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Canham seasons her work with her life's experiences. She grew up an evangelical Christian in England and is now an Episcopal priest in the US. She lived in Manhattan and in a monastic situation in rural South Carolina. These experiences make visible the very Benedictine understanding of life as pilgrimage. Her work is well informed. Her understanding of Benedict's insights allow me to take up these practices in a life in which I fend off chaos and disorder. And that seems to have been a part of Benedict's vision in the disorderly 6th century.
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Editor Williamson's introduction is simplistic and unhelpful, apart from giving the reader a basic chronology of the publication history of the manifestos. Williamson appears unaware of the recent research by Carlos Gilly, et al. that illuminates the status of some of these reprints as pirated editions, etc.
The book then goes on to include: The entirety of Thomas Vaughan's 17th century marginalia to the English 1652 edition of the manifestos, followed by; the first & second prefaces to the Fama Fraternitatis from the Kassel 1614 & 1615 editions; Traiano Boccalini's brilliant satire 'The General Reformation' which was published in the editio princeps of the Fama; the Fama itself; The Confessio and its preface; and lastly, the Chymical Wedding of Christian Rosencreutz, anno 1459 (Foxcroft's 1690 translation, with the marginalia deleted). An extensive selection: the only major missing texts are Phillipo a Gabella's 'Brief Consideration' and Haslmayr's 'Antwort'; both of which are important peripheral pieces.
This particular edition is of usefulness because of the inclusion of some helpful annotations (although these are largely copied from F.N. Pryce's edition of the _Fame & Confession_), and the inclusion of the entire Boccalini extract (previously only available in a truncated form in Waite's _Real History of the Rosicrucians_).
My recommendation, however, is that this text is read in conjunction with F.N. Pryce's earlier work. Pryce's extensive critical introduction and annotations are far more useful than Williamson's clipped commentary, and each volume contains source materials not found in the other. As always, both books should be consulted in conjunction with more modern, and careful, scholarship: particularly of that of German scholar Carlos Gilly.
can't say I really liked the contents, though. It has the original
Rosicrucian tracts, which seem to basically say that they think people
aught to follow the teachings of Jesus (a fine idea). The first publication
was accompanied by a spoof called "The General Reformation" translated from
some Italian work, which implies that the whole suggestion of a brotherhood
is a farce. To make matters more absurd, the first English publication was
accompanied by a alchemical work (which is absolutely dreadful) -- this has
an amazing amount of obsfucation just to hide the fact the author (Thomas
Vaughn) didn't know anything. Likewise, at the end of the volume is
another alchemical 'allegory' which is utter dreck, but is assigned to the
Rosicrucians. According to the editor of this book, Williamson, this last
work was even admitted by the author as being something to see how
gullible people were (very, based on a brief search on the internet). Again,
the book is very well done, and the editor has a nice introduction and some
good footnotes (I wonder what his opinions on the Rosicrucians are -- he
remains carefully neutral).
If you are interested in Rosicrucianism, put down all those modern New Age books written by people who don't know what they are talking about, and read these stories, which are the only ones known to have been written by the original Rosicrucians themselves.
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A significant vexation is the absence of an index, needed so that readers might more readily find those passages they value most. The book's primary problem, however, is that there are few selections in it that set our hearts ablaze, truly, precious few that we wish to read more than once. Mostly, Fr Groeschel seems concerned with keeping to his scheme of describing the various stages of religious conversion, and finding selections that fit his categories. He seems less concerned with finding selections that "grab" the reader by the heart or soul and keep the reader enraptured. Most of the selections can be aptly abridged to read, "Be good and pray often." A noble admonition. But to get to that message, we are made to endure a disaffecting prolixity.
What we miss most of all when we peruse THE JOURNEY TOWARD GOD is the sound of Fr Groeschel's amiable, tough, intelligent, wry, humorous, charitable voice. For this, we must put aside his anthology, and turn to his other books.
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The Benedictine approach is something rarely discussed in my circle of fellow Christians and in the church that I attend. Some of the language used was awkward and foreign to me at first. The message, however is wonderful. We can all find greater spirituality in the ordinary things that we do. We can all find greater peace and love in Christ every day. Because some of the ideas were somewhat new to me, I had a slight feeling of "aloneness" when I started reading the book. Then at the end, it was all brought together in one of the most powerful thoughts: "Living the Gospel is about being in Love. It is knowing that we are never alone"
This book will most likely be one of the few I keep close by and reference frequently. It is a book that draws the reader back to the wisdom it offers.
This means, mostly, that his comments on meaning and media are striking. It also means (unfortunately) that he provides little in the way of concrete or rigorous argumentation. Thankfully, this is not a problem if we consider the book a collection of inter-related aphorisms. In any case, Baudrillard "the poet" instead of Baudrillard "the theorist" allows us to conceptualize the expanding domain of media technologies in a different way. Whether there actually -is- anything to his claims will have to be shown by someone else.
Since this book has had something of an influence on art criticism, I recommend it (albeit, with strong reservations about its basic claims)to anyone interested in cultural theory, the arts or any sort of contemporary "critical theory".
This collection of essays are brilliant in that Baudrillard knows how to probe beneath the surface of art,of culture, like Madonna, Michael Jackson or current Hollywood, and the politics of Europe,of the demise of communism. He does it within a formant structure,with many levels of meaning spewed out in all directions. He is a virtuoso in that respect.
What structures material reality? what directs it is not probed however with any degree of conviction and I think that is where his focus should be.You needn't be a Marxist to harbor these convictions simply ahumanist concerned with the direction of the world.