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However, before you undertake the detox programme, I recommend that you do a bit of planning of what you will have to do and what you will have for meals for the first week, so that when you start the programme you will have the best chance of sticking to it.
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Lovely Isabeau is loathed by her jealous stepmother, who casts a spell on her. Thus Isabeau is turned into a dragon. She is saved by her love Kemp Owain. And now Kemp Owain is turned into stone. Now Isabeau undertakes action, deviating from the usual fairy tale heroine and saves her love. But with her time as dragoness, her fiery spirit has emerged, and Kemp Owain loves her all the more for it and I as their reader too! Further there's a very interesting use of symbolism here, Mr. Nolan's illustrations show this perfectly.
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Jane Vennard's style is embracing and accessible. She has written a book that can speak to us differently at different times in our own lives or the world's history.
"Teach a course connecting spirituality with the work of justice and peace? When I have never ever marched, when I had never been involved in the civil rights movement, when I had lived abroad in the sixties and lacked awareness and inaction during a critical period of a nation's history, when I had never been on a mission to a poor country, never even spent Thanksgiving in a food line serving the homeless and the hungry? How could I teach a course and then turn the contents of the course into a book?"
A wise spiritual director set me straight," wrote the author. "You have many advantages. You are white, educated, economically comfortable. How can you use your gifts to serve God?"
As the author reflected on her own life, she discovered she HAD served God by praying and acting for justice and peace. What actions did Vennard find in her life that would promote peace and justice? She told of these actions in her lectures and later included in her book her own struggles to be a peaceful and just person. She taught about issues of sexual orientation, lessons which she experienced after her 38 year old ex-husband said he was gay. Her ministry in the Center for Women and Religion helped heal wounds of oppression for women. She began to see herself as a peace-maker among her family and friends.
In her lectures she included stories of stay-at-home moms who learned to solve family conflicts; young adults who spoke out against prejudice; teenagers protecting a youngster from a bully. Without too much delving, Vennard discovered activities in her own neighborhood. She found enough material for a course, and then opened up the prayer arena, relating examples of intercessory prayer, action prayers, prayers of renewal, transformation, and prayers of discernment.
What was the result? A timely bridge-building book which offers powerful personal stories and practical guidance for those seeking to bear witness as peacemakers in our day.
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I was completely fulfilled and satisfied with this last book in Jane Feather's trilogy. The plot of the book, which consists of twin sisters separated at birth, a handsome and elegant earl, a traveling troupe of performers, and a flamboyant monkey, makes this novel pure joy to experience. The author accurately depicts the strict mannerisms and protocol demanded of nobility in Queen Elizabeth I's court. She also beautifully portrays the love that blossoms between the earl and Miranda as something inevitable and intrinsic; it's almost as if they were born to this earth to love one another.
Every single one of the main characters was so well-written I felt as if I knew them personally: The Earl and Miranda, Maude and Imogen, even Miranda's cute pet monkey Chip who likes to remain in the room while the Earl and Miranda are making love. Even the chemistry between Maude and Henry is captivating.
Don't miss out on this great book. Many hours of romantic entertainment and fulfillment are in store for you if you buy and read this novel. (And as a last suggestion, if you loved this book, you might want to check out the French film "Queen Margot" as well.)
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The author of "Mama Zooms" and "Baby Angels" returns with a successful follow-up, inspired by her own sons' love of toy farm animals. The gentle illustrations are done in pastels, creating a playful yet relaxed structure. The line-drawn pencils are light, not harsh, giving an extra dimension to the tender setting. Preschoolers will enjoy sounding out the animal noises. An extra treat is the nap Will takes at the end of the story, making "Farmer Will" a perfect book to read to a young one before their midday slumber.
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I also read the book with the hope to find out whether urban planning could serve as an analogy for software development. I think that it can, but I haven't thought about this enough to express the ways in which it's relevant. Jacobs writes that neighborhoods which have particular properties (short blocks, diversity of primary uses, etc.) will "work" -- that there are properties which, when present, almost guarantee that neighborhoods will thrive. I have a feeling that such properties exist for software development teams and the systems they develop; the question is what they are.
This book is one of those that stay with you, and influence your thinking in other areas.
From the outset, Jane Jacobs makes it clear that this is an attack on City Planning as it's done by most city governments. It's almost Jeffersonian in its recommednations: teh cities that are the most livable are those which are the least planned by top-heavy, over-manageed bureaucracies.
Like all whose insigts are brilliant, Jacobs' observations and recommendations are deliberately distorted or totally ignored by those who are actively involved in "city planning" in nearly every American City.
THE ECONOMY OF CITIES and Jane Jacobs' writings generally, serve to illustrate the major problems for those with brilliant insights, sagacious advice, and great wisdom: the people who should be the prime audience are not interested.
A simply wonderful book.
Lancelot Fletcher lrf@aya.yale.edu
Ray adds to the book's charm with her multicultural representations of characters. In addition to traditional (Caucasian) depictions, readers encounter a Black "Beauty," a Chinese "Aladdin," a Moroccan sorcerer, a henna-tattooed Indian princess, and a variety of other diverse characters. While the stories all hail from Western Europe, the illustrations and character portrayals add an element of multiculturalism and diversity.
Although many of the story titles are familiar, they are by no means ordinary or generic. Berlie Doherty has traced them back to their roots in order to maintain the original "essence" of the classic tales she has chosen. In a generation where many fairy tale classics have been altered and homogenized by the entertainment industry, Doherty's return to the original versions is both refreshing and pleasantly nostalgic. Fairy tale novices and veterans alike will be enchanted and intrigued.
This book has quickly become a valued treasure in my collection for its unique appeal and beauty. The text is candid and honest, incorporating elements of humor, sadness, joy, and more while still maintaining the original "magic" of the tales. A great book for yourself or as a gift - I highly recommend it!
This one includes a variety of stories, all well known, from the obvious choices, like Cinderella and Beauty and the Beast, to Aladdin, and the Wild Swans. The stories are told well, though without any newness - these are familiar, comfortable stories.
Ah, but it wasn't the tellings of the stories which had me sold on this book. Jane Ray's illustrations are utterly beautiful. Normally, I am a fan of neo-renaissance illustrations - almost realistic, almost three dimensional, and full of elegant landscapes (See Kinuko Craft's work) The illustrations in this book are flat, far more stylized - but they're full of movement and feeling, and they look like they came from the best of medieval manuscripts. The touches of metallic gold only add to this impression. The full colour full page illustrations are also complemented by silhouette illustrations and border images along many other pages. This is inspired art, lovely to look on, and perfectly matches the feeling of fairy tale stories.
Hilda Faunce leaves her comfortable Seattle, Washington, home to journey to the Southwest and the Navajo reservation with her husband in 1914. While one may think that everybody had cars back then, the Faunce's made their way in the manner of the original pioneers: by wagon.
Hilda's journey is not so much a journal of her trip as it is her life on the reservation between 1914 and 1918. Hilda's writings are indeed an historical eye-opener.
First, there is the problem with the language; then the protocol; and the normal daily variances of two races trying to live side-by-side. Cultural diversity may be a late-twentieth-century term, but the fact is that many in America were already experiencing this phenomenon.
The entire journal is mesmerizing; Hilda uses very descriptive language to convey the sights and sounds of the unusual customs and landscapes that she encounters that transfers the listener to reservation life during the second decade of the twentieth century.
Two aspects were particularly telling of a different culture: contending with a white-man initiated illness and the onset of World War I.
The Navajo's were forced to face and contend with small pox, a deadly disease they had never known until the white man arrived. Many of Hilda's new friends died, devastating the young woman.
Newspapers were a rarity and treat on the reservation, so Hilda did not know much of what was going on outside her and her husband's little trading post. While the world was trying to blow itself to smithereens, the Faunce's and the Indians were trying to make a living by mainly trading...especially furs and foods.
Desert Wife is an important historical document that from which we can all learn tolerance and the need to just get along!