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Care was taken to avoid over-sentimentality, in this assortment of loving reflections of dogs, celebrated here. These accounts are full of love, and are sometimes even funny - and we are thrust into the realization that perhaps that is the most wonderful kind of living memorials we can have for a beloved pet. Too often, we lose this perspective, while trying to keep from drowning in our own bereavement and sorrows.
Rather than being a collection of sad literary memorials Old Dogs Remembered is a joyful celebration of life with pets. This inspires healthy new points of view and adjustments to moving on into our new lives, without them.
Here we are treated to many different outlooks on how they permanently enriched the lives of their owners. Reading these heartwarming pages will broaden the understanding of each reader, concerning his/her own personal bereavement. Here, we are offered the collective wisdom of others, who reminisce on their honored pets. There is much to be shared and learned here, as well as enjoyed.
With so many different authors, one must appreciate that references and styles have changed drastically, through the ages. As an example of this, some might find the essay by the dramatist John Galsworthy to be interesting, but a bit troublesome to read. And, as with any anthology, there may be some accounts not everyone would appreciate. But all pet lovers will readily identify with the overall shared remembrances, here. This is a heartwarming collection, which can be enjoyed comfortably, in several installments.
There will be many an uplifting tear shed in its reading, and we suggest it for your reading pleasure.
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Probably the most compelling theme is choosing to run your own life - i.e. they had to decide to quit working, deal with home ownership, grown kids and so on, to realize their dream.
So in that sense it is resource for anyone thinking about realizing some dream, it doesn't have to be about boating. But for those of us that like boating, well it is that much better.
She's a good writer and I'd sure like to see another book on what they did after they returned from the South Pacific. Highly recommended!
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Author John Maddox Roberts makes this turbulent era in Roman history come to life. From details of Decius's candidate toga (whitened with chalk to stand out), to the economics of being a Roman politician, to the scheming of the three men--Pompey, Crassus, and Caesar--who rule Rome, THE TRIBUNE'S CURSE drips with authenticity. Better yet, the history lesson is fully integrated into the story. Roberts delivers information as it is needed, involving the reader in the mystery and the history simultaneously.
Decius, with his fears of poverty, his love of wine, and his loving but greedy wife, makes a sympathetic character--important since the story is told as a first person narative. He is positioned high enough in society to have access to information and contacts, yet low enough to be fair game for anyone who thinks that the truth would be better hidden.
Fans of Roman history, historical mysteries, or fine writing won't go wrong with this compelling mystery.
Reading this, the reader gets a sense of how alien the Romans really were---and how much they really believed in their religion.
On the day he is to depart, the fanatical opposition leader, the tribune of the people Caius Ateius Capito delivers a curse on Marcus, daring to speak the secret name of Rome. Decius is ordered to find out how he learned such a sacred name but before he gets very far in his investigation, the mauled body of Ateius is found. Decius must get answers and soon otherwise the frightened populace will start rioting.
John Maddox Roberts, through the use of the first person narration of his protagonist, gives the reader a glimpse into the mindset of the citizens of the Roman Empire on the subject of slavery, magic, politics, and war. The story line is colorful allowing readers to feel as if they have gone back in time to Ancient Rome. THE TRIBUNE'S CURSE is an exciting, well-researched historical mystery.
Harriet Klausner
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Content data, records and biographies about the fighters are divided in three main sections: 1- the early pioneers from bare knuckle brawlers to the Boston Strong Boy; 2- the old timers when the sweet science becomes an American passion; and 3- the modern era when boxing waxes and wanes but the grear stars shine. Names like James Figg, John L. Sullivan (The Boston Strong Boy), Max Baer, Jack Dempsey (The Manassa Mauler), Jack Johnson (the first african-american heavyweight champion from 1908-15), Gene Tunney, Joe Louis, Archie Moore, Rocky Marciano, Sugar Ray Robinson, Joe Frazier, Muhammad Ali (The Greatest) and many other great fighters, they are all here. You will also find information about boxing's supporting cast with names like Gil Clancy, Cus D'Amato, Angelo Dundee, Lou Duva, Don King, Arthur Mercante and others. Additionally, there are short essays on the governing bodies ruling the sport, the seamy side of boxing scandals, the influence of television in the sport, etc.
In conclusion, this is an outstanding source of reliable information on boxing as well as on individual fighters in a handy, manual, illustrated book format for a very reasonable price.
Otto holds that "The true visage of every true god is the visage of a world." In the second part he sets about discovering the form or visage of Dionysus. This he brilliantly lays out in chapters dealing with every aspect of the god. Chapters include: The Vine, The Somber Madness, Dionysus and the Element of Moisture, Dionysus and the Women, and Dionysus and Apollo. I will not attempt to recount his conclusions. Get the book and read them in Otto's lapidary language. Don't be put off from reading this book if you don't know Greek. While there are a fair number of untransliterated words, you can understand the meaning of the sentences from the context. However, be aware that this is not "lite" reading but a serious study that requires and will repay thought. The book itself is a handsome, sturdy paperback with glued signatures.
I have only read the second part. Ottos description and interpretation of the myths surrounding Dionysus is poetic and, and at times borders on the sublime. His impact is emotional as well as intellectual, and I came away feeling that I knew the God of whom he writes. This must say something for both the passion of the author for his subject and the skill and sympathy of the translator.
The book is well (exhaustively ?) documented. Only one thing was irksome. Reference is constantly made to words from the original Greek using greek characters with no transposition into english characters (for a non-classically trained person such as myself). While the commentary surrounding these texts usually explains their meaning and impact, I have had to learn the Greek alphabet and buy a classical greek dictionary (Langenscheidt) to verify and fully understand the commentary. Even so, the book is otherwise beautifully accessible for a lay person such as myself.
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The book is well-written, easy to understand, funny, loaded with action, mystery, irony and plot twists. The ending had me shocked. I should have seen it coming but I didn't.
I couldn't put this book down and I can't wait for the next one.
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Tucker begins the book by building the business case for systematic innovation: Why is it a survival issue for organizations today? Why do so many corporate leaders agree that innovation is a key strategic issue, yet have great difficulty in actually implementing systematic, pervasive innovation within their companies? What's needed is a systematic and comprehensive strategy for innovation, and that is the focus of this book. Systematic innovation, according to Tucker, is comprehensive, involves all employees, is focused on an organized, systematic and ongoing search for future business opportunities, and is focused on delivering new value to customers.
In Tucker's quest to deconstruct the DNA of systematic innovation, he covers an impressive collection of key strategic innovation issues, including how different corporate leadership styles and cultures can influence an organization's commitment to innovation, or lack thereof; how to identify unmet customer needs and build market-leading new products around them; and techniques for "future scanning" -- "mining" emerging trends in an organized, systematic way to uncover exciting new business opportunities.
Driving Growth Through Innovation is highly practical and inspiring book, a field guide to successfully implementing systematic innovation that should be on every entrepreneur and innovation manager's bookshelf, yet at the same time a compelling manifesto for change in how most companies approach innovation. Tucker does a terrific job of clearly and compellingly explaining the systematic innovation methodologies used by the Innovation Vanguard companies, and provides readers with one valuable insight after another into how to make these principles work for you.
I highly recommend this book!
If you liked the two books by Jim Collins: Built to Last and Good to Great, you will want to read this book.
As a publisher, author of 28 Books, 109 revised editions, six translations and over 500 magazine articles as well as a consultant to the book publishing industry, I rely on books like this. I will refer to this book again and again.
Dan Poynter, ParaPublishing.com.
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The only way this book could be improved would be to spruce up the table of contents (page numbers would be helpful), make the section headings more obvious, and provide a key for the code (maybe it's there and I just haven't found it). But those are pretty minor flaws in an overall great work.
Jack Chick is just reflecting standard theology (fundamentalist theology) in his tracts, and by and large, Christian fundamentalists in the U.S. buy all this stuff without flinching. In fact, the whole "Bible Belt" generally believe the following examples -- all of them straight from Chick's tracts: A) Religions that don't accept salvation through grace alone are not "Christian" / save (thus, Mormoms and Catholics are going to hell), B) Salvation -- even at the last minute -- is enough to get into heaven, and C) God doesn't judge on the basis of skin color at all -- but instead, on the basis of one's own belief in a righteous god and a saving Christ on the cross.
I should know, I was raised as one of these fundamentalists. And you know, they're not bad people. Just people who are firmly convinced that they've found the secrets of the universe in the Bible, and that the world needs to learn these secrets as well in order to be saved from a certain doom. (Which, of course, is exactly what Jack Chick's tracts so effectively communicate!)
There is an excellent, quaint but all too short introductory commentary by photographer Barry Lategan who provides a brief digest of the nude form both historically from Biblical and pre-16th Century Irish churche times down to its present-day employment in advertising, girlie magazines and calendars. He provides some reflections on perceived but not totally explained limitations and restrictions governing male nudity. He also gives an interesting explanation of why horseshoes are hung over door ways, a Celtic custom handed down from olden times.
The majority of images are excellent, nicely representative of acknowledged and established photographers of the nude body and I had especial respect for the artisitic works of Herb Ritts (folio of 12 images from "Women Through the Ages"), Barbara Bordnick, Howard Schatz, Barry Lategan and many others. However, I found Suzanne Opton's "Device" (from the midriff tragedies) and Nancy & Matthew Sleeth's "Venus at Thirty" (still no pubic hair?) contrived and of uncertain merit in the context of this book. Nonetheless, "Nudes 3" - Graphis is substantial, and could find place on many coffee tables and open library shelves.