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This book is a marvelous exploration of love, desire, sisterhood, societal norms, and gender. Dieguez's narrative is a beautifully woven tapestry, and I lapped up every word. I only have a couple disappointments. First, the hardcover version was badly edited (there were a few misspelled words, and several paragraphs that were not indented). Second, a serious problem with Jessie is not wrapped up by the novel's end. This could be because Jessie is no longer worried about it, or it could be the case of a first-time author forgetting to tie up all the threads. With both of these problems, they were disappointing, but did not lessen my enjoyment of this marvelous book.
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Teach your children well....
Thankfully, the old ways of Appalachian country living are preserved in these interesting and relevant instructional books. If you've ever been interested in how rural Americans survived before the days of Wal-Mart and Shoprite, you only have to look to the Foxfire books.
These books are very useful and informative. They come with plenty of diagrams and photos to teach you how to live off the land. Before the advent of trailer homes and double-wides, rural Americans had to build log homes. Before satellite TV and Playstations we had banjos and ghost stories. And before welfare, people were self-sufficient and could live off the land.
Not only can these books teach you about country living, they are handy for any writers or researchers who want details on Appalachian mountain life. There are lots of monologues and stories told by old-timers here. In many cases the living language of these folks is preserved quite well, and by reading their stories you almost feel like you're with them.
-- JJ Timmins
Subjects ranging from folk medicine, ghost stories, cooking, woodslore and much more. If you are involved in "living history" or you work for a recreated farm/museum, these books are a gold mine of information. The text can be a bit difficult to follow, but this is because it is written the way these people still speak. If anything, it adds to the authenticity and charm of the series. Even if you never attempt to build a log cabin, or make "leather britches beans" you're sure to find a "heapin' helpin' of good reading.
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compiled principally by patrick mcdonnell (artist and author of "mutts" -- the finest contemporary comic strip) this is a good introduction to the best comic strip of all time. for some thirty years in the first half of the american century, george herriman created one of the greatest works of american art and literature. based almost entirely on variations on a theme (cat loves mouse, dog loves cat, mouse throws brick, cat deems said abuse [rightly?] as a sign of love), herriman caught the essence of a country barely growing up, as well as love in all its potential manifestations.
"krazy kat" can be appreciated as allegory, or it can be enjoyed simply as damned funny. this volume will allow you to have a bit of both.
but oh dear, when will some brave publisher issue the entire run?
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Perhaps the best recommendation for this books comes not just from the many expatriots who rely on it, but from the native Azeris who are astounded at how well Mark Elliott (native of UK) knows their country. Azeris are famous for assuming (perhpas rightly so) that the rest of the world knows nothing about their country. So, when Azeris recommend a book about their country, written by a foreigner, it is a pretty good endorsement.
By far the best aspect of the book are the scores of maps and illustrations--all done by the author. As a trained geographer, I appreciate the excellent maps loaded (almost overloaded) with information. They are easy to read maps that make it difficult for the traveler to get lost. I am particularly impressed by how a map can simultaneously accurate and amusing! My favorite entry is the map of the fascinating town of Quba that includes "Old Men" sitting in the park. Damned if they weren't still sitting there. On another map, the author suggests looking for grey beards at the point where you're supposed to make a particular turn. Sure enough, there they were.
Living in Baku, my family and often make use of Elliott's recommendations for restaurants. Of course restaurants come and go, but the information is nearly always accurate and detailed.
My eight-year-old son and I have enjoyed taking his "scavenger hunt" for artistic architectural oddities in the city. I think we've now found all the objects in the second edition, but a third one is already on the drawing boards.
Mark Elliott has a delightfully respectful attitude towards Azerbaijan and the Azeris. This is different form many travel books (Including the Lonely Planet Guide to the South Caucasus) which often take on a preachy attitude which tends to poke fun at the local cultures rather than respectfully describing them as Elliott does.
In addition to being a good travel book, this book also is a worthy source of information on the country for anyone interested in learning about it.
Having lived or traveled extensively in over fifty countries I can recommend this book most highly.
Baku or bust!
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Oh that those who take themselves so seriously would take Rough as a Cob (and Sex Dead Dogs and Me) as text books for how "to love one another" through laughter.
I just don't know how to review a masterpiece of good southern stories (for all people .. even Yankees ..) except to say it'll help us all to "love one another" ... "try it you'll like it"
Thanks you Ed for sharing your God given gift of humor!
My sons are playing little league this summer, so I especially liked the chapter on types of parents you see at little league games: "the socialist mom" (who thinks all kids, regardless of ability should get equal playing time), or the solicitor dad, (who is always trying to sell you something). I'm still looking for the centerfold mom, but haven't spotted her yet.
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The passage of time is what makes this book a pleasant read, and utterly depressing. There are few resolutions to the catastophies that occur throughout the story, leaving you with a sunken feeling of the depressing events and little to get you out of it. With much birthing and deathing, there are few rejoiceful passages in the book. However, the rewards of this read include watching time give Cean a new lease on life (though permamently hardened by the toils of her life in the rural Georgia (Georgy)) and Margot temporary happiness in her mid-life (though eventually hardend by the events that unfold before her).
The book suffers from a lack of depth in certain aspects of the story. Just as you are feeling pulled in by the characters, the author jumps ahead a year in time and instead of developing the story lists the children that were born to a character in the interim. In addition, you can only see glimpses of Miller's ability to write poignant passages (as the one above)- most of the words are much more straight forward and anxious.
However, if you read past some of the low points, you will get to the ending that is more clever than the rest of the novel.
The book is set in Georgia about twenty years before the War Between the States, and eventually leads up to the War. The story revolves around the life and thoughts of Cean Smith (nee Carver), and how she manages as a young wife and mother in the Georgia backwoods. Her life is marked by hard work, love for her husband, and birthing, raising, and burying her babies.
I was first struck by the dialect. The more I read, the more I recognized my own mother's speech patterns and idioms. I should have expected as much, seeing as she was born and raised in a Kentucky holler, in a situation not far removed from that of Lamb's Cean and Lonzo. From the book's excellent afterward (which describes Miller's research technique), as well as from numerous contemporaneous reviews, the dialect in Lamb is probably the best record available of pre-War Between the States Southern speech, and the book therefore has historical value. Attempts by authors to portray "Southern-speak" usually come off as irritating, even insulting, poor imitations of a "Hee-Haw" script. But Miller makes the dialect not only effective, she makes it beautiful and even honorable.
The story line has several elements to commend the book. First is the utter believablity of the situations. There is nothing outrageous about the vicissitudes encountered by these characters. The power of the story is contained in large measure in the very plainess of life in the setting. Life for these folks is a few years of hard toil to scratch out an existence that is punctuated by brief moments of happiness and made joyful by enduring family ties and precious generational memories. Most prevalent in the story is the ubiquitous presence of death, which spares neither the elderly, the middle-aged, and especially the children and babies. The story made me remember the grave yards at my Alma Mater in southern Virginia, where the grave markers tell a story of a time when families had more deceased children than most people today have living relatives. And in this is the Southern heart most eloquently displayed in Lamb, for every passing is, of course, cause for mourning, but is also occasion to remember the blessing that death has become, as it is the Door that leads to the long hoped for encounter with the Great Maker, Redeemer, and Disposer of All. In Lamb, dread death is not feared as it gives way to Blessed Transfiguration.
Lamb In His Bosom has a rightful place in the Southern Canon. The story is unique; it has no real plot sublety or intricacy; it has none of disturbing Gothicity of O'Connor, none of the flagellation of Faulkner, none of the contrived humor of Welty. This in NO WAY is a diminution of those great Southern writers. Rather, it is a confirmation of the Southern Character and Ethos of seeing God and nature as good and living in close connection to both even in the face of hardship and death, loving our living, and honoring our dead. Lamb In His Bosom deserves to read, carefully and quietly. It is a book that is beautifully simple and simply beautiful, just like the South and Southerners.
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The book is a good one. It will keep you interested throughout. Of course I knew before starting how it would end up - no conclusions on who did it - I learned a great deal about what actually occurred and have drawn my own ideas about what happened and who may have been involved. Knowing the area added to the "enjoyment" for lack of a better word, of reading, but it is definitely not necessary.
I am glad I was disturbed while I read this book. I hope everyone who reads it is as well. Too bad we'll never know what really happened.
Wexler takes us back to the beginning when a black man, Roger Malcolm, stabs a white man, Barnett Hester, for allegedly having an affair with his common law wife, Dorothy. As Barnett lingers near death, Roger sits in jail counting his days left on earth. Eleven days later when Barnett recovers, Roger is then set free when his bail is posted by Loy Harrison, a wealthy landowner and landlord to George Dorsey (Dorothy's older brother) and his common law wife, Mae Murray. It is returning home from the jail that Roger, Dorothy, George, and Mae are dragged from Loy's car by an angry mob of white men and are murdered in cold blood. Loy claims he did not and could not recognize any of the attackers which was why his life was spared on that fateful day....and so the lying begins and never seems to end.
For years, the NAACP, FBI, Georgia Bureau of Investigation (GBI), and local law enforcement conduct their investigations, interrogations, and examinations only to arrive at no convictions. It is only in 1991, when an "eyewitness" steps forward to tell his story that there appears to be a slither of hope for justice. However, hope fades as holes and contradictions run rampant in his testimony as well; and unfortunately by the early 1990's all of the suspected perpetrators and potential corroborating witnesses are deceased. It appears that the leads had literally died out and one wonders if justice will ever be served.
The author does an excellent job of "peeling back the layers" to set the stage for the story and expertly blends in the national and state political agendas that influenced the course of events surrounding the lynching. By doing so, the reader understands the history of the rural Georgian townships where the story plays out, the role of the key witnesses including their family and criminal backgrounds, public displays of bigotry and drunkenness. She also shares the political tactics of the day used to deny blacks of their Civil Rights and protection under Federal law, numerous contradictions in the witness's statements/alibis/affidavits, and lack of follow-up and missed opportunities by law officials. The handling of the case by the investigators from beginning to end is totally unbelievable by today's standards, but what is moreso shocking is the blatant racism, hatred, and wantonness of the townsfolk toward an atrocity such as this.
This reader ran a myriad of emotions while reading the novel -- first, frustration in that no perpetrators were ever brought to justice and nor was anyone ever held accountable for these heinous crimes -- a fact that is unfortunately recurrent in so many lynching cases. Secondly, anger and sadness when reading about the intimidation and threats against local blacks as well as the breakdown and separation of the victim's families in the aftermath of the lynching. The murders only exacerbated their wretched existence as poor, undereducated sharecroppers. The author's skill in conveying their daily living conditions and lifestyle using census statistics and first hand accounts was outstanding and heartbreaking.
This book is a page-turner! Although Oprah, Dateline, and the Atlanta Journal-Constitution have covered this story, Wexler adds a twist: her words breathe life into the pages and add color to the black and white photos in the book; she presents the evidence in such a way to allow readers to draw their own conclusions. Hats off to Ms. Wexler for her perseverance and dedication to finding truth. Well done!
Phyllis
APOOO BookClub, The Nubian Circle Book Club
Laura Wexler is an author and researcher extraordinaire. Her talents are unmatched by anything I have read in recent times and certainly on par with American Literary Giants. Ms. Wexler's (a white woman) only shortcoming is that she fails to capture the anger a person of color could have brought to such events. Without saying anything more, yesterday afternoon I gave the book to my wife, by 11:00pm she had read 168 pages.
As you read be mindful of the following. Focus on the dates of those events, how relatively few years have passed between 1946 and 2003. For that matter think about the climate of America back in 1966. Only twenty years removed from the Morre's Ford Bridge lynching and unilaterally all whites would agree times were still overtly oppressive for blacks. With that, think about Affirmative Action and how 1966 represents one generation of blacks, still not fully removed from out right racist attitudes. I also want my friends to consider the prevailing attitude of whites in 1946 and how to this day, or at least 1997-1999 how those attitudes stood the test of time. Consider not just the rural, simplistic, racist cotton farmers, but the complex, covert, economic, and political powers of those white racists in place at the time. What do you think the power elite taught their children? If they taught their children their core values and belief system (which all good parents do), do you think those children (today's white leaders) would act upon their beliefs overtly or covertly? What struggles do you think Blacks might still face today?
As we STRUGGLE to understand and move past our differences, it is imperative that we recognize the RECENT history of overt racial oppression and the healing power of Affirmative Action. Growing up, Black men used the phrase "my brother" as a greeting. In that greeting we recognized not our biological sibling, nor our color, but more deeply our common struggle. To remove it from the vernacular and express it for what we were really trying to say, "my partner in struggle."
Your Brother,
habworks
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