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Overall, this book is introductory, and best serves as illustrating a challenging world in a coffee-table book format.
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More recently, author did not delve into findings of US Dept of Labor that UAPD was not a Union for purposes of collective bargaining in private sector. In fact, UAPD severed its private sector bargaining units in order to avoid scrutiny of procedures for electing its officers. Findings of DOL suggest violations of NLRA, Taft-Hartley and Landrum-Griffin.
Author also did not choose to include decertification of UAPD as bargaining agent for doctors employed by Contra Costa County in 1995.
The one interesting innovation of UAPD, the UAPD IPA, was remarked upon only in casual passing and not provided any in-depth treatment.
Generally, book seems to be a subject author tired of during research and only published because the amount of time spent in research would otherwise have been wasted.
Insightfully, Budrys shows that traditional private practice doctors, independent contractors, are joining with their salaried colleagues to sign up with unions even though only the salaried doctors are entitled to classical collective bargaining at this time. The motivation for both groups of doctors is similar. In private practice for-profit HMOs and managed care programs often delay or deny diagnostic studies and treatments prescribed by treating doctors. The doctors, untrained in negotiations, then find they have to challenge their own administrations to provide care. In government programs at the state, county, and federal levels, including Medicare and Medicaid, doctors find that burgeoning rules and regulations also prevent them from doing what patients need. This obstructionism unifies doctors, cuts across financial and remuneration incentives, and drives them toward unionization, especially towards the Union of American Physicians and Dentists (UAPD), affiliated with the American Federation of State, County and Municipal Employees (AFSCME), the largest union in the AFL-CIO. Budrys states that the UAPD is "a harbinger signaling the emergence of new forms of collective representation" and concludes her book with these words about the UAPD: "I find it hard to imagine another organization that is in a better position to do so."
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That said, it lacks the impact of his single-frame cartoons, and for some reason the entire thing is set in his favourite font which, while certainly atmospheric, isn't exactly readable (especially since it's ALL IN CAPS).
Baxter fans should definitely get this. Others should try _The Impending Gleam_ first.
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This reworking of Dorothy Sayers' MURDER MUST ADVERTISE begins with a poverty-stricken author answering a telephone call - "Faintley speaking..." comes the caller, and hence the book's title. The author then carries out the telephone's mysterious instructions to bring a parcel to a shady shopkeeper - and stumbles on a network of crime. The telephone caller, Miss Faintley, is found stabbed to death by the detective Mrs Bradley's secretary and one of Miss Faintley's pupils (for Miss Faintley was a teacher). So far, so good. It then proceeds to go rapidly downhill. The rest of the book is fairly drab, filled with unnecessary excursions to France, descriptions of schools and ships - most of which have only a slight bearing on the plot. The criminal is only encountered once before being arrested, and the book is principally a shaggy dog story without much substance.
This one deals with the discovery of a dead body in a hole, and the dead body of a girl dressed as a dinosaur at a garden party - both have been bludgeoned to death with a shovel. Mrs. Bradley (demoted for the 50th novel) is called in to investigate, and investigate she does. There are only two suspects, but the reader's mind is kept wondering which of them actually did it. The murderer isn't revealed until the very end (in Mitchell's work of the 1960s and 1970s a use of minimalism led to the murderers being known early on), and, despite only 2 suspects, it is a surprise. The plot is good, and the use of the children and the setting very much recalls The Rising Of The Moon, but also her earlier (little-known) masterpiece, The Devil At Saxon Wall (a book which ought to be on every bookshelf and in every bookstore).
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The book is a sad waste of time for busy people looking for a short overview in order to pass the civics test. It does not cover US history, which is necessary for the interview...
This book, alas, is another example of an author's failure to do an honest job.
If you already have a solid background in the artists life, then by all means read this book to get a sharper insight into his mental inner-workings!