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This book is ostensibly about a fictional uprising in Chiapas that took place shortly after the land redistribution attempts by the PRI were begun in the 1930s. But to see it as only that is to miss the deeper levels of the book. It is also about the inherent inequalities of perception that challenge us, both from within and without our social groupings.
The main conflict is over the role of the government in overseeing the destruction of the fincas in Chiapas. When the agent of the government arrives to redistribute the land back to the peasants and destroy the system that always left the Tzotzils of the region overworked and permanently impoverished in their villages, he encounters the entrenched resistance of the landed Ladino gentry.
Meanwhile, in the villages of the countryside, where the Indians live, there is a religious revival, and not of Catholicism, but of the pagan religion that has never been fully destroyed in the area. This part of the book appears to be based on an episode in the Yucatan uprising of the 1850's, but is actually a deeper analysis of the role of the directly inspired mystic as a critique of the established traditions.
When the Indians finally begin their revolution, it is started by one of the most shocking events in the book. Yet, with the author's skill and courage at facing the event, one does not cringe or turn away from it, but acknowledges it in the same way that the engineer who witnesses it does: "more out of fascination than of fear."
The book examines closely the role of religion in fostering and in destroying revolution. Near the end, the book contains a conversation between the atheist governor of the region and the archbishop. While one might hope for a longer, and more full description of their conversation, the episode rings true, as we always wish for more answers in these areas than we can get.
The book holds no character up for esteem, all are there for your perusal as they are. If you are looking for a hero you will not find one here, it is populated by real people with the real faults and weaknesses that we all have.
If, on the other hand, you want to read a book that carries with it a timeless quality, one that will challenge you and force you to come to terms with the ethical ambiguities that plague us all, this book will dominate your thoughts for some time after you have put it down
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If I have one major complaint with the book, it concerns de Waal's style: she responds to the prayers more from her head than her heart. Also, it might have been helpful to include a historical overview at times, but that's not the purpose of this book. (For a good historical overview, see Oliver Davies' introduction to Celtic Spirituality in Paulist Press' Classics of Western Spirituality series.) These are minor complaints, however, for a book that contains so many Celtic Christian prayers from down through the centuries.
I was especially moved by the focus on the trinity and the cross in the prayer of the celtic people. De Waal devotes a chapter to each of these topics. She thoroughly demonstrates what she has to say, what she has come to practice in her own prayer life, with excellent examples from the prayers and poetry of celtic Christians and monks.
Another aspect, the one that took me deeper and farther than I expected to go, is the celtic idea of journeying. We journey through life (we all know this), and prayer is a living part of that journey (we often forget this). So true is her statement, "I shall not find Christ at the end of the journey unless he is with me along the way."
The final chapter on praise in the celtic prayerlife was wonderful. I found myself longing to hear the examples of praise put to music today. I think it would enrich the worship at my own church.
I enjoyed The Celtic Way of Prayer tremendously. Coming from a Protestant background I disagreed with the celtic worship of Mary that is sometimes revealed in De Waal's examples. However, anyone should be able to read beyond such a disagreement and be edified in their spiritual growth by applying the rich ideas from the celtic way of prayer in their own life. There is much to be gleaned from this book.
For years, I thought life had to be a struggle, the world was full of wrongs to be righted and that we had to prove ourselves worthy in some way in our lives to something or someone - whether physical or non-physical.
The non-dogmatic, non-preachy Abraham teachings changed my view of the world completely.
Now I sit back and relax, let my thoughts and desires flow and life just gets better and better. I pretty much get everything I want these days and things I don't quite have in the bag yet are well on the way.
Even after just a year of playing with the Abraham ideas, I find myself looking at other people in the world and wondering why they make things so hard on themselves.
You see, life is a choice - and it is much more of a choice than many of us dare believe. And we can choose to live life the "hard" way with lots of suffering or we can live it the "easy" way with ever-increasing freedom, growth and joy.
I now know that every single little thing that every occurs in my day-to-day existence is something that I have deliberately created and I now know exactly how to control all those things.
Do yourself a favour - forget all the emotional/religious/psychological baggage you've been carrying all your life and just learn how the natural laws of the Universe really work.
One thing is for sure...you'll never go back!
The 365 Day Calendar allows you to organize and prioritize your daily goals and objectives while leaving space for you to stay focused on wishes & desires that have been milling around in your mind for much of your lifetime. The words of Abraham on the back of each day only add to the power that your own wanting can bring to you.
Because writing is such a powerful point of focus, deliberately writing down on a consistent basis what you want and why you want it simply opens your channles for deliberate positive manifestation & funnels the awesome energy & power of the universe into the very personal life experience that you are living.
I highly recommend this tool as a creative means for continually reminding yourself of what is most important to you and why.
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Okay, there really isn't a sub-genre by that name. Maybe there should be. Sure, it might be a short-lived sub-genre (such as the brief flurry of category romance novels featuring sexy, deeply conflicted but ultimately redeemable vampires...) but it would be fun while it lasted. I'm all for a third and fourth anthology, at the very least.
Humor is, of course, subjective, but there is enough variety among the stories to appeal to the most deeply warped sense of humor. Which is a good thing.
The "Ode to Xena" dedication was marvelous, and summed up the tone of the book to follow with the closing "quote:" "Bad doggerel. No biscuit."
Summary: Bring your sense of the absurd, check all baggage marked "quivering moral outrage" and "free-floating political correctness" at the door, lighten up for an hour or so, and enjoy.
"A Night with the Ladies" proves that the 'Hawk doesn't need her wizardly boyfriend Sun Wolf backing her up--although a few gal-pals don't go unappreciated...
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This is more along the lines of something your grandmother's church group would have put together for a fundraiser back in the 60's. For what it is, it's very thorough; it just is not what I wanted.
There are excellent recipes, hints and tips. I would highly recommend this book to all those who are in the kitchen. Everyone can learn something from this book, young or old, new cook or experienced. You will not be sorry you've purchased it. I would not be without mine.
Castellanos masterfully weaves the lives of numerous people together in a narrative which is often captivating. Keeping the characters straight is only a problem at first, for soon you have in your head a remarkably clear picture of them all. I found myself caring equally for the fates of characters I knew would clash with each other, and this is one of the great accomplishments of the novel.
Some of the language and imagery, based on Mayan mythology, gets obscure and occasionally tedious, but this is a minor complaint, for the majority of the tale is stunningly clear and suspenseful. The book is filled with Mexican and Mayan words, which may seem off-putting at first, but their sense can usually be discovered through the context and a glossary of the most obscure words is provided at the end of the book. I found myself enjoying having some of the words left untranslated, for it strengthened the immediate poetry in the writing, and the sense of place inherent throughout. There are also an introduction and an afterword which provide useful information about Castellanos and the history of Chiapas.