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Brubach does a workmanlike treatment of the material, including some outstanding documentation of Parisian icon J. Alexander, but it's O'Brien's photos that make this book a must for anyone interested in transvestism, drag or late 20th century glamour. This former student of Walker Evans certainly carries on the documentary tradition brilliantly here, with this non-cliched, deeply sensitive portraiture.
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Like most artists, Turrell shies away from giving detailed explinations of his works so that each individual can surmise the piece for themselves. This is not necessarly the case in this work. Turrell wanted, (and did) to build a specific "skyscape" in order to view an eclipse that occurred in England. Like his other "skyscapes," Turrell took the environment and all of its factors, as well as very specific geometry, into account, so that he could construct the perfect medium through which to not just observe the eclipse, but to better magnify the light, or lack thereof, of the eclipse.
The book is a wonderful look at this process, complete with analysis and pictures of the eclipse, the "skyscape," etc. An added bonus is the cd by German composer Paul Schulze, who's approach to his music (a minimalist ambient style, normally) is a perfect match to Turrell's art.
Fans of Turrell, or those who are interested in the interplay between light, our senses, and the reality they both help us create, will find this rather short treatsie to be of invaluable use to them. A wonderfully intriguing work.
one letter, by King James himself to Robert Carr in 1615, complains about a number of issues, including: "I leave out of this reckoning your long creeping back and withdrawing yourself from lying in my chamber, notwithstanding my many hundred times earnestly soliciting you to the contrary." (Young, p. 43)
Villiers, on anticipating his return to England from his Spanish posting, told King James: "I cannot now think of giving thanks for friend, wife, or child; my thoughts are only bent on having my dear Dad and Master's legs soon in my arms." (Young, p. 47)
while King James did write about sodomy as a "horrible" crime in his Basilikon Doron, "Sex with subordinates was a prereogative of patriarchy, and James was the chief patriach of the whole realm." (Young, p. 48) "James could have been perfectly earnest in condemning sodomy while simultaneously engaging in what we today would call homosexual behaviour" (Young, p. 49)--because the "legal definition [of sodomy] was extremely narrow. It specified only one sex act between men, anal intercourse, and excluded all other genital sex acts." Furthermore, as James is said to be "a notorious hypocrite where swearing and drinking were concerned; he could simply have been the same where sodomy was concerned." (Young, p. 50)
Did James play the hypocrite, preaching one thing fr one side of his face while whispering something else to his favourites? Perhaps no one will ever know on this side of heaven. It won't hurt to read Young's arguments and decide for yourself.
It discusses both the personal history of King James (of the King James Bible fame) and public perception of homosexuality during 16th and 17th Century England.
For readers not already well acquainted with King James, such as myself, the opening chapter establishes his history. And it does a good job -- not only did it enable me to follow the rest of the book, but subsequent histories I've read of King James didn't add anything surprising, meaning it was sufficiently thorough.
The next chapters examine the evidence that James had sex with his male favorites, what the court and subjects thought about it, along with the various terms, codes and historical analogies that James' contemporaries could discourse about sex between males.
Subsequent chapters discuss the relationship between homosexuality, effeminacy and pacifism vs. heterosexuality, masculinity and war, how James's homosexuality affected the reign of his son, Charles, and what contemporary and later writers said about James's sexuality, concluding with comments on the general history of homosexuality.
Fascinating book. It has an element of the tabloid (with juicy excerpts from James' love letters) while also very thought-provoking. I have purely a layman's interest in the subject, and I had no trouble following the author's language or arguments. For more serious historians and researchers, everything is very thoroughly footnoted and annotated.
I *HIGHLY* recommend it.
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These 4 tapes (four hours) are a golden tapestry woven by three men who use combinations of ancient stories, poetry and psychology (stripped bare) to unmask the problems men face in todays relationships, work place and most of all, the talk of "what is desire". Poet Robert Blye (Iron John & Sibling Society), psychologist-author James Hillman and mythologist and story teller Michael Meade lead this 4 hour session interacting with 750 men.
The problems we face as men are great. With more than 50% of the homes in divorce, there is a hunger for the father and for mentors. Women don't want to be mothers to their men, they want men who can be responsible. Kids are killing each other and pressure is building on what is left of the family. Men have become soft, passive. Many have never been initiated, taken a mentor or have never gotten close to their elders. When the marriage comes under pressure, men and women run to their families and Lawyers, the men move out and and responsibility and outcome is decided by the court. The excerpt from Iron John that Blye recites about the work that the boy does "in the Walled Garden, where the lovers meet" meant so much more to me in this setting, combined with all the other material.
I loved James Hillman's translations of older cultures and language as well as his poking at the modern Therapy gurus. Blye, whose book Iron John lead me to these tapes, paints a very graphic view that our trouble, as men, has been evolving/growing long before the industrial revolution. Woodstock, Vietnam and now Clinton (who did not inhale) are just recent road signs on this journey. Michael Meade address and moves the throng with "Sooner murder an infant in it's cradle than nurse unattended desire" as well as his telling of "The Firebird" story. All three also recite many poems that are also included in "Rag and Bone Shop of the Heart" which is a compilation of all their favorite poems.
I have listened to these tapes many times and grown as a man as a result. As Michael Meade warns that "if you are seeking to understand desire you are courting trouble". The alternative is to go through life "just window shopping! You gotta buy something. Become part of the give and take". So try these tapes, men (and women) and find out that there is more.
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"Miniature Rooms" begins with a brief history of Mrs. Thorne and how the rooms came to be. The rest of the book is a complete catalog of the Rooms, divided into two sections - the European rooms and the American rooms. Every room is beautifully photographed from at least two angles, using the existing lighting in the rooms so that each has the same realistic quality enjoyed in the Institute. Along with each photograph is a description of the room and its furnishings. I would recommend "Miniature Rooms" to anyone who enjoys the Art of Miniatures.
I'd love to own a room box or two but would REALLY love to have a full-scale version of these rooms to live in! So realistic and detailed!
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