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Be aware that this is the Original Script, not to be confused with the Shooting Script. This should be clear as soon as you beginning reading, because originally Thompson had the scene shifting back and forth between Mrs. Dashwood and Elinor/John and Fanny Dashwood (credit for this revision must go, I believe, to Film Editor Tim Squyres, who recut the scene so that we get all of one side and then the other instead of alternating back and forth as in the original script). Overall the strengths of Thompson's script are in two main directions. First, she manages to convey the scope of the novel in a two-hour screenplay, no mean task. Second, the little details she adds to Austen's story are simply marvelous. For example, her use of Shakespeare's Sonnet 116 ("Let me not the marriage of true minds"), which Marianne and Willoughby share to their great mutual delight and which Marianne repeats standing in the rain looking at Willoughby's new estate. In fact, Thompson revised the first scene to make it even better, having Willoughby misquote a key word in an elegant bit of foreshadowing. Thompson also makes one nice little change at the end. While Austen has Elinor bolt from the room to cry outside during the happy ending. Thompson creates a wonderful moment by having her stay in the room and having the rest of her family flee. There are not too many scenes where you are crying and laughing at the same time, but Thompson certainly created one (and has the added virtue of relying on herself as an actress to nail the performance as well). All of these are marvelous examples of playing to the strength of the cinema to bring Austen's novel to the screen.
But we get much more than just the screenplay in this volume, because Thompson includes excerpts from her diaries kept during both the writing of the screenplay and the actual production of the film. It would be nice if there was more insight into what she was thinking when writing the screenplay as I am always interested in how decisions were made and where inspiration comes from, but Thompson makes up for that with her little tales of working with director Ang Lee and the rest of the cast in making the film. Finally, in the Appendices, there is a very choice little treat, namely Imogen Stubbs' Prize-Winning Letter, written to Elinor from Lucy. Do not worry; by the time you read it you will understand why it is so hysterical. There is also a list of the fine homes and estates where "Sense and Sensibility" was filmed if you happen to be roaming around England and are interested in looking for such things.
There is wit in the descriptions and the photos, all well-captured. The journal entries are entertaining and a good look into the making of a movie. Although be forewarned -- because they dress like the characters of S&S, they do not talk like them. There is definitely some verbal crudeness in the book, men and women alike, but if you can overlook that (or are used to it) then this book will be a delightful read for any Jane Austen fan.
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The story concerns a spider named Sophie. Sophie doesn't just spin a web--she weaves extraordinary works of art. Everyone who knows her is in awe of her talents.
She strikes off on her own to a drab little boarding house where she takes up residence and weaves her wonderful webs--but none of the people there care for her webs--or for her, for that matter. Except for a boarder who is expecting a child. She welcomes Sophie into her room and as she knits clothes for the baby Sophie, now old and frail, weaves a special baby gift of her own.
Warm and touching without being maudlin, Sophie's Masterpiece is a kind and loving story with extraordinary illustrations the dazzle on their own yet blend perfectly with the tale.
I have given this book as a gift to many children and am told time after time that it soon ranks as those kids favorite book.
Sophie's Masterpiece is a masterpiece, indeed!
Sophie the spider is more talented than most. Everybody knows that someday Sophie will spin a masterpiece. When she comes to that point in life where a spider must "strike out on her own" Sophie finds herself at Beekman's Boardinghouse. It's a dull, drab place that cries out for her talent!
But her efforts go unappreciated at every turn. She tries to spin curtains for the parlor, make a colorful suit for a sea faring captain, and weave new slippers for the cook. Each time she is discovered and greeted with disdain or fear.
Sophie climbs her way to the very top of the boarding house stairs and makes her way to the knitting basket of a young, pregnant woman. This time when she is discovered the woman only smiles. A now frail and elderly spider, Sophie watches as the woman knits a pair of booties and a sweater for her soon to be baby. But when the yarn runs short there will be no baby blanket. The landlady offers a rough, scratchy old quilt that Sophie has encountered on her journey through the boarding house. Sophie knows that for a baby's soft skin it will never do. Sophie knows she is the only one to remedy the situation.
So she sets out to weave a blanket for the child even though she is feeble and weak with age. She goes to the wide windowsill and spins a blanket with her own soft silk and moonlight, starlight, lullabyes, playful snowflakes, and other wondrous snatches of the lovely world. Just as the baby is born Sophie hears the cry of the newborn and right there spins in her very own heart (be prepared for your eyes to tear up). Sophie has created her masterpiece.
Is this spider reminicent of the loveable Charlotte? Yes, most certainly. Nothing wrong with that. We could use more selfless, giving, artistic spiders in the world, after all. The art is very different too. You would never imagine a spider being pictured in quite this way, but I feel it works.
The language is poetic and soft, gently leading the reader along to the conclusion. Be sure to have your child run their hand along the book's cover to "feel" Sophie's web, which is slightly raised and also "glimmers" when held in the light. Also check for fun details. Sophie uses a thimble for stool and a bobby pin for a cain. She weaves colorful stockings--eight in all, one for each spidery leg!
If you want a fun contrast read this book with The Spider and the Fly, the classic cautionary victorian-esque poem by Mary Botham Howitt newly illustrated by Tony Diterlizzi. The spider in that book is completely opposite of Sophie, but the message is equally wonderful in a completely different way (a caldecott honor). Children will have a blast contrasting the two spider characters! (And I might add that it's an excellent reminder that there are also both good and bad people in this world).
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What touched me the most was the fact that there were no pity parties for one, no cases of craft gobbled by the demon of lost consciousness. The sorrows are as sharp as the rays of light which follow them. If you've ever loved and lost, this book belongs to you.
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I recommend this book to any educator teaching middle-high school. Although some of my Middle School children aren't offically teens you can be assured they are experiencing this pressure ten-fold. As teachers we must understand our students, just like parents. This book is certainly able to provide a greater understanding of the pressures that "our" children face each day. I would also agree that giving this book to a Teen, for whom it truly is designed, would be most appropriate! Perhaps, teens would be intially frustrated by receiving such a text but would change their opinions as soon as they begin reading Chapter 1. Kudos to the authors. Thank you for helping me gain a greater insight into the lives of my students.
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Caring for an ill loved one is a very traumatic experience. Trying to hold on to a sense of normalacy is difficult indeed. I would highly recommend this book for anyone that is interested in reading a story of adversity, hope, and love.
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If your child does not demonstrate any separation anxiety, this book will be probably be great for him or her at any age. However, you may want to wait until your child is old enough to be comfortable with the content before you read this book (unlike us). As Jane Simmons' illustrations of this little duck are not to be missed, check out her other books if you have concerns about this one.
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