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Notwithstanding her publisher's marketing strategy, this is far more than a story of survival; and though she may share with Mark Doty or John Bayley a life marked by caregiving and loss, Brennan authors a far finer literary memoir, imaginatively and unsympathetically crafted, with a style more akin to the radical sincerity of J.R. Ackerley or Annie Ernaux or Herve Guibert.
These are your best friend's letters. Karen Brennan is your favorite author.
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There are no morals given; no helpfull hints; just honest enjoyment of many things that may not fit our public personas or enhance our professional images. Before I even finished the book, I found myself mentally starting to examine my own guilty pleasures. It's so nice to know that I'm not alone in admitting that I do get a thrill out of a few somewhat dubious activities.
My daughter keeps dipping into this book, too. Obviously, it's appeal is multi-generational.
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A young woman loses her father in a freak accident. She is one of a family with enough peccadilloes among them to keep any reader fascinated. She decides she will sleep her pain away, her mother decides she will run away with a cult, and brother decides to bury himself in his achievements and try to ignore the whole mess. The pain in this family is palpable but so is their zest for living. Those who loved "Bridget Jones's Diary" may like this book even better. It has the snap of the new genre called chick lit to which "Diary" is a prominent member; like "Diary" it explores the pain that twenty-somethings often experience in a society that isn't keen on letting them grow up.
What makes this novel better is that Our Dear Dorothy is just more likeable than Bridget. She is not quite so needy, quite so miserable, is just less of a cookie-cutter character all around.
What makes this novel move along so quickly is the authors background as a playwright. The dialogue is quick and convincing. The grounding is much like a theater production. The settings are sufficiently presented but do not dominate.
Mostly the humor is so natural. I laughed out loud three times in the first two chapters and chuckled even more often. All in all, it's a good lesson that the absurd may be found in the most agonizing of situations and that it works ever so well as a healer.
(Carolyn Howard-Johnson is the author of "Harkening: A Collection of Stories Remembered.")
By Karen Mueller-Bryson
This book is a humorous account of grieving (or lack of) by one family as told by the daughter Dorothy. Unable to grieve over her father's recent death, Dorothy tells the story about her life with her brother (Jude) and her mother (Mrs. Robinson), and how they all cope with the father's death in their own different ways. It is a 'tongue in cheek' satire mixed in with shades of the movie classic Wizard of Oz.
In the adventures of Hey Dorothy, You're Not In Kansas Anymore, you can't help yourself laugh at the humorous overtones as the family disposes of their father's remains; and, how the mother tries to destroy a well-known coffee shop (called Buckstars) that she thinks is evil and trying to take over the world.
Karen Mueller Bryson has written a delightful story. If you want to read a refreshing, light comedy, you will want to add this book to your personal library.
Reviewed by Bobby Ruble
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These are not simple quilts - the biggest change is that you let the fabrics choose the shape of the template - but boy is it a rewarding experience. I also own her book Snowflakes & Quilts which takes the kaleidescope a bit further and turns it into a snowflake. I recommend both books very highly.
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Set in the 30s and 40s, these short stories chronicle the working lives of two charter boat sport fishermen and their customers who sail out of a Miami, Florida fishing dock.
A great perspective on life in those times and better days in this country. A feel good book even for someone who isn't a feel good kinda guy. I'd loan you my copy, but I don't want to part with it. A book I'd want my kids and their kids to read.
Filled with many personalities and twists, but always with a good ending.
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These ties, which Fanny and Sue intuitively cherish, do not suffocate. Indeed, one of the triumphs of this novel is its relaxed, but informed, technique of encouraging each character to emerge as a distinct person. With voices that capture not only the innocence of relatively sheltered adolescent girls but of the time in our national past when common people extracted uncommon strength to face economic and medical traumas, "Fanny and Sue" is at once a social history and a delightful character study.
Headstrong, assertive and unafraid of take risks, Fanny drives the narrative. Her impatience results in a scar on her arm which not only serves to distinguish her physically from her sister, but emotionally as well. Reseved, introspective and intellectual, Sue grasps the complexity of her relationship with her dynamic and often overwhelming sister. At once independent and symbiotic, the bond between the two is elastic enough to encouage individual epiphanies but profound enough to permit the two to live within the other's skin. For instance, always uncertain as to her own appearance and lacking the effortless self-confidence of Fanny, Sue realizes that she was the "prettier one, not because my looks were improved" by Fanny's accident, but that her sister had been "altered" by her mild disfigurement.
Grandually accepting the fact that they will perceive the world differently, both Fanny and Sue convert divergence into an asset. Fanny's love of performance and dreams of Hollywood may contrast from Sue's thirst for knowledge and her recognition of her passion for teaching, but both respect and encourage the development of ambition. Their unsure, tentative but delighted forays into sexual expression remind us of a time when modesty and curiosity were genuinely expereinced by teen-aged girls on the cusp of adulthood.
Ms. Stolz has so fully integrated the nuances of Depression living that readers may forget how hard she has labored to created authentic ambiance. Film titles, product tag-lines, meals designed for four stretched to feed eight, soda-jerking, husbands and wives selling wedding bands and marathon roller skating contests -- all these details give "Fanny and Sue" a true down-home feel.
This short, quiet and gentle novel serves to remind us that an author's love of her characters and respect for the beautifully complicated texture of everyday life are essential components of engaging modern literature.
You are reminded that during a time of hardship, family and friends count on each others time, effort and creativity. The closeness, loyalty and love shared within the pages are quite refreshing as Fanny and Sue familiarize others to the wonderful world thier hearts have created for themselves to be surrounded by.
I see my mother and her sister in Fanny and Sue and I almost felt like I was ready thier lives in black and white!
A must read for anyone who needs a look at a more simple time, even though the book begins during the depression.There was no money to speak of and they did without many items that we now take for granted on a daily basis. One thing the family was never low on is one thing I hope to always have stock piled in my home. You will know what I am talking about at the end of the book....Have a wonderful read!
another time and place, this time in the depression era in St. Louis.
Telling the story of twin girls, Fanny & Sue, Stolz paints a picture of two very different girls-the wilder, more adventurous Fanny, and the bookish, more sensitive Sue. Though opposites in many ways, the girls share a strong bond and cling to one another as we share in the monumental moments of their lives. Though the story is fiction, Stolz weaves in interesting facts about twins and their bonds and blends in fun momentos of the decades, like going to see Cary Grant at the "talkies."
Fanny & Sue has many laugh out loud moments as well as sadness and triumph. I can't wait to read more from this talented author~
My son (the one who handed me this book) was born with brain injuries we are not even certain about at this time due to his teenage birthmom's irresponsibility. We have been through all of the physiatrists, child psychologists, physical, speech, and occupational therapists and social workers over the past two years in assisting him to walk and talk and use his hands.
There have been many times that I have felt just like Karen Brennan has expressed so beautifully in this book. Her emotions and frustrations that people in these situations often can't even identify, much less tell someone about, are described in ways that allowed me to find words for my own feelings and to accept more of those moments when the answers are not forthcoming.
Like Karen, we also lost a parent this year and oddly found new hope and help and inspiration out of the despair. Karen and Rachel Brennan have made me feel that someone else was not only coping but triumphing with tiny steps, and making their way to the light.
The beauty of this story is that the writing is excellent and the writer's ability to open her heart and share her deepest thoughts has not only helped her daughter and herself heal but countless others who may be facing similar challenges in their own lives.
Give this book to someone who needs encouragement, knowing that they will find empathy, sincerity, and a friend with real experience and undying love.