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I particularly enjoyed the fact that every perspective wasn't devoted to the USA, corporate, we are the chosen children of capitalism viewpoint. Instead, we're treated to far more objective looks at the events (and the provocations) which led up to them.
Finally, we're shown a glimpse of what is to come. Offering some astrological probabilities of upcoming aspects, we are invited to see fresh possibilities and insights.
I enjoyed this book far more than I usually do, when several astrologers get together and caucus over the same bit of information. The repetition we may see only serves to reinforce particular ideas and the articles are woven together into a seamless and unified whole.
Astrologically the main emphasis is on interpretations of the charts of the events in September, together with related charts such as those of the United States, George W. Bush and, to some extent, Osama Bin Laden. Many other charts are also considered such as the World Trade Centre bombing in 1993 and the national chart for Israel. Interpretations of the Saturn-Pluto opposition transit through 2001 and 2002 receive particular attention throughout the book.
The astrology is continually placed in a broad context, with extensive considerations of the historical, political, and economical background to the attacks, together with similar perspectives on the consequences. Many questions are asked. Did the perpetrators use astrology? Did the terrorists intend to crash into the White House? Where do we go from here? Very occasionally some of the views appear rather fanciful, but overall this is superb stuff that does intelligent justice to modern astrology.
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I live in Bowdon, Georgia where the haunted Inn is in the
book. I know the woman who lives in the Inn. She told
me one time that she had a guest in the house and they
were talking in the hallway , and that a door slamed shut
right in front of the guest. The guest left vowing never
to come back.
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A terrific and entertaining book for when you are in the mood for "light" reading. The ultimate book for reading by the pool.
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The book's first section lists and discusses equipment in detail, setting a teacherly--not bossy or condescending--tone that continues throughout its many delicious recipes, each of which is followed by tidbits such as when you might want to substitute one herb for another, what might make a good accompaniment, etc. The book is detailed and packed full of tips and suggestions, but it doesn't bury the information so that a beginning cook can't see the forrest for the trees. From scrambled eggs and omlet flipping techniques to stuffed pork chops, this cookbook covers all the basics while managing to treat its readers like the potential gourmands they are: even the scrambled egg recipe makes me feel like I'm sitting down to really appreciate a meal rather than taking baby steps or just "making do" for dinner that night. The authors anticipate common mistakes and questions, explain their terminology, give a range of preferred options for altering a recipe, and, best of all, have included all the information you need for each recipe with the recipe itself--not in an index or introductory section somewhere else in the book.
I love my Joy of Cooking, and I refer to it and the Silver Palate often, but this is the cookbook that I learned from and to which I regularly return. This is a great cookbook for beginners, well-conceived and well-executed, and very well designed.
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In the book, Cornelia Bailey, resident griot of Sapelo Island off the Georgia coast, spins the story of her growing up in that place and in a time when lives were governed equally by religion, magic, and chance. She admits us deep into the culture of her proud people and introduces us to folkways strong enough to have survived the Middle Passage and the centuries since. So it is with infinite sadness we learn that the forces of progress are rendering these same folkways as fragile as a paper-thin fig shell that washes onto the beach.
It goes without saying that God, Dr. Buzzard, and the Bolito Man will appeal to cultural historians, anthropologists, naturalists, and environmentalists. The book's strongest appeal, however, will be to lovers of lyrical prose -- and to anyone who delights in the sheer magic of the way words fall on the ear and follow one another on a page.
This is a special book, one that should find a home on every reader's short shelf of well-thumbed volumes that are read and referenced time and again.
Great work, Amy! Thank you! I can't wait to read your other works.
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The book is well organized into chapters each focusing on the life of one individual artist. The author skillfully and humorously connects information about artists' personalities, preferences, and lifestyles with how they affected their most well known artworks. It recreates each one's position in history, telling how the artists were seen by the general population in their day, or even their reputation among curious or superstitious neighbors. Readers will be able to see for themselves that famous artists were real people who did mess up once in a while. The author explains a time when Leonardo Da Vinci decided to try out a new painting method, saying, "The technique resulted in disaster...(he hadn't read all the way through to the part that said "don't try this on walls")."
The author's voice helps compliment the content in several ways. Kathleen Krull's words strike a tone that is warm, chatty, and friendly, making you feel as if she were talking with you in the same room. Her gossip extends not only to the basic facts but also to many specific details abou the artists' lives. Showing the passion and tragedy in his life, she remarks about the artist Vincent van Gogh,"Van Gogh imposed a condition of near starvation on himself and would go for days without food so he could afford to buy art supplies." In addition, every sarcastic or humorous comment made on the part on the author helps readers to feel they are getting to know an actual person rather than a cold, vague historical figure.
The author also ensured that the book would appeal to an audience of both children and adults. The words and explanations are engaging and humorous and immediately capture your interest, yet the vocabularly is not too difficult for children. The full-page color illustrations are vivid, clever, and bring to life each artist for the young and old alike. Because the book gives more information about each artist than is generally known, it is sure to benefit and interest a wide range of audiences.
Readers of all ages will definitely become hooked on this fact-filled and entertaining biography. Lives of the Artists: Masterpieces, Messes (and What the Neighbors Thought) retells the one of a kind stories of each of the world's most famous artists, blending historical facts with humor and captivating details. Most importantly it allows readers to recognize each individual artist through an attractive mix of their achievements, lives, and unique personalities.
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I found myself wanting to help the main character out of his terrible predicament. This is one of those books you just can't put down, and one that you don't want to end. She's got a great story to tell, and her writing style is outstanding.
This is one of the best novels I've read in years.
It is not amiss to equate her offering with the quintessential record of those experiences, Andersonville by MacKinlay Kantor for Ms. Higgins exhibits an estimable command of research, as well as a munificent gift for lyrical elegiac prose.
Scenes of prison camp life are heart-bruising as seen through the eyes of men struggling to survive in a morass of death and disease. "...there are eleven thousand of us in this pen of about twenty acres. And four of those swamp." Plagued by vermin, lack of sanitation, self-administered medical care, raiders (comrades who steal their scant possessions for barter) and the cruelty of guards, many captives soon die, even beg to be shot.
Yet, in spite of intolerable conditions there is a thread of hope - not Emily Dickinson's hope, "the thing with feathers," but the hope of those pushed beyond their physical and emotional limits: "The burn and pulsing of it. That is hope doing its work."
A young Union soldier and former apothecary's apprentice, Ira Cahill Stevens, is taken prisoner in 1864, during the time when passionate arguments have brought prisoner exchanges to a standstill. Thus, prison camps have become intolerably overcrowded and tantamount to a death sentence, abysmal sties where soldiers switch allegiance for food and clothing.
Incarcerated with only his "Soldier's Book for Leisure Moments," a small handbook "intended for the young Christian soldier going forth 'in deference of his country,'" his father's pen, a silver spoon, and needle and thread, Ira is aghast and sickened, tenuously clinging to the prospect of a prisoner exchange.
Ira's sustenance is found in his ever present book, "...the only thing that helps me fall asleep," and his comrades. For guidance the young soldier looks to an older man, Gus, a preacher, who kneels to say his daily prayers then pats the ground and falls asleep. When Ira grows ill, Gus reads to him from the Bible. Ira hears "...words that don't mean a thing but the sound of 'em nice."
Gus's counterpoint is Marinus, an incorrigible cynic, who relishes the sound of his own words. There is also Louie with his "ferrety laugh" who tries to tunnel to freedom, and Willy, "...skinny but with a little boy's plumped up face yet. Hair so red it makes his skin pink. Jug ears."
Eventually Ira is moved to a military prison in Florence, South Carolina, where he becomes a paroled prisoner volunteer in the hospital overseen by a compassionate Dr. Strother. Ira comes to hold the medic in such esteem that he vows not to try to escape, "...my word of honor that I will not violate my parole by going beyond one-half mile from the hospital limits."
But when he is sent into surrounding woods to forage for berries, he walks on "pine needles and mossy stone. I kneel down and claim it all for the Union." He is tempted to flee in the dense fog but returns to confinement, realizing, "Loyalty, it seems, is a prison strong as any."
Ultimately, that is the message of A Soldier's Book - choices. No matter how desperate the situation there are choices. As Ira increasingly opts for the humane when surrounded by inhumanity, he evolves into moral manhood. And this affecting volume becomes not only a harrowing reminder of the brutality we visit upon one another, but a memorable paean to the noble bent of the human spirit.