From A to Z you'll find interesting clips about different gods, goddesses, myths, legends, heroes and villains. You find Roman, Greek, Norse, Jewish, Buddhist, Hindu, Muslim and Christian traditional portraits of gods, saints and demons all in this 800 plus page book.
Assembled is the most complete set of entries I have ever seen. Am impressive list with an even more impressive explanation of each entry. The author has really done his homework with book. This would make an excellent reference manual for every student and teacher.
Check out Facts on files website for more books in all kinds of categories. While this book is a little on the pricey side, I assure you, you'll be hard pressed to find any book that even comes close to this one, this one is in a class by itself.
Perhaps the best thing to say about this particular resource is that it attempts to present a concise point of reference for the more famous aspects of mythos and legend over the entire span of world culture. The book is not as concise with specifics as some would like, but it does provide a factual representation based upon analysis of the folklore rather than popular culture's influence, and that in itself is worth the price.
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In "Liftoff," Collins relates the history of NASA's spacecrafts and the people who created them. The best aspect of his story is that it is not a timeline of spacecraft A, spacecraft B, spacecraft C, etc. "Liftoff" is an appreciation of the clunky Mercury capsule, the complex and triumphant Apollo spacecrafts, the grace (or at least relative grace) of the space shuttle, and so many other NASA innovations.
Partnered alongside the machines are the early NASA pioneers who envisioned them. Collins lets you in on the aims behind their designs. He also writes about these men as professionals, some of them visionaries, and others just nuts-and-bolts engineers.
So "Liftoff" is a great read for what it is and what it is not. It is not a NASA history with the adventure, drama, and action of space flight (although that is often very exciting to read). Instead, it is a technical book for non-technical readers, a NASA history for non-space buffs, and a personal story about machines.
After reading Collins' "Carrying the Fire" and "Liftoff," I believe that no other author has ever written as well about NASA. Only Andrew Chaikin has come close with "A Man on the Moon." Collins transcends what an astronaut can say about space travel, and he does it with humor, an almost poetic fluidity, and the perspective of someone who was there.
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But those days are gone, and calculators (computers) do free the mind for other things. So the question becomes, is it beneficial to read books of this type and learn the "lost" art of estimation? The history of mathematics informs us that early mental manipulation of numbers is a strong indicator of the future development of mathematical ability. Gauss and Hardy are two excellent examples of this. However, in later years Hardy in particular looked down on those who were mere number crunchers.
Which leads to the clearest use for the techniques demonstrated in this book, namely to instruct children in the mental manipulation of symbols. By having young minds compete against a calculator, mental techniques are developed that most likely cannot be created any other way. And those methods are excellent training for future careers in the quantitative sciences. And this book does an excellent job in introducing these "tricks." All are clearly explained and detailed solutions to the problems are in the back of the book. Anyone wishing to learn how to perform efficient mental computations will find what they are looking for.
If your goal is to teach or learn how to perform calculations in your head, then this book is for you. However, one should make an effort to keep everything in perspective. The ability to perform mental arithmetic should be considered as a step toward mathematical ability and not a stand-alone indicator of such skill.
(Published in "Journal of Recreational Mathematics" - reprinted with permission.)
Muy recomendable para iniciarse en el cálculo mental.
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IVP is an overtly Christian publisher, which might make some readers, those who want objective scholarship, wary. It need not. The vast majority of this commentary is concerned with documented fact. Not all, of course. Some events are matters of controversy among historians -- for example, Herod's "slaughter of the innocents," which is mentioned by no other document than the Gospel of Matthew, and which many scholars think never happened. But, on checking the relatively "liberal" HarperCollins Study Bible, I find this isn't mentioned there either, which indicates that the verdict is still out, and that Keener has acceptable reason for taking Matthew's word on the subject. If the objectivity question bothers you, you could use Keener's book in conjunction with an ecumenical study Bible, such as HarperCollins or New Oxford Annotated. But this volume seems, to me, to be that rare book that both faith-based Bible readers, and objective scholars could love.
My biggest complaint is that, while the binding and paper are high quality, the paper is heavy & the binding stiff. It will not open flat for easy back-and-forth referral between it and the Bible text you're using.
Other than that, it's a wonderful piece of work on all counts.
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I will be purchasing the HTML 4.0 version.
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I found this book very well written and an enormously entertaining read. The author not only gives a keen insight into what Oliver Stone is about and how he works, but the book also gives a good basic overview of how movies get made and the inner workings of Hollywood. After reading this book, I gained a new respect and appreciation for all the tremendously hard working people involved in getting a story onto the big screen.
I give the book a 3 star rating because the author didn't stay true to his topic. The first half of the book was much more revealing (and interesting) than the latter half. It worked really well from up to around the end of the Platoon era. After that it seems like the book tapers off. Besides, I find it hard to believe that you can find more details and insights into Stone's early life, when he was a nobody, than you can into his later life where he is among the biggest directors in Hollywood and a much revered and outspoken public figure.
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