but really, all the emotional impact and plot development necessary to make it believable that Scrooge is redeemable--and worth redeeming--is brilliantly cozied into place by the great novelist.
The scenes that choke me up the most are in the book; they may not be your favourites. I react very strongly to our very first look at the young Scrooge, sitting alone at school, emotionally abandoned by his father, waiting for his sister to come tell him there may be a happy Christmas. Then there are the various Cratchit scenes, but it is not so much Tiny Tim's appearances or absence that get to me--it's Bob Cratchit's dedication to his ailing son, and his various bits of small talk that either reveal how much he really listens to Tim, or else hide the pain Cratchit is feeling after we witness the family coming to grips with an empty place at the table. Scrooge as Tim's saviour is grandly set up, if only Scrooge can remember the little boy he once was, and start empathizing with the world once again. I especially like all Scrooge's minor epiphanies along his mystical journey; he stops a few times and realizes when he has said the wrong thing to Cratchit, having belittled Bob's low wages and position in life, and only later realizing that he is the miser with his bootheel on Cratchit's back. Plus, he must confront his opposite in business, Fezziwig, who treated his workers so wonderfully, and he watches as true love slips through his fingers again.
It all makes up the perfect Christmas tale, and if anyone can find happiness after having true love slip through his fingers many years ago, surprisingly, it's Scrooge. With the help of several supporting players borrowed from the horror arena, and put to splendid use here.
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I tried it again in 7th grade and read it all the way through that time. It is probably one of the best accounts of the Holocaust that I have ever read and believe me I have read many!
What shocks me the most about this book is the raw truth about it. Anne, as a teenage Jewish girl during WWII wrote what she saw and felt. It must have been terrifying for her every day. Not knowing if she and her family were going to be found by the Nazi's or even if she would live to see the next day.
It is a portarit of a young girl who wanted to live life.
And it breaks my heart every time I read it knowing that she would not get to experience life like she should have been able to.
In a time when people were mere statistics we are involved in knowing the terror, hope, anger and dreams of one true, genuine person.
What makes the Diary, next to the Bible, the best selling non-fiction book of all time has something to do with Anne's perceptive, wise, candid, lovable presence tangibly radiating from the pages. And the mysterious fact that it survived at all written by a young teen under life threatening conditions.
Mrs. Van Maarsen, mother of "Jopie" (Jacqueline Van Maarsen, author of My Friend Anne Frank)--Anne's friend whom she wrote to and about in the Diary, was quoted "Anne is not lost to us. Jopie admits I'm right." (Anne Frank: A Portrait In Courage, 1958). This quote described an otherworldly encounter Mrs. Van Maarsen stated that she'd had with Anne's spirit after her death. Regardless of whether Anne Frank is affecting people from some other dimension of reality, the intimate impact of the Diary remains. Touched by the "still small voice" of Anne Frank, receptive souls are forever altered and the heart of humanity uniquely softened.
written on June 12, A.F.'s birthday