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There are some practical chapters in this book which should inspire and help quilters that are intrigued by the art quilt, but are not sure how to get started. (How to gather ideas and keep a sketch book, how to simplify designs for fibre construction, stylizing, adding depth and interest.) There is also a section where she explores machine embroidery with the quilting process. I love machine embroidery and I'm always looking for artistic ways to blend it with my quilting.
If you are a serious artist, collect this book so you can see what Jane is doing. If you're currently working in the zone--you are going to see some of these visions there.
If you are a beginning or intermediate quilter and are willing to
read and look at this book from cover to cover--it may influence your work when you get to the point you need to use design and color in innovative ways. Definitely a quilter's quilter book, but worth every minute you spend between its covers.
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Scarlet may be just a cat to some, but to me she personifies everything a mother should be! If you care about animals, you can't help but love Scarlet. You will be deeply touched by the many caring humans who became intertwined in her little life. From the truly compassionate firefighter, David Gianelli, to the woman who eventually adopted Scarlet, you'll pleasantly savor and revel in the goodness of mankind.
This book should be recommended reading in our public schools because it lovingly teaches children compassion and virtues. Though the photos of a severely burned Scarlet are graphic,they poignantly illustrate the depth of her devotion and willingness to suffer pain in order to save the lives of her babies.
I loved this book. I love knowing that Scarlet is forever loved and cherished and has left a indelible memory in the hearts of caring people everywhere.
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Ms. Yolen begins strongly by pointing out many of the most important distinctions between oral and written literature. Most of our classic children's stories began in the former, and have been migrating into the latter. The story teller plays a great role in the oral tradition, by adjusting the way the story is told to fit the audience. As parents, I think we all do this instinctively with young children, but gradually abdicate that role as the children learn to read silently to themselves. As story tellers, we can help point out the interesting and challenging parts of the stories. In so doing, we increase the likelihood that the child will learn more about what it means to be human.
Many people are concerned because classic folk tales, like Little Red Riding Hood, have many layers of meaning and can be interpreted in some pretty fightening ways. Ms. Yolen cites research showing that children actually like the punishments to be extreme in such stories, as a reflection of their sense of justice. But when should we be able to treat the outsider harshly? Stories like Rumplestiltskin nicely raise that issue. Whenever I review children's books, I try to point out these opportunities for exploring moral issues. One of the strengths of the folk tales is that they are full of moral issues, and questions of choice. For example, even when you take on the powers of magic, there is often a price to be paid.
At another level, these stories capture parts of ourselves. By focusing in an imaginary world, they allow us to concentrate on that little sliver of ourselves. For example, anyone reading Peter Pan will remember sometimes feeling like Wendy and wanting to grow up, and sometimes feeling like Peter Pan and never wanting to grow up. By being poised with a choice on that ambivalence, a person can make a more successful determination about growing up and in what ways. No child would sit still for such a discussion without Barrie's powerful story.
I was also impressed by the argument that we have many concepts that adults do not usually discuss in public company, like death, good, evil, God, and love. The folk and fairy tales are full of such subjects, and the "disbelief" that we suspend helps make us comfortable with dealing in these semi-taboo subjects.
One of the best arguments in the essays is that by going through Alice's Looking Glass these stories must be very true about human nature, or we will reject them. They will simply be too remote and disconnected otherwise. So the more absurd the setting, the higher the potential for touching the universal.
Naturally, there are things that are regrettable in these stories . . . but there are things that are regrettable in life. Moral conversation and discussion will always benefit from an early beginning in life. How will your children find out what you believe, if you do not use stories of all sorts as one context for explaining your ideas and experiences?
I also agree with the praise here for the time travel books that allow us to more realistically consider earlier times. Now that people study so much less history, there is an increasing tendency to assume the past was much like the present. That has never been less true than now, as our knowledge and technology advance so rapidly.
Perhaps the most persuasive argument of all is that these stories give us common metaphors for communicating with one another. In the absence of the Cinderella story, how can children deal with their universal secret suspicion that they were really born to royalty . . . not their own parents . . . and are fated for a great destiny? Having read many versions of Cinderella, as well as having seen the Walt Disney movie, I as shocked when I realized how impoverished this story would be if you had only seen the Walt Disney version. Then, having been shocked, I also remembered thinking how weak I thought the Walt Disney version was the first time I saw it as a youngster. That took me back to an age of consciousness where I had not been for many years. I was grateful for the experience.
After you finish reading this book and considering its many important messages, I suggest that you also read The Golden Bough, which looks at legends and folklore around the world over time. From that perspective, you will begin to appreciate how common our yearnings and intrepretations are of common life issues and circumstances. It makes me feel closer to every other person when that thought resonates throughout my body while reading that outstanding book, like the reverbrations from an enhanting chanson performed by a troubador's medieval song and lute.
May you touch others, and yourself, better through the most universal human stories from the oral tradition! Also, read aloud daily to your children and grandchildren. If you cannot be with them, you can still do this by telephone.
Her other essays face head-on the objections that many have to the old tales, and she champions them in their original form. In the wake of the uproar created by the Harry Potter books, her essays are well worth considering. We are, as she says, in danger of denying our children their own humanity when we brush aside the many gems of folk and fairy lore.
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Having read "First they killed my father" by Loung Ung It would be difficult for me to review this book with out comparing it to Loung Ung's memoir.
Both are essentially the same story, a young upper middle class girl living in Phnom Phen in april of 1975 when thier life, family and happiness are torn from them by the khmer rouge.
Many of thier experinces are similar as you might expect (long hours in forced labor, family deaths, witnessing murder ect..) but each has a unique story of thier own.
The writing styles also vary greatly and this is where Loung's "First they killed my Father is the better" book. Molyda tells her story in a very straight foward manner. Her discriptions of murder, torture and rotting corpses are alomost clinical in tone as if she is afaid to visit or express her real feelings at the time (and who could realy blame her) we are giving only hints about her family and life before April 17th 1975 (to be fair this may be in part to spare distant family members still in Cambodia from retalation)
In Loung's book however we are treated to two light hearted chapters discribing her life in Phnom Pehn before April 17th 1975 this gives the reader a chance to feel they realy know her, her brother's, sisters and parents thier strengths and weakness'.
Loung's memoir is far more emotional in tone and feeling leaving the reader almost gasping for air at points.
For those overly squimish that makes "The Stones Cry Out" the better of the two books. It is also the better of the two books if your sole interest is the surrounding history of the killing fields.
But for those just wishing to read a great emotional book "first They killed My father" is the better choice but I would highly recomend both to all.
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Teaching Patients With Low Literacy Skills shows you how to apply current research findings to actively involve your learner and enhance understanding and retention. It shows you how to prepare written and audiovisual materials so they most effectively teach.
Best of all, the Suitability Assessment of Materials form helps you evaluate teaching materials, quantitatively, so you invest your limited patient ed dollars wisely in the best teaching tools.
It's the classic in the field. This is the book everyone else quotes. Including me.
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Jane shares her background, introduction to quilting as an artistic medium, her struggles along the way, and the progression of her style, presented both in words and in pictures of her quilts over the years.
The last 40% of the book shows you how find your inpirational material, say a dandelion leaf or iris flower, and work with it to identify its signature characteristics.
Using two quilts, Jane shows her two approaches, providing plenty of detail. I'm working with the image of a Christmas cactus (I bought this book during the holiday season). I can tell that it's going to take a while before I get the design to the point where it pleases me enough to start buying fabric and sewing, but it's an enjoyable challenge. I look forward to producing something completely different from anything I've ever done or thought of doing.
Even if someone never intended to make a quilt like Jane's, reading this book and studying the pictures is an incredible education. The intense power that leaps from her designs is a challenge to every artist to put more life into every work of art. This is a book I will read many times, marveling at what this woman has created.