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Monique asks here where she lives. Sevrine says that she lives here. Monique is puzzled by this because she lives there. Sevrine tells her that she is a Jew, so she has to hise from the Nazis. Sevrine tells her that she lives in the cellar in her house, and that Marcel Sollilage has been hiding her family for awhile. Since Monique found out that Sevrine lived in her house, she would have someone to come to her room at night to play with. She brought Sevrine things like soil and then one day, a butterfly. They both go to the window to let the butterfly go and their next-door neighbor, Monsieur Lendormy, saw them together. They thought that Sevrine and her family were in danger, so they went to go find and wake up Monique's mother.
Marcel tells them to put on as much layers on them as they could and had Sevrine's parents dressed up as a priest and a nun. A car pulls up that Sevrine is going to ride in. Monique gives Sevrine her cat, Pinoff and Sevrine gives her a gold chain with a gold Star of David on it. Will Sevrine and her family survive? Will Monique ever see Sevrine again? Read this great story if you want to find out what happens. I thought this book was great because it was based on a true story. It is a great story, that tells you about two little girls that come face to face with the Nazis, but still have faith that it will all be over soon.
Secretly meeting and playing together each night after the other members of the families sleep, Monique and Sevrine build a poetic friendship full of hope, happiness, and a childish energy that defies the boundaries between war cultures. After a neighbor catches sight of the girls playing too close to the window, the girls realize that the secret hiding place might be suspected. The plot races onward to an exciting climax as Monique and Sevrine must divulge not only their secret friendship but also the new danger to their parents. Escaping to a new hiding place, Sevrine's family is whisked away into the dark night of the unknown, while Monique hopes for her friend's safety. A symbolic butterfly fluttering through the French family's garden later assures Monique that her friend must be alive and safe. An author's note in the end pages assures readers that Sevrine did survive the holocaust-although her parents were not as fortunate.
The characters, while handled lightly in words, convey roundness in the authentic sense of emotions as they run the gamut of fear, comfort, hate, and love. Convincing as a memoir, The Butterfly successfully conveys the quiet strength of individuals amidst trial.
Perfect as a delicate and sophisticated handling of a cruel time in history, The Butterfly provides an appropriate way to dialogue with children about the uglier side of humanity-without crossing into the gruesome or blatantly shocking (although also true) stories of war that sometimes make war books inappropriate for younger children. The Butterfly provides allusions to war crimes that will be understood by older children while still providing an eye-opening tale of friendship to younger children. Targeting the age range of 6-9, The Butterfly adeptly provides insight into the beauty of life while describing life's fragility.
Known as the author/illustrator of numerous books including Pink and Say, Patricia Polacco's pencil and watercolor illustrations highlight the contrast between the cruel and the innocent. The dust jacket of the book is a perfect symbol of the juxtaposition between innocence and cruelty since the front side of the cover depicts irises, a butterfly, and a young girl with warm watercolor tones and delicate chiaroscuro while flipping the book over reveals a Nazi officer with a hard-set jaw and unseen eyes with a swastika banner depicted in harsh black, gray, and browns. Polacco's story is an important history while her illustrations make that history palatable and vivid to child and adult viewers. Experiencing The Butterfly means contemplating unsettling human history while savoring the security of friendship.
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The side plots are where this book stumbles. The story about his son works quite well and keeps this from being just another cookie-cutter book about a trouble boss saved by a charming assistant. What I found to be utterly gratuitous was the whole evil threats/bombing aspects. This seems to be a real trend in 1990's romances. It seems to be something of a cop-out when the really tough thing to write about is the growth of the relationship.
Bottom-line: A pleasant read but not a book I'll be keeping or lending to friends.
Pippa had a positive outlook on everything even with all the demons she was fighting in her life. Her mother died of cancer, she lost her job, and she had an abusive boyfriend. Even with all that, she came out on top. She was humorous and loveable at the same time. Her relationship with Chad was heartwarming and I loved how she dealt with Seth!
Seth was a total recluse who didn't know what to make of this whirlwind that blew through his life and ruined his routine. He definitley desired her but he wasn't sure what else he felt for her.
The end of the book was thoroughly enjoyable and very satisfying. Do not miss this book!!
I can't wait to get my hands on more of her contempory stories.
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The plot moves quickly and introduces many interesting characters. My only complaint is that we don't get to delve deep enough into those characters. Definitely worth having, especially if you've already read other books in this world.
Here's a great book that kept me intrigued and entertained from cover to cover.
I don't need epic-proportioned books. This one will do just fine.
*Caught in Crystal* is one of the novels in her "Lyra" series--a series of fantasy novels that all take place in the same world, although in different places and time periods of that world's history. All the books in this series are excellent novels that stand alone without the need for the other books to prop them up. Three other novels found in this fantasy world were republished together as *Shadows over Lyra*, and another book set in this world is *The Raven Ring*.
I like *Caught in Crystal* because of its strong characters and melancholy, but resigned, tone. It is one of her darker novels. Wrede is a master. Kayl is a character who must deal with aging...as well as going back on a quest to finish something that wasn't finished right the first time.
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But what did people eat for breakfast? How widespread was corn or oats? What other kinds of grains were used? What were sub-regional specialties? How much was wine thinned with water? How long could a wine last in those days before it went bad? How often did people get food poisoning?
For what this book was written for, it's an excellent one. For a writer, it's a very good starting point.
All they served was alcohol to drink. Neither my husband nor I drink, so we went dry the whole night. There were a few others like us. Then almost all of the dishes were made with alcohol. And I mean SOAKED in it. Not the kind of meals where most of the alcohol was cooked off. Then the main dish was a skimpy serving of oysters. Needless to say, our palates were not satiated.
Those fools really could have used this book. There are tons of MEAT recipes from chicken to hare. There are numerous soups that aren't made with beer. There are desserts besides rim soaked cake. Lo and behold, there is even almond milk for the non-alcoholic.
The front of the book has some menu suggestions and the back is great for the historian. There is a fair sized section with the recipes in the original language. It's fun to pick through the old wording.
This truly is a wonderful book and the recipes taste great. A must have for anyone who wants to put together a REAL medieval dinner.
One of the spice blends that they give has become a staple in my kitchen, the "Sweet spices for many good and fine foods", which I love to use on salmon before cooking. I did make one change (which the authors note many sources recommending) to season "to the taste of the lord" (that's me) -- I changed the bay leaf to dried orange peel. Try it.
Another recipe I will definitely make again is the Asparagus with Saffron.
My one quibble is that the recipes are almost exclusively French or Italian, with very few from England, and none from any other culture. But, since the authors themselves hail from the first two countries, this is perhaps understandable.
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This story is about Eileen and was written by her mother. Eileen fought hard against the effects of Lupus. Every setback that was thrown at her she fought against, and in the end, she lost. But her strength and perserverance moved me.
I highly recommend this book to everyone. Lupus is a disease that is not as widely known as others, but is very devastating. We need to to find a cure for this illness so no more people die from it.
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The illustrations and the background "thinking" that are added to the conversation truly give the reader a sense of understanding.
What I found to be the most interesting is how quickly the entire idea of TROT came together. Within a month of meeting, Mel and Bill had the ideas and the philosophy of TROT down. When it comes down to it, there was very little change from those initial conversations until the final product launched.
This book documents their next venture and details how they developed the business. It is like an adventure as you follow the letters to each other with new ideas.
If anything, I use this as a model for writing business plans. That's the biggest compliment I can give.
I found a new appreciation for tea in fact before reading this book but now that I've read it I have further confirmed the splendor of this drink and I love coffee too! You have to read this book if you are curious about Tea Mind but you also have to read this book if you are passionate about ideas and need to bring these ideas into the execution stage. Also includes a real business plan - the one used to form 'The Republic;' a living example!
So much beyond the tea but the tea is enough! Check out their Web site and order their catalog then maybe order some tea and taste it to complete the tangibility of this company's birth.