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This book provides many games, activities and songs, to help teach children music concepts through play, without the use of musical terms. Very easy to read and anyone can use this book; musician or not.
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So what is the rest of the content of this cd rom? Well the rest are songs in uncompressed wav format! Yes dear reader, almost ten years after introduction of mp3 sound compression format someone is putting uncompressed wavs on the cd rom. But why are they doing it? So that advertise can say 'full of multimedia content'? Ok, dear producers, next time don't forget to convert all pictures to uncompressed BMP format. I can guarantee you the same cd rom content will jump to over 900MB, so that you can put in the following advertise: "Seti CD-ROM, over 900MB full of multimedia content! On two CD roms!".
Some may say, another reason for putting wav files is the easy integration in internet browser environment. Wrong! There are dozens of sound compressors which integrate well in browser environment, including mp3. Even if mp3 doesn't work on some browser, the problem can be solved by putting mp3 player on the cd rom. Do i have to mention that this player is freeware?
But this sound compression would put our cd rom producers in a little trouble since the overall content would become 30MB or less. And they don't want that to happen. Right? You can't put an advertise saying 'Buy Seti CD rom! Over 30 MB of multimedia content'. Because one download from Friday night party on your digital camera is larger than that. And one will know there can't be much of multimedia on that cd-rom. And our producers know that too. So I guess they tried to fix the problem by putting uncompressed wav files on the cd rom.
Dear producers, if you are so into multimedia (over 400 megs!?) why didn't you provide some interesting sound files? Let people hear how a pulsar sound like. How does "wow" signal sound like. How it sounds when you point the radio telescope to the Sun on various wavelengths. How does it sound when you point on a distant active galaxy. And many other examples of space sounds and around them. I know there is no much of Seti stuff in there, but people are curious. And you talk about radio telescopes so these sound files count into. It is obvious that such exotic sounds are very interesting to us readers/beginners. Oh yes, i said one lie about radio files. You did put some radio telescope sound files on the cd rom. The whole 2 of them. What a multimedia...
Part tutorial, part memoir, and part history, "Tune In The Universe!" is your guide to the Search for Extraterrestrial Intelligence. It is a fully interactive hypertext-book on CD-ROM, which you read on your computer using its web-browser software (the book is Windows, Macintosh, and Linux compatible).
Written for the knowledgeable layman, "Tune In!" explains why we are most likely not alone, and where we are most likely to detect evidence of other intelligences in the universe. It teaches you how to build your own amateur radio telescope, in order to join in a scientifically credible search for beings Out There. Since the medium supports it, "Tune In The Universe!" also includes, as a bonus, sixteen of my SETI songs.
You don't have to be a rocket scientist, but if you're interested in SETI, you do have to read this book!
H. Paul Shuch, Ph.D. (Dr. SETI ®)
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The book is divided into specific segments = a brief introduction/history of the cartoons = the cartoons listed by year of theatrical release = a section of miscelaneous releases by the Warner Bros. studio = last, a cross reference section that indexes the shorts alphabetically by title, and by featured "character"
In the "meat" of the book, each short has a good synopsis of the story, a list of characters, and artistical support information (director, animators, background design/artist, musical supervision, etc.)
I'm on my second copy of this fine book. Go and buy this thing before it goes out of print!
There, don't you feel better knowing this book is about to become yours? This is the "bible" of Warner Cartoons. Each one has been watched and thought about in what must have been a gruelling marathon of cartoon watching (I am SOOO jealous), resulting in a good review (and list of credits) for each and every cartoon made by the studio including some of the offshoots like Pvt Snafu and the cartoons released in the 1980s. If you are a collector of any sort this is really the ESSENTIAL book for you.
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The book deals with many issues such as racism, depression and grief, and child abuse. Henry is trying to be a good boy though his family has been torn apart by the hit-and-run death of his brother. His father has lapsed into an almost catatonic depression and his mother is away all the time, working double shifts struggling to pay the bills. Henry tries to pull his weight with a job stocking groceries: and there the antagonist is introduced. It's his evil boss, Mr. Hairston.
Mr. Hairston says nasty things about his customers behind their backs and abuses his young daughter. (Henry's naive eyes do not percieve the abuse, but to the reader it is all too clear.) But the real issue at hand is his racism towards Mr. Levine, a Jewish Holocaust survivor and Henry's friend. When Mr. Hairston learns of Henry's desire to get a gravestone for his brother (his family cannot afford them) he offers a deal: "I'll buy you a stone, but you have to do something for me." The "something" Henry has to do is smash Mr. Levine's beloved toy village that he's been painstakingly carving for months.
This conflict, while ingeneous, is introduced late in the story and resolved rather hastily, in only two or three pages. The story could have been much more powerful than it was; it seemed rather diluted, like strong wine watered down. Cormier fans will appreciate it for Henry's young, innocent narration and Mr. Hairston's surpreme evilness, but those not familiar with the author's work will probably find this book to be nothing better than toilet reading.
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As a health professional who has worked for many years with people, including artists who suffered from schizophrenic disorders, I can affirm that Margaret Helfgott's book rings only, too true.
As a painful and loving testament to her father Peter, her family and her brother David, Margaret Helfgott takes the reader through the maze of distortion and lies by "Shine's" director Scott Hicks, David's second wife Gillian, and the commercial exploitation of David Helfgott by post production interests. Despite the distorted need to invent blame, the profound reality of David Helfgott's illness will not be altered by the many lies in "Shine" about his late father Peter and his family.
I could not put Margaret Helfgott's book down, and highly recommend it to anyone who saw the fiction of "Shine", read the screenplay, or are just interested in understanding the impact of schizophrenic-type disorders on patients and families.
A number of differences are outstanding. Whereas Margaret Helfgott interviews and quotes from many actual people who knew David in the past, identifying them by name, Scott Hicks "stands by his research" involving "friends, teachers, medical people and colleagues of David's" - however, he does not identify a single one of these people despite being challenged. Similarly, regarding Hick's claim that he was told that Shine's "portrait" of Peter Helfgott was actually "kind" and that there were far greater abuses committed by Peter which he chose not to include in the film. Who were these anonymous people who unstintingly fed Hicks his unconfirmed "facts"? If we did not believe Hicks totally, we might think this was innuendo in the extreme - in the best tradition of throwing mud so that some may stick.
What possible motive could Margaret have for defending her father to such lengths? Could it be Hick's claimed jealousy between the siblings, for which no shred of evidence exists in any of the writings.
Apropos the famed disclaimer at the end of the video "Shine" - it is microscopic! Unlike many biopics which honestly displayed their disclaimers legibly and clearly at the start of the film, Hick's disclaimer was illegible; despite the fact that living family members had NOT given permission for their real names to be used in the film. Once again, if one did not doubt Hicks' integrity one might really think that his advertised claims of "Shine" representing the true life story of David Helfgott, were honest.
Apart from attempting to correct the numerous distortions presented in "Shine", Margaret Helfgott, described on the book jacket as a music teacher, represents in "Out of Tune", a sole individual nobly fighting the forces of the film industry, its exploitation and its millions.
Anyone interested in truth and justice should read "Out of Tune".
My only complaint is that I wish it had more tunes in the book and more tunes on the record.