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Having just read - and loved - the novel, I can see some reasons for its decline in popularity. for a start, unlike most 19th century novels, it is not realistic or naturalistic; it does not portray a society with voluminous detail. The hero, Don Luis de Vargas, the son of an Andalusian squire and an aspirant to the priesthood, is prone to use the high-flown, ecstatic and orotund language of the spirit, which, though set up by Valera to be undermined, can irritate the reader with its verbosity. The translation, by Valera himself, needs to be updated for the tastes of a modern readership - the famed beauty of the original can appear washily sentimental in unforgiving English. Most importantly, the novel's sunny benevolence, its attempt to reconcile the totems of Spanish conservatism - the Church, the Aristocracy, the Family - with less tractable forces such as Love and Nature, is not fashionable with critics who historicise Spain as a country with violent divisions, and who want their fiction to conform to this vision.
for those willing to take the chance, however, 'Pepita' has something for everyone. Its story of a theologian and his attempts to repress a growing love for the title character, a young widow and the intended of his rakish father, has all the abundant romanticism, terrible tension and potential tragedy of 'Wuthering Heights'. From the novel's first page, when Don Luis describes to his uncle and mentor the Archbishop his first meeting with Pepita, we know what will happen - the interest lies in the unfolding of the inevitable and the psychology of the characters, especially Luis, whose sacred and profane raptures spring from the same source (in its relentless focus on an unstable and delusive psychology, 'Pepita' is closer to the works of Prevost, Constant and Stendhal, than later 19th century realists).
Though not a realistic novel, the book is full of indelible set-pieces of Andalusian village life (trade, social occasions, rites, customs, night-life, festivals, in which the Christian and the pagan are indistinguishable, just as they are in Luis' imagination); and the overwhelming natural beauty, the latter made to serve and reflect the claustrophobic visions and passions of the characters (in its limited focus, in its conflation of spiritual and romantic ideas and language, its slippery allegorical possibilities and its proto-Expressionism, 'Pepita' could be considered the Spanish Nathaniel Hawthorne).
For post-modernists, the novel's straightforward, simple narrative is contained in an elaborate framework, more familiar from Gothic fiction. Parts 1 and 3 consist of letters to the archbishop from his nephew and ward Luis, and his brother, found on his death with his effects. Part 2 consists of a 'paralipomena', a 'fictional' third person narrative continuing the story. The officious editor of these papers speculates in vain on the provenance of this fiction. His own conjectures, interpretations and asides throughout, his alarming tendency to 'edit' the material without explaining his procedures, together with Valera's profound irony, sensual displacement of sexuality and unexpected humour, casts doubt on the novel's seeming optimism, without once diminishing its nerve-wracking immediacy.
Como toda obra de Valera, Pepita Jiménez está lleno de lenguaje hermoso que refleja su alto ideal estético. Vale la pena leerse, aún para el estudiante (aunque avanzado) del castellano.
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I see the author foresaw interesting possibilities for computer reconstruction of past cultures, including virtual traveling 'inside' buildings and surveying vast areas from multiple points of view. This could be very interesting not only to the archaeologist but also to many people in other fields, from sociology to architecture, history, decoration and just travelling. But the still images don't convey a convincing picture of the final result.
I had unmet expectations about this book. It's more of a general account of some recent explorations grouped partly on a time basis and partly by region. I felt also an unbalanced mix in the final product, concerning virtual (little of this) and non virtual imagery, and also on the sites selected.
Summarizing: the book appears as a progress report on current archaeology investigations, with some reference to new techniques. The book title is misleading.
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If you're planning to use VB, then there are probably better books out there for you. But if you want to learn to write ASPs in JavaScript, this book is extremely helpful. Though ASP objects are the same no matter what scripting language you use, there are subtle differences in the way you manipulate them. If you try to start coding ASPs in JavaScript from a text that uses Visual Basic, you will undoubtably suffer through a lot of frustrating trial and error.
This book starts with the basics, and works up to some complex examples like a BBS and an online catalog. The writing style is clear and to the point. The CD is no frills, but at least you get all the code. Needless to say, you should already be familiar with JavaScript before you tackle writing ASPs in JavaScript.
A final caveat: There are a number of typos in this book, including a nasty one on page 153 that mixes up the constants for reading and writing files. If not for this, I probably would have given it 5 stars.
To me this book spoke clearly. Not coming from a Microsoft server-side background I needed to get up to speed with ASP. I already knew JavaScript from client-side programming, but most of my server-side programming was done in Perl. I didn't really want to learn a new programming language, and this book took that idea and put it to work. I was able to leverage my knowledge and quickly become proficient at ASP. Most if not all of the features available to ASP are shown using JavaScript, and most things have associated code examples with them.
True, this book is geared for programmers wanting to write web applications. If you are not a programmer you WILL need to get additional references - the authors don't really waste anytime to teach you HTML, or server side scripts or how to program - but that is not what the book is about and the book's preface tells you this. The authors have also included two appendices that will get most programmers up to speed on JavaScript and VBScript.
In terms of organization the book spends the first couple of chapters motivating why ASP is a great development platform and what sets it aside from other technologies out there. From there you get immersed into the basic 5 objects (Request, Response, Application, Session and Server) that provide most of the functionality that you'll need to develop your apps. In my case this was enough to give me a working knowledge of ASP for many projects. Continuing sections show you how to incorporate ActiveX components into your projects, access the file system and access databases. Other chapters are devoted to web issues like application persistence, error handling and debugging. Lastly this book also sports chapters on some less frequently used (but powerful features) server-side includes (SSI) and access control (authentication). Three of chapters are dedicated to 'real world' type examples. One of them even shows you the code as most developers would initially write it, but then refactors it so that most of the code can be reused easily. This chapter provided great insight to me on how to take a web app and make it really easy to maintain.
I have looked for additional books on this topic, but none provides the breadth or depth for this one. GET IT.
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The best ever President that has ruled Peru has been President Alberto Fujimori. Not just in our republican life but this includes our gloriuos life during the great Inka's Empire whose territory accounted for almost all South America.
Despite of the manipulated media around the World the current socio-eco-political situatio in Peru as we are right in March of 2002 is only due to the Ineptitud of President Toledo, the lack of Love for the country from the current 'administrators', the obscure interests of a group mainly composed by liberal, civic, pro-totalitarism, pro-jew, Soros'-backed and all the most dangerous and horrible pacts of bad and terror that are destroying Peru.
As Kofi Annan, UN Secretary-General once wrote the problems in countries is the mentality that 'winners-take-all' and the current people in this corrupted Government of Peru thinks that way and believe they are entitled to wipe everything just because we the peoples of Peru gave them our sadded-given vote for not voting for A. Garcia who destroyed Peru between 1985-1990.
In an horrendous way, this new Government is co-governing with the APRA and V. Montesinos himself. The ingredient of the day is the cowardly Political Persecution against Mr. Fujimori and all the great people that worked so hard with him to bring the country back from the garbage they left us in 1990.
By far Fujimori was the best and we hope will be back.
This book is different because it purports to show a side of a man that Peruvians who are enjoying the peace his efforts brought while at the same time joining in the unfair diatribe against him. Past leaders ravaged the country of Peru with corruption, disinterest and mismanagement but no one wants to talk about that. I like this book because it gives fairness where fairness is due!
This book is refreshing because it dares to disagree with the current unfair Fujimori bashing and gives him credit where it is due. It shows a side of Mr Fujimori and his achievements that no one wants to give credit to, and history will be kind to him, for he leaves a legacy that Peruvians with fragile memories refuse to acknowledge. Alberto Fujimori was what Peru needed, when Peru needed it. And this book is not afraid to acknowledge this fact and shows a side of him that a self respecting and fair person should read in order to form a fair and open view of this misunderstood and battered man.
Celebrated in Recipes from Ancient Times to the Present Introduction by Alberto Capatti Accompanying Wines selected by Giuseppe Vaccarini
By Arneo Nizzoli
Reviewed by Liz Waters Copyright 1999, all rights reserved
This beautifully illustrated book is the first book in this History-Folklore-Ancient Recipes series by Konemann which takes a food and traces its history and uses through ages. This volume, of course, deals with the squash, a ubiquitous vegetable numerous varieties. These books focus more on the European preparations and traditions of the foods selected, and therefore bring a new spin on them for the American audience.
Nizzoli presents ancient and modern recipes that are appropriate for today's kitchens. The recipes are easy to follow and include nutritional data on each one as well as excellent wine suggestions of Giuseppe Vaccarini.
Here is a recipe for you to try from the book:
Rigatoni with Squash
1 lb. 5 oz. /600 g of rigatoni 1 lb./450 g of onions, sliced the heart of 1 celery, chopped 3 lb. 5 oz./1.5 kg of squash, diced 2/3 cup/150 g of butter 6 ripe tomatoes salt pepper grated parmesan
Serves 6
Method 1.Into a wide saucepan put ½ cup/ 120 g of butter, the onion, the celery and the squash and let them cook, without the lid and on a high heat, until the squash has softened. Add the peeled and chopped tomatoes, salt and pepper and cook on a low heat. 2. Meanwhile boil the rigatoni in plenty of salted water.
3.shortly before serving, add the remaining butter to the sauce. Drain and add the rigatoni, and sprinkle with parmesan.
Per portion: 526 calories, fiber 0.29 oz/8.4 g
Wines - choose a young dry white wine, such as a Colli Orientali del Friuli Reisling, Colli di Luni, Falerio dei Colli Ascolani or Falanghina del Sannio.