Una veritable historia d'un poble tradicional, els Tuaregs,enfrontat al progués, als odis, als interessos dels occidentats. Un llibre que es llegueix d'una sola tirada.

El silencio del desierto, la hospitalidad de los tuareg, el honor. Para mi el desierto es un lugar misterioso y seductor que nunca se descubrira por completo, leer Tuareg me permitio transportarme hasta el Sahara. Ebano es una novela del mismo autor que se desarrollan en el desierto

A touching story. I felt hot in the desert, cold under the rocks, thirsty, tired. Difficult to put down. One of the very few books that I have read twice!

This American poet writer delivers songs in sentences and has a singular voice that calls out to you long after the book is lost on the shelf. His words don't just stay with you, but the spirit of a decent man does too. An engaging, funny, reflective, lyrical read.

Luis writes from his soul; he is a wonderful person and it shows in his work. Kirkus doesn't know what he/she's talking about...Luis is one of the world's greatest writers, and one of my favorite people. I hope he's happy and well. I am, Nicolina

I knew Luis and the other half of this "troubled marriage" (Kirkus Review) that ended. She left, he fell apart, she fell apart. But that was seven years ago! He's remarried and she has a two year-old by someone else! This is one of the great writers of our time; surely he can find something more interesting to think and write about. P.S. where do you want me to send your dad's records???

An excellent and complete review of this book was written by the Zimmermans. I would, however, like to add that from the perspective of a better than middle of the pack masters runner, that this book contains everything you need to be a successful road runner. Most of the information is not new but it is an excellent SINGLE SOURCE for anyone who wants to find a way to improve his or her running. Although co-written by an elite runner, I was pleased to read about training in a manner to which I could relate. The pace charts, age graded and other tables are excellent. Thanks to both Alberto and Richard for writing a running book that made me feel they were talking directly to me. BRAVO!

The audience for this book is those who have been running for six months or more, who have possibly completed a road race, and who now want to improve their racing times. The book's aim is to teach correct principles of training for faster times and to help runners apply those principles to a training program. The book succeeds well in its goal.

I particularly like the explanation of the four types of training (base, VO2max, running efficiency, and tempo) and the four types of speed work (long intervals, medium intervals, short intervals, and tempo runs). Salazar and Lovett clearly explain the purpose and methods for these runs, and how to incorporate them into an overall training program.

The material is, for the most part, scientifically correct and thorough. The book is authoritative, due Salazar's experience as a competitive runner and coach, and well written, due to Lovett's experience as a recreational runner and freelance writer. In fact, the book approaches training from two points of view: the elite competitive runner's (Salazar's) and the serious competitive recreational runner (Lovett's).

I especially like Salazar and Lovett's coverage of stretching, strength training, and injury prevention. As a marathoner, I would have like a stronger emphasis on that racing distance. If your focus is marathoning, I recommend "Advanced Marathoning" by Pfitzinger and Douglas.

The weaknesses of the book are few and minor. Some readers might want more example training charts. Some scientifically minded readers might want more cited research. In one case, the authors err in suggesting the method of glycogen depletion to proceed carbohydrate loading (the depletion phase is dangerous and ineffective), but that's about the only serious mistake I found in the book.

How does Salazar's book compare to others? Salazar's book has the same audience and purpose as Pfitzinger and Douglas's "Road Racing for Serious Runners," and Glover's "The Competitive Runner's Handbook." My favorite of the three is Glover's book, because of its complete and authoritative information, numerous helpful tables, predesigned and customizable training charts, and coverage of heart-rate monitors, injuries, cross training, and many other specialized topics. I would rank Salazar's book at the same level of quality and coverage as Pfitzinger and Douglas's book; both are excellent.

In summery, Albert Salazar's Guide to Road Racing is an excellent training guide for serious runners. If you want to improve your racing time, you'll love this book.

The audience for this book is those who have been running for six months or more, who have possibly completed a road race, and who now want to improve their racing times. The book's aim is to teach correct principles of training for faster times and to help runners apply those principles to a training program. The book succeeds well in its goal.

I particularly like the explanation of the four types of training (base, VO2max, running efficiency, and tempo) and the four types of speed work (long intervals, medium intervals, short intervals, and tempo runs). Salazar and Lovett clearly explain the purpose and methods for these runs, and how to incorporate them into an overall training program.

The material is, for the most part, scientifically correct and thorough. The book is authoritative, due Salazar's experience as a competitive runner and coach, and well written, due to Lovett's experience as a recreational runner and freelance writer. In fact, the book approaches training from two points of view: the elite competitive runner's (Salazar's) and the serious competitive recreational runner (Lovett's).

I especially like Salazar and Lovett's coverage of stretching, strength training, and injury prevention. As a marathoner, I would have like a stronger emphasis on that racing distance, even though Salazar includes a separate chapter on marathoning. If your focus is marathoning, I recommend "Advanced Marathoning" by Pfitzinger and Douglas, although the Salazar book is book will certainly provide sufficent information.

The weaknesses of the book are few and minor. Some readers might want more example training charts. Some scientifically minded readers might want more cited research. In one case, the authors err in suggesting the method of glycogen depletion to proceed carbohydrate loading (the depletion phase is now known to be dangerous and ineffective), but that's about the only serious mistake I found in the book.

How does Salazar's book compare to others? Salazar has the same audience and purpose as Pfitzinger and Douglas's "Road Racing for Serious Runners," and Glover's "The Competitive Runner's Handbook." My favorite of the three is Glover's book, because of its complete and authoritative information, numerous helpful tables, predesigned and customizable training charts, and coverage of heart-rate monitors, injuries, cross training, and many other specialized topics. I would rank Salazar's book at the same level of quality and coverage as Pfitzinger and Douglas's book; both are excellent.

In summary, Albert Salazar's Guide to Road Racing is an excellent training guide for serious runners. If you want to improve your racing time, you'll love this book.

Para cualquiera que haya hecho dietas es evidente la realidad plasmada por el autor de volver a engordar, y a pesar de que la solucion es tan obvia, no la vemos hasta que nos la ensena este libro. Gracias al Sr. Askenazi

I loved every page of the book, it helped me learn to eat well, and to throw away all my diet books.. i lost weight since almost 1 week after i read it..

thanks

es Increhible al momento de dejar de hacer dietas empesar a bajar de peso con una facilidad, que solo el autor puede llevarnos

This short volume betrays the late David Sylvester's masterful understanding not only of his subject, but of modernist aesthetics overall.

"Looking at Giacometti" documents the way an extraordinary analytical mind came to understand a critical modern artist. The book has a tripartite structure: the first five essays were written while its subject was living; the next five offer a retrospective view of the artist and his work; and the final chapter, written during the 1980s, offers yet another perspective. With each successive chapter, Sylvester's understanding of Giacometti's work deepens, and his passionate, probing curiosity leads him to greater insights.

Of course, Sylvester may be remembered most as a sensitive interviewer (cf. his brilliant interviews with Francis Bacon, his probing Duchamp interview, and his book of BBC interviews with American artists); but his criticism -- particularly on Giacometti and Bacon -- remains exemplary, and indispensible.

This brief but exceptionally insightful study of Giacometti's work is highly recommended to anyone interested in modern art -- and to anyone hoping to write precise, incisive art criticism.

One of the best studies of Giacometti available in English, written by a a professional critic who knew, interviewed, and even posed for a portrait by Giacometti. It covers all of Giacometti's artistic periods, his work as both painter and sculptor, and takes into account his writings, to produce a detailed and nuanced portrait of the artist and his work. And, it's especially refreshing to read a book about Giacometti that focuses more on his work than his personality.

As a general introduction to Giacometti, Sylvester's book is far superior to James Lord's overrated "A Giacometti Portrait," and is much more useful than Lord's biography, if you want to understand what Giacometti was trying to accomplish. This book is obviously not as exhaustive as Bonnefoy's enormous study on the subject (160 pages versus 574), but Sylvester's analysis is sharper and more hard-headed.

The photographs of Giacometti's work are limited and rather poor in quality, and none are in color. You'd have to go to the Scheider or Bonnefoy studies of Giacometti for reproductions. But for a serious analysis of Giacometti's work as it developed over his career, read Sylvester.

This excellent volume offers an in-depth look at the evolution of Alberto Giacometti's sculpture and painting. Having often visited Giaometti's Paris studio during the last twelve years of the artist's life, the author is able to provide an intimate portrait of one of the major figures of 20th century art and presents a comprehensive, analytical survey of the artist's work. Included is an extensive interview with Giacometti from 1965 and sixteen of Patricia Matisse's black-and-white photographs of the artist's work and studio. The author explores the artist's interest in the process of objectifying reality, the question of how art is perceived, and how Giacometti's work is related to the work of other modern artists. In so doing, he has written a book that is valuable not only for the study of Giacometti's paintings and sculpture but also for a deeper understanding of modern art as a whole.

Most of my several thousand volume library consists of serious books, works of literature, literary criticism, philosophy, history, theology, political science, and so on. But I also have a shelf or two devoted to "fun" books, books that I pick up and just lose myself in having fun. This is one of my favorite fun books. Not a masterpiece. Probably won't be in print twenty years from now. But the photographs are spectacular! And in just under 300 pages, almost every major city and structure of Europe has been photographed from the air. It is not merely the famous sights and buildings that makes this such a fun book, but some striking photographs of relatively unknown features. For instance, one of the most stunning photographs for me is what would appear to be a gigantic green field in Denmark that has been punctuated by a series of large housing circles, each cut off from one another, and each surrounded by the same green field.

The text has been provided by noted travel writer Jan Morris. The book is largely structured by starting with Italy and proceeding clockwise through the entire European continent, ending with Greece, Romania, and Turkey.

I really can whole heartedly recommend this book to anyone except those who don't like to look at anything. But if you have any interest in the world, in traveling, in Europe, in history, in photography, or in just having fun looking at awesome photos, this book will prove to be an utter delight.

I stumbled upon this title in a competitor's bookstore and was astonished that I hadn't read a review anywhere. With a 1998 imprint and Jan Morris as the author of the text, it doesn't seem like it should be an obscure tome, yet even here on Amazon.com, only one other person has reviewed it!

The photos are designed to provoke a sense of wonder and awe in the reader/viewer, and they succeed aesthetically, emotionally, and psychologically. From the rock of Gilbralter to a dense set of "potato row" houses in Copenhagen; from snowfields near the Arctic circle to Turkey--it's all here, images snapped from blimps, airplanes, helicopters, almost any method by which one might be "over" Europe.

One will not be able to glimpse most of these sites from comparable vantage points on a typical trek across the continent unless one plans to do so in a biplane. The images here are unusual in their breadth and majesty. ... The text is literate and fun. Buy it and marvel.

If you regard this book as just another coffee table book you aren't even half right. This is one of the best photo books I have ever seen. The pictures are outstanding. Nearly every photo takes you to the alter of the church, the edge of the cliff, or the gate to the castle. Not only is it a photo book, but a great travel book. These aren't just descriptions of what to see, but beautiful pictures showing you what you will want to see when you get there. You won't even need to take a camera or change for postcards-- the best pictures are right here. Get this book before you plan your vacation to Europe.

THIS IS NOT JUST A BOOK. IT IS A BEAUTIFUL AUTOBIOGRAPHY OF THE AUTHOR'S LIFE. THE INNOCENCE AND ACCEPTANCE DESCRIBED IN THE FIRST CHAPTER ALONG WITH THE STRUGLE AND COURAGE OF THE CHAPTER "DENUBIO" SHOWS THAT MIGENE GONZALEZ-WIPPLER IS NOT ONLY AN ELOQUENT WRITER, BUT ALSO A TRUE DIVINE INDIVIDUAL; "UN SER DE LUZ". I HOPE EVERYONE IN THIS UNIVERSE IS ABLE TO RECOGNIZE HER IMMENSE SACRIFICE TO HELP ALL OF US. ONLY BY READING THIS BOOK YOU WILL BE ABLE TO REALIZE WHAT A WONDERFUL BEING SHE IS. QUIERO QUE EL MUNDO ENTERO RECONOZCA EL IMMENSO SACRIFICIO DE LA AUTORA. SOLO LEYENDO ESTE LIBRO SE PODRAN DAR CUENTA DE EL GRAN AMOR QUE ELLA LE TIENE A LA HUMANIDAD.

No se puede evitar el sentimiento de admiración hacia los orishas después de leer este libro. Es una descripción de los beneficios encontrados por los que se involucran con la religión sin entrar en mucho detalle en las ceremonias.

Ya sea que lo lea como una historia de ciencia ficción (novela) o como una entrada al mundo de lo esotérico encontramos los relatos muy amenos. Se encuentra cronológicamente estructurado y bien redactados. Es observar las prácticas de lo que se encontraba hasta hoy oculto, en la mirada inquisitiva de una mujer profesional. El lector debe comprender que no se comparte profundidas de conocimiento sino; como bien se títula el libro sus experiencias.

The techniques described in this book have applications well beyond process or parts industries. I'm an engineer in mobile communications (an industry that desperately needs quality improvement) and I'm using SPC methods to eliminate choppy voice and dropped calls using feedback mechanisms between cell phones and base-stations. This book has provided me with a comprehensive framework for real-time network quality management. Don't be put off by its somewhat quaint language: this book gives real solutions to modern real-time signal processing problems.

Professor George Box is a world renowned statistician, one of the greatest applied statisticians of the 20th Century. He has made fundamental contributions to the theory and practice of statistical methods. He is a wonderful lecturer and writer and can write on many levels. He has co-authored many classic books in statistics including texts on times series analysis and control, Bayesian methods, experimental designs, response surfaces and evolutionary operation. His work in design, response surface methods, time series and evolutionary operation were first motivated by his work in the chemical industry.

The text with Jenkins on time series analysis and control is a classic and had a major impact on the application of time series methods in business and industry. The systematic approach that they advocated was quickly referred to as the Box-Jenkins methodology. Although time series forecasting applications were well accepted by industry, the portion of the text demonstrating application to feedback control systems was largely ignored.

The 1980s and 1990s saw a resurgence of application of statistical process control in manufacturing. Basic Statistical Process Control (SPC) deals with control charts that assume independent identically distributed observations when "the system is under control". This is the basic theme for the Shewhart control charts and the cumulative sum charts that are standard in basic SPC. Hahn and Tucker at General Electric (among others) recognized that the approach could be generalized to dependent stationary processes using the Box-Jenkins methodology. In this text Box and Luceno describe this methodology and the recent results in the context of monitoring for process control and the incorporation of feedback adjustments to the process when the process goes out of control. Basically, they have taken the ideas on feedback control systems from the Box and Jenkins book and found applications to the control of manufacturing processes.

This is very useful stuff and is certainly worth knowing about. However if the reader is looking for a good introduction to standard SPC methods this is not the book he/she wants.

George Box and Alberto Luceno give you the best advice you need for Engineering Process Control (EPC) and SPC theory in this 300 page book. New methods, such as Cusum, and EWMA are also explained. Enough knowledge for a practician and more if you want in detail. They don't bore you by deriving equations you care less. I am an engineer in manufacturing and know when I need to study an equation or accept it as correct. In year 2000's, SPC and EPC will be emphasized in manufacturing even more than ever. Engineering process control has benefited from SPC in an exponentially growing rate. My motto is "SPC is the blood test of the manufacturing process control - S. Can". I recommend this book to all practicians of EPC.

Mogador is a Latin American novel set in an imaginary city (Mogador) that belongs in North Africa - complete with an Islamic or Mozarabic culture. It is a tale of sensual self-awareness of a young woman in a cloistered environment. Sanchez's sensual awareness and the ability to convert that awareness into words is sufficient justification to read the book. As a bonus, one does become interested in the young woman (Fatima) as well.

This is the first time I read a book by a man that goes deep into my sexual feelings. Daring and respectful at the same time, sharp and poetic. I want to read all his books. But only found this one (in my favorite bookstore...). This is an author listening to women's desires. I want to meet him.

When I went into the pages of Mogador I discovered a new way of understanding my senses and my desires. As important as learning how to read,through the lenses of a poetic an sensous adventure. Telling thestory of Fatma, in the imaginary and walled city of Mogador, this book opens a question about women's desire that only each one of us,women readers, can answer. This is a masterpiece of subtility, a book to share with the dearest persons, a tale to read and read again. I found a sequel of Mogador in other languages. It's title in spanish is Los nombres del aire. The sequel's title is En los labios del agua. Both books exists in french. Les visages de l'air and Les levres de l'eau. An amazing experience for the senses more than a text to read.

Mondrian's work is, in my opinion, best appreciated in context. He didn't simply arrive at perpendicular lines as form overnight, and this book demonstrates how Mondrian evolved as an artist over time. The text is highly readable, never too lofty, and quite fascinating at times. Those who are not entirely familiar with Mondrian's career or who want insight into his vision as an artist would do best to consult this text and its many color plates.

Reading this is a must for any artist .

What can I say but I was told to read this and am so glad I was. Some of the best advise I ever got .

TO read the book and what is in it !

A good overall introductory-level book of Mondrian's work. Lots of full-color illustrations, many full page, and relatively short text make this book easy for the reader who is developing an interest in Mondrian's work.

The author places Mondrian's work within the context of the times it was made, discussing concurrent developments and how other artist's work was influential on Mondrian, and how his work in turn influenced other artists. Several illustrations reproduce the work of these other artists.

The text is both biographical and developmental, as the various periods of Mondrian's work are all discussed, from his earliest Hague school-influenced landscapes through his Cubist inspired works to his mature Neo-Plastic paintings.

The photographic reproductions are excellent, and the text is informative without being scholarly. For anyone needing an introduction to Mondrian's work and career, this is the book for you.