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First, the Divine Comedy Itself. I first read the Inferno as an Undergrad in general ed. I just loved this story as challenging as it was to read. Curiosity got to me, and I bought this edition (the same as I had read for the Inferno). The book got much more challenging to read as it progresses, perhaps because the imagery is much more abstract, but it also gets more fantastic all the way through. The Paradiso definitely fits its purpose as a climax. The whole of The Divine Comedy is a good story of the spiritual journey of one man through "the afterlife" so to speak. I love the interaction the book takes of Dante's interaction with history and religion, biblical and mythical. It is an interesting perspective that shows the genious of Dante the author.
As for this particular edition. I could not tell you it is the best as I have never read others. I've heard this is one of the few that has tried to make the translation stay true to the original Latin poetic form Dante used. I also think it is wonderful, and from my point essential, that this edition comes with extensive notes that help explain in layman's terms what is going on in the story Canto by Canto as well as line by line explanations of the different references made to historical people, places, and events as well as literary references.
In sum, all I can say is that "The Divine Comedy" is worth a read especially if you are up to the challenge. I am not a literary expert; I work in engineering, but I find this the most fascinating literature I've ever read. Most of all, it is inpirational, the quest of one man to find his true love, facing Hell and more...
I particularly enjoyed reading about the many colorful people he encounters on his journey. It is interesting to see the people he puts in hell, purgatory, and paradise and to hear their stories. Many are famous historical figures. His comedy has many examples of allegory, prophecy and even theology. He tackles issues such as the Atonement, divine justice, and free will. The story includes many references to both classical pagan stories (e.g. Greek mythology) and Christian writings (e.g. Thomas Aquinas). The only downside (in my opinion anyway) is that Dante devotes too much time to philosophical discussions relating to Aristotle, who was popular with nearly every prominent medieval thinker. These discussions slow the pace of the poem at times.
This particular edition contains all three parts of the comedy and is unabridged. The low price is a plus too. It is in prose, although the language is pretty stilted. It uses "thees" an "thous," for example. This is not necessarily bad because it makes the story quite dignified, but some of the sentences can be very difficult to understand. Here is an example: "Thy kindliness not only succoreth whoso requesteth, but doth oftentimes freely forerun request." Fortunately, there are long introductions that summarize each chapter (canto) and numerous endnotes, which explain in detail the people, places, things, and ideas of Dante's work. Overall, I highly recommend the Divine Comedy to every reader, especially for those interested in medieval literature. Still, you may want to find another edition.
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The premise behind the book is that the road to spiritual perfection consists of passage through seven mansions. The last mansion is the Interior Castle in which God dwells. In each succeeding mansion the soul reaches a higher level of sanctity and the attachment to the world decreases as the soul comes closer to God.
Although some portions of the book describe experiences beyond the expectations of modern readers, this work still provides us all with an insight into a way to draw closer to God. While this book does not provide us with the only route to Heaven, I recommend it to all who are searching for guidance in their spiritual journey
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Our story really begins when Nikos takes her home to his family on the Greek island of Ifestia where she realizes the ways and customs are quite different from the freedom she has taken for granted in the USA. Finding herself ruled over by a dominating Mother-in-law she does her best to fit in. The language barrier slowly becomes less of a problem as she grows to love the island but there is much more to living the ways of the past than she will ever be able to assimilate.
This was a wonderful book filled with more than a love story gone awry. It is the telling of a past political uproar and the wars and strife suffered by the people of Greece at the hands of the Nazi's, Turks and sometimes their own countryman. It is a story of personal freedom. I would give this book 4.5 stars if I had the option and I look forward to reading more titles by this author. Kelsana 3/30/01
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This is a step up from "A Tale of Two Cities" when one is considering historical context(Tale of Two Cities is nearly totally one sided in it's opposition to the Revolution, not describing the tremendous danger to Paris posed by Berlin, London, and rebels in Normandy). However I suppose Tale of Two Cities is a step up as far as literary merit.
This specially applies to his plot-structure which is one of the best I've come across.
Hugo's rather naive artrifices and linking devices,which he used for making tight plot structures,but lent an unconvincing coherence in his earlier novels are absent-giving rise to an ingeniously linked sequence of events-where every event,keeping in mind the moral purposes which the novel seeks to achieve and the moral premises and goals of the characters,necessarily leads to the next event,to the climax and the resolution.
The theme,most appropriately pointed out by Ayn Rand is:"Man's loyalty to values."
How every character and every event expresses the theme is the greatest technical virtuosity a writer can achieve.
(However,as I see,Hugo's conscious intention was to dramatize:"The conflict between the logic behind the French Revolution and the philosophy behind the French Revolution.)
The plot-theme is:"The conflict which arises when a ruthless revolutionary(of the French Revolution)-a priest- is sent to keep a watch on a courageous but compassionate revolutionary-the only man he loves in this world- pursuing his granduncle-a proud,haughty,fanatical Royalist-with three innocent children and their helpless mother caught up in the cataclysm of this savage,frantic battle."
The merits of this novel are numerous.First of all,it is one of the best suspense-thrillers among the explicitly philosophical novels of the 19th century.
The neck-breaking speed with which the events suceed one other will keep you biting your nails till the last paragraph.
Secondly,every page-nay,every line in this novel gives a sense of something profoundly important,grand and dramatic.There isn't a sentence,conversation or scene which is trivial,silly or commonplace.Everything is grandiose,with a heightened sense of solemnity and tension.
Thirdly,one cannot overlook Hugo's heroic view of man.Whether it be a literate beggar or an illiterate peasant woman;a wicked rebel who can go to any lengths of inhumanity or a young soldier who has lead an insignificant life-every character has been endowed with such moral courage,focus on one's values and goals,strength of conviction,fearlesness,intransigent integrity and above all,such a capacity to value one's values-that one has to conclude that for Hugo,man was a Titan or a Giant-nothing less than a demi-God.
I would not call "Ninety Three" Hugo's greatest achievement since it's scope is rather small.Further,Hugo's usual obsession to insert long historical and political essays hadn't left him while he was writing "Ninety Three".Luckily,they maybe ignored.Anyway, I would recommend them for their fascinating poetry;compelling,powerful style and tremendous universal significance.
It is strange that although "Ninety Three" is a thoroughly interesting read-moreover glorifying humanitarianism,compassion and non-violence-it is not a well known novel.One of the common criticisms is that,as the critics say,it has "unreal characters" and an "exaggerated sense of heroism".
But let me tell you this reader:If you want to look up with a sense of worship to the image of the Ideal-the Ideal whose essential nature you might not have grasped;if you want to take pride in the fact that you are a man;if you want someone and something to affirm your deep-rooted conviction : "Yes,it is possible",then you ought to read Victor Hugo's "Ninety Three".
The Marquis of Lantenac is an old aristocrat fighting to restore the Regime, in the La Vendée uprising. He faces his nephew, the Vicomte of Gauvain, who fights for the Revolution. The scenery is the beautiful Bretagne, in Northern France. Hugo rounds up the story magnificently, explaining the reader what is going on in Paris with the different factions and leaders. So the story is not isolated from main historical events. These give it a full context, and in turn the story enlightens us about what the fight is about. The climax comes in the battle of La Tourgue, where uncle and nephew face each other in a dramatic fight. The revolutionaries win, but Lantenac returns to a castle, to rescue three children caught in a fire. He is imprisoned, and here the drama reaches its highest: Gauvain is told to execute his uncle. The ending is a hard confrontation between political reason and personal values, a subject explored in great literature since "Antigona", by Sofocles. It's clear why this eternal confrontation is tragic: no solution is devoid of an extremely high price. A less-known but excellent work by one of the best novelists there has been.
I'm not particularly knowledgeable about this era of history; I'll leave that aspect of the novel to the judgement of people who are. As a novel it's very fine. The structure of the book allows us to gain snapshots of the war, which also enables us to access the war -- another way to say it is that Roberts never drowns us in detail. The protagonist is not the hero of the book -- Arnold is -- but by showing him always second-handedly Roberts manages to avoid the "hero pulp" trap. The style is sturdy and workmanlike, and because Roberts doesn't seem to be stretching for poetry it remains readable, while a lot of books from this period have dated badly.
It's faults are few. A sidetrip to the Sac nation could probably have been cut with little damage to the main narrative -- it feels like padding. The final climax seems like it could have been played out on a much bigger scale, but this may just be attributed to changes in taste. (A lot of classic "swashbucklers" are not action-packed in the sense that a modern reader would understand the term.)
And in some ways the distancing that works so well for Roberts also hurts him, in that nothing in the book is ultimately engaging the way the best of Dumas, say, is. Still, a very interesting, readable book.
The historical characters jump off the page like Arnold, Daniel Morgan, Horatio Gates, Philip Schuyler, John Sullivan, and James Wilkinson. We get some insight into their character and thinking through Roberts' accessible writings style. Roberts builds on his previous novel of Arundel by utilizing many of the characters such as Cap Huff and Steven Nason of that fine book. His narrator is a Maine sea captain Peter Merrill who enlists in Nason's company in early 1776 and follows his travails including a long captvity with western Indians after Valcour Island. We meet up again with Marie de Sabrevois who works her nefarious schemes on the gullible brother of Merrill. How that all turns out is the underbook of the whole novel.
But the real story is the that of the Northern Army who after 2 years of disease, retreat, incompetent leadership, limited food and clothing supplies and military disaster showed amazing resilience in 1777 and defeated the British at the critical phase of the war. Do yourself a favor and read this great book. You'll enjoy every page.
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Finishing Becca is one of the best book Ann Rinaldi has written.
I recommend it to anyone who loves historical novels and just wanting a great book to read.
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In his novel Dark Eagle, John Ensor Harr has taken a person known by name only to most of us and made him a real person. Now we know why he did what he did. Of course, I can't go into details as it would spoil the fun for everyone else. And trust me on this one, it is fun. Suffice it to say, if you have ever wondered just what did this guy do to deserve such a bad name, you really want to read this book. It is a great read; Hollywood should be scrambling for this one. Rich with visual imagery, from the dust on a man's uniform to crumbs on a banquet plate, you really feel as if you were there. Not only are we introduced to the main character, but a whole support cast that make this story a tapestry of period elegance, as well as intrigue. Fans of history, drama, war and mystery will all enjoy this book. I highly recommend it.