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The story is about Jenna, a thrice-orphaned girl of the Dales (a fictional region) being raised by followers of Great Alta, the Goddess. These women--mostly unwanted daughters of local peasants--train for years to call up their "dark sisters." Jenna, who was born with completely white hair, may be the Anna foretold in prophecy.
Stuff happens.
Interspersed among the actual narrative chapters are ballads and myths of the Dales, as well as a pretentious contemporary historian's interpretation of the events of the story. Through his impeccable application of scientific method to historical research, he manages to get just about everything completely wrong. It's hilarious.
The third volume in this trilogy, "The One-Armed Queen," was a disappointment to me. While it was a good book in its own right, to me it didn't feel related to the other two--it worked on its own, but it was not part of the series. It concerns Jenna's one-armed adopted daughter Scillia, who seemed much less interesting than Jenna. Oh, well.
I highly recommend the first two books.
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I have been feeling guilty about replacing my paperbook books, which are literally in tatters, with the relatively expensive hardcover versions. Yet in reading prior reviews, other people have done exactly that! How many other cookbooks actually require replacement anyway?
Having Jane Brody's cookbooks is like being a member of an elite club. Once you own them, you realize that you know more than most people. Brody is a master. Do not miss out on this and other fine books by Brody.
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Ms. Hirshfield uses literary and religious allusion freely, but this is no glib new age-ish miracle cure about the artist's "mystic journey". Instead, she uses the symbols of faith and skepticism as a rich metaphoric base to try to explore the goal and inner working of the effort to write a poem.
This work does not pretend to be some Quran of poetics, complete unto itself or changeless. Instead, the author surveys her task like a visitor to the crater of diamonds park, hunting for something shining among the crystal.
What I like about this book is that for all its rich allusion and reflections on symbolism, it's an accesible, affirming and non-saccharine take on why we are poets, and what it means to us.
My only quibble with her work is that the influence of eastern thought on the western American poets comes through much more clearly than the effect of the American experience on these same poets.In the poetry I read, Sandburg, Millay, and Forche spring from very different places with radically different voices, and yet each has an "American" tone that is unmistakable. It's not a matter of "nationalism" per se, but a matter of history and the lasting impression of the American experience. It's not a fault of the book at all, but a perspective I missed.
I think this is a great book to own for anyone who has pondered the "big questions" of poetry--what does it mean? why do I write?
In the abstract, an essay on poetic philosophy sounds filled with dull pretension. This book is anything but dull.
I unabashadly admit that Jane Hirschfield's book attracted my attention because 1)I've grown increasingly interested in essays about poetry and 2) because I've lately been somewhat obsessed with the number 9 - finding it's way into my own poems more than once. So, what a wonderful surprise - to find this slow, satisfying read of a book unlocking so many gates for me - to things like increased appreciation for the connections between poetry and spirituality, new admiration for ancient Asian poets I'd never known anything about before, and consequently more about the joys of translation.
The dramatic denouement came surprisingly at the end for this reviewer - as she explored again the area of living on the liminal edge. There is so much - so much the other reviewers have all ready praised and recognized. I'm eager - now - to read some of Jane's poetry.
It was especially enjoyable to read "NG" in tandem with "Soulmates" by Thomas Moore, "Poetic Medicine" by John Fox, and David Whyte's "The Heart Aroused."
To the reviewer who queried about the mystery of the "Nine Gates" - it is a curious thing that the title phrase does not receive one reference in the entire book. It seems there might have only been one outside reference - perhaps on the cover or in the preface - alluding to the nine essays themselves to be the nine gates. Someone had to come up with a concrete answer I suppose. For me, this is associated with another fellow reviewer's comment, that roughly read, "The book itself is a poem." Ah, that could be a lead. And of course, there is the hint regarding Memnosyne, mother of muses . . . A lovely mystery that might introduce us to awe.
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The central plot of PRIDE AND PREJUDICE concerns the very British Bennet family's attempts to marry off their five daughters and all the subterfuge and machinations contained therein. The first two-thirds of Cohen's book borrows fairly heavily from Austen's classic. All the main characters are here. Elizabeth Bennet is now Flo Kliman, a retired University of Chicago librarian, while Elizabeth's sister Jane shows up as May Newman, a softhearted widow. Mrs. Bennet is turned into May's daughter-in-law Carol, a woman who "was constantly striving to improve the lives of those around her, whether they liked it or not." Carol believes May is depressed and needs some companionship, preferably of the Jewish widower variety. She, like Mrs. Bennet, hopes to help her mother-in-law snag a live one, whether May likes it or not.
The man for whom Carol sets her cap (a turquoise sequined cap, I'm sure) is Norman Grafstein, a fellow Boca resident and acquaintance from back home. The courtship of these two septuagenarians is, of course, not a smooth road --- nor is the improbable but inevitable romance that develops between May's friend Flo and Norman's friend Stan, the Elizabeth and Darcy of the book. In a portrayal of retired life that is neither overly sentimental nor tragic, Cohen allows her characters to be real people who enjoy and embrace life. The men, especially, view their retirement as a second youth. Feel free to insert your own Viagra joke here. The women form remarkably close friendships with each other --- and at times, it sounds more like they are all kids away at summer camp than in their "twilight years."
Like Jane Austen, Cohen has a flair for observations and dry humor. Carol, who is a force of nature, is seen by May as "the incarnation of a good fairy in the guise of a suburban yenta." On noticing another friend's "unusually extensive cleavage," Flo thinks, "breasts, beyond the age of forty-five, she took to be assets best kept under cover. Flo was distinctly in the minority among her peers in Boca Raton, however, where cleavage was as common as Bermuda shorts and often worn with them." Cohen's story is much less pointed than Austen's. Her characters may be fools, but they are well-meaning fools. The plot moves quickly, as one might expect with a novel that weighs in at only 258 pages, but one has plenty of time to get to know the characters and to root for them as they find much deserved happiness.
In EMMA, another of Jane Austen's classics, she writes, "Surprises are foolish things. The pleasure is not enhanced and the inconvenience is often considerable." Cohen must have taken this advice to heart, as the reader will probably see the end coming a mile away. It may be predictable and fluffy, but JANE AUSTEN IN BOCA is satisfying, like a nice chewy bagel or maybe some mandelbrot or some kugel or a sweet piece of rugelach. Maybe my next book should be a cookbook.
--- Reviewed by Shannon Bloomstran
Jane Austen in Boca is a Pride and Prejudice novel set in a modern-day Jewish retirement residence in Boca Raton. Unlike many efforts to borrow Jane Austen's plot lines, this book successfully translates the plot into its setting. The characters are witty, sometimes funny, sometimes poignant, but always interesting. Even though I knew perfectly well how it had to come out, I read as though I were in a genuine state of suspense. In other words, the book lured me into its world and into the minds of its characters with enormous success. If only life were really like this!
This book is a delightful read. It is elegantly written and beautifully paced. Without Jane Austen's acerbity, it was nonetheless both compelling and comedic (in the classical sense of the term). I look forward to more fiction from this author.
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Like that Holmes guy, she's been so popular that Perry tried unsuccessfully to get shet of her for three novels. And maybe she will "rise from the dead" once more. Meantime, there are three good novels (*Vanishing Act,* *Dance for the Dead*, *Shadow Woman*) and two better-than-average-but-kind-of-half-hearted ones (*Face-Changers,* *Blood Money*). In each of the last three books, Jane promises her husband that she will stop now. Perry's done two novels since *Blood Money*, and it looks like Jane's last retirement took. What a shame.
In *Dance for the Dead*, the action begins on page one, and by page five Jane has fought her way through a gauntlet and five or six key people are dead. From this dazzling start, it's a wild ride of switched identities, super-killers, and Jane's mysto/techno woodlore that brings us, breathless, to a celebration on the Seneca rez. On the way we meet a woman we learn to love almost as much as we do Jane.
Wow. Read this book.
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Joy Adamson has left behind a legacy of these fascinating books that moves us to treat our world with respect and have a better understanding between human-animal relationship. Joy Adamson before her death had also written, 'Living Free: Elsa and her Cubs' and 'Forever Free: Elsa's Pride.' Her family extended even further across the grasslands of Africa as she tells about them in her other books, 'The Spotted Sphinx' (about Pippa the Cheetah), 'Pippa's Challenge,' 'Pippa: The Cheetah and her Cubs,' 'Queen of Shaba: The Story of an African Leopard,' and 'Friends of the Forest.' Joy Adamson's book 'Peoples of Kenya' reflects upon the life of the Kenyan people, her concern for the people welfare there and their struggles to make an existence in a harsh, beautiful land. If you want to know more about Joy Adamson read her autobiography, 'The Searching Spirit.'